Abstract: Iranian films have a unique space in the realm of cinema. They are exceptional, simple, innovative and inspirational. Abbas Kiarostami is a prominent figure of Iranian cinema whose films received international acclaim. His extremely minimalist directorial mode, experimental style and unconventional narrative patterns make his films oppositional to the traditional feature films. He is one of the pioneers of Iranian New Wave cinema. Kiarostami’s Ten (2002) is quintessentially an experimental film which has the form of a collection of conversations. This paper intends to analyse the film Ten in the light of third cinema which is originally a Latin American movement presently flourished all over the world. The film focuses on various …show more content…
He has proved his potential as a film director, screen writer and photographer. Worked in numerous films, he has introduced many innovative concepts to Iranian cinema. His films are known for their peculiar narrative style, individualism, metaphysical tone, visual enchantment and poetic images. The Bread and Alley (1970) was the first film by Abbas Kiarostami. It was a twelve minute film depicting a school boy and a dog. After producing a few more films in 1970s such as The Experience (1973), The Traveller (1974) etc he made some short films. His widely accepted Koker trilogy on the life on the village of Koker in northern Iran was released during the period 1987 to 1994. His films like Koker Trilogy (1987-1994), Close-Up (1990), Taste of Cherry (1997) Wind Will Carry Us (1999), Ten (2002), Five (2003), Shirin (2008), Certified Copy (2010), Like Someone in Love (2012) etc enact serious discussions within the narrative structure. He got numerous awards and appreciations for his films including the Palme d’Or at the Cannes Film Festival for his film, Taste of Cherry in 1997. He died due to illness on July 4,
David Amutah is twenty-three years young and has more passion for screenwriting and filmmaking than most people will experience in a lifetime. David’s passion started at the ripe age of twelve. “My creativity
He is a very clever man with very good ideas about ways of life, he says to follow your dreams in between the lines of his quote ,“ You shouldn’t dream your film, you should make
The cause of his death was of heart failure because of his drug addiction. He is still one of the worlds most popular music
Ten days after he was hospitalized, he died. He was buried at Hollywood Monetary, on July 16th, 1931, the day after his
The cause of his death is still questioned today, most people believe he either suffered from a stroke or a heart attack (“After 91
A Raisin in the Sun PBA Unit 2 Cinematography and filmmaking are art forms completely open to interpretation in many ways such lighting, the camera as angles, tone, expressions, etc. By using cinematic techniques a filmmaker can make a film communicate to the viewer on different levels including emotional and social. Play writes include some stage direction and instruction regarding the visual aspect of the story. In this sense, the filmmaker has the strong basis for adapting a play to the big screen. “A Raisin in the Sun” is a play by Lorraine Hansberry that debuted on Broadway in 1959.
The film 13th directed by Ava DuVernay targets an intended audience of the Media and the three branches of the United States government with an emphasis that