How are dramatic elements used to convey and enrich meaning? In the play, A Streetcar Named Desire, the theme used throughout the work, is appearances vs reality. This can be considered a broad meaning, however in this case, the two main characters, Stanley and Stella, appear to have a loving, safe relationship. In reality, Stanley is quite abusive towards Stella. That is one way the theme can be related to the text, but another interpretation is how Blanche appears to be sane. In reality, she has trauma related mental problems that become apparent throughout the text. The author tries to portray the character’s lives different then what is actually going on in their private lives. Symbolism is used in the play by Blanche’s “fancy and expensive” items. These possessions from Blanche’s perspective look new and expensive, but they actually are worn out and cheap from the outsider’s view. This shows how someone can think they are doing a good job how hiding their true self, but actually, everyone can see through their persona. Blanche tries her best to make sure her appearances are well kept; she is completely oblivious to the fact that she has severe mental and emotional problems, due to the fact that her husband took his own life. …show more content…
Take a look at yourself in that worn out Mardi Gras outfit, rented for fifty cents from some rag picker! And with the crazy crown on! What queen do you think you are?” (Williams, 127). Appearance vs reality not only means that the reader/ public can be deceived, but also a person can deceive themselves. The characters outside of Blanche are very aware of the disguise that she puts on, but Blanche isn’t aware of it
“Tragic characters are “efficient” only in courting, suffering and encompassing their own destruction.” was once said by Gassner. In A Streetcar Named Desire, Gassner's definition is valid and accurate for one of Tennessee William’s main characters in the play, Blanche Dubois, sister of Stella Kowalski. Blanche Dubois is a character who at the end leads herself to her own downfall, along with the influence of her brother-in-law, Stanley Kowalski, who perpetuates her demise. By Tennessee Williams creating a complex web of conflicting emotions, it creates tension between these characters (Blanche and Stanley). Blanche draws in our attentions with her sincere and delicate personality, which it turns out later in the play to be an illusionistic
That’s a fact!” (Williams…) She refuses to reveal her age, and it is evident that she stays away from light to avoid others seeing her losing her beauty and her age. Blanche’s inner conflict gave the play an unforgettable conclusion. She “[doesn’t] tell the truth, [but instead]
However the main conflict is Blanche’s inability to accept reality or her inability to let go of her past. Blanche sees herself above her sister’s life and carries a sense of entitlement that no longer fits her environment like it did in her past. Underneath, Blanche is a liar and Stanley is not. Stanley and Stella are able to able to admit what they are while Blanche is constantly trying to hide who she is. She is unable to come to her desire and sees herself superior to the people around her.
Blanche represented hamartia in many ways which can include of her compulsive lying, creating a fantasy for herself and others, drinking antisocially, and her inability to be independent. Blanche 's dependence on men throughout the play was a main theme that Williams
The play “A Streetcar Named Desire” is about an emotionally unstable lady named Blanche. She moves in with her youngest sister and her husband because the landlord took the land away from Blanche because they could not pay for it anymore. After being their for a while Blanche starts remembering her horrible past which is something she was trying to do in the first place. The husband of Stella, Stanley Kowalski was also someone that made Blanche’s life miserable for complicating everything and harassing her in every possible way. Death is one of the most symbolic terms in this play.
It temporarily hid all her secrets and simultaneously covered the reality of life from Blanche’s eyes, but when Mitch rips off the paper lantern Blanche realises that all was revealed. Montag on the other hand, discovered that there is much more
Both Blanche's family and Belle Reve represent her dream to indulge in a sophisticated, high class, and luxurious life. When all of Blanche’s family dies and Stella leaves, Blanche loses the first piece of her “beautiful dream.” She no longer has the money to support herself, since her educational career provides insufficient funds. After the tragic loss of her husband, Blanche loses Belle Reve and loses her job, symbolizing that her “beautiful dream” has been fully crushed and the only remnants of her dream are the lies she feeds herself. This fall of social class leads Blanche to carry a tone of classism.
Blanche acts as if her life is not falling apart and carries herself as the same girl from Belle Reve. She carries herself as the most sophisticated, classy, pure and innocent than everyone else, however later within the play the readers witness Blanche’s true nature. A promiscuous, manipulative, former aristocrat with a poorly hidden drinking problem. “She springs up and crosses to it, and removes a whiskey bottle. She pours a half tumbler of whiskey and tosses it down.
This is where Blanche becomes obsessed with avoiding any type of light, whether it be in a loving relationship or an overhead lightbulb. Her reaction can be seen as an attempt hide the fact her youth is fading as well as her true nature. While staying with her sister Blanche makes several strides to stay in the dark. One of the first in a series of events she has Stanley’s friend Mitch cover a naked bulb in her room with a Chinese paper lantern stating “I can’t stand a naked light bulb, any more than I can a rude remark or a vulgar action” (114; sec. 3) shows that she would rather hide behind fancy shades than face
The audience already knows that Blanche is mentally unstable, however in this scene Tennessee Williams uses different techniques to demonstrate how the tension aggravates her case. The scene starts with Blanche dressed in a “somewhat soiled and crumpled white satin evening gown (...) placing the rhinestone tiara on her head”. Blanche is drunk and is trying to persuade herself that she is still young and beautiful by wearing a beautiful gown, however even dressed up she cannot hide her true self; the dress in itself is crumpled and soiled, exactly the way Blanche feels about herself and the reason why she tries to purify herself all the time. The audience perceives Blanche’s mental instability when she sees herself in the mirror. “She catches her breath and slams the mirror”, the mirror represents the reality, it contrasts with Blanche’s mind, in which she lives in a fantasy world where she is still young and unsoiled, the fact that she slams down the mirror shows that Blanche is surprised and repelled by her image and therefore has a mental issue with accepting reality and who she has become.
It all started with Blanche Dubois, a fallen and hopeless woman in society’s eyes. Losing her husband to suicide and her families fortune and estate, making her a social outcast due to her imprudent sexual behavior and many other flaws. One of her flaws being that she has a very bad
Blanche is an old southern Belle who expects the man to be a gentleman and in her level of class, scene 10 “A cultivated woman, a woman of intelligence and breeding, can enrich a man’s life” (Williams, 1947) this is how Blanche intertwines the past and present as past women were only there to be seen, look after the house and provide children and present Blanche could be seen to be past her prime. Blanche is representing the past as she is still dress in grand dress white moth Ironically Blanche appears in the first scene dressed in white, “the symbol of
In A Streetcar Named Desire, the author Tennessee Williams exaggerates and dramatizes fantasy’s incapability to overcome reality through an observation of the boundary between Blanches exterior and interior conveying the theme that illusion and fantasy are often better than reality. Blanche, who hides her version of the past, alters her present and her relationship with her suitor Mitch and her sister, Stella. Blanche was surrounded by death in her past, her relatives and husband have passed away, leaving her with no legacy left to continue. The money has exhausted; the values are falling apart and she is alienated and unable to survive in the harsh reality of modern society. Throughout the novel Williams juxtaposed Blanche’s delusions with
“A Streetcar Named Desire” contains a strong lighting motif that repeats throughout the play. This usually involves Blanche, a character who shies away from any light that is drawn upon her, and is especially sensitive to light when her suitor Mitch is around. To Blanche, she is still young and beautiful in her mind, but when light shines on her she becomes afraid that Mitch will notice her aging skin, her beauty falling. This motif heavily implies how Blanche sees herself and the significance to her sexual innocence. To begin, throughout the play the audience begins to understand how Blanche sees herself.
In the avid pursuit of happiness, an individual can feel compelled to fabricate the truth about themselves in order to achieve the joy that they believe they deserve. The harsh truth of reality can force us to turn to the warmth of a fantasy to ease us in our search of contentment. Such is the case in Tennessee William’s play “A Streetcar Named Desire”, where sisters, Blanche and Stella both lie to themselves and others in order to become satisfied with their lives. Through the eyes of the beholder, happiness is measured differently; to Blanche, happiness is measured in wealth, particularly a wealthy man, whereas to Stella, happiness is in the comfort of a husband whom she refuses to call abusive. When we are first introduced to Blanche, Williams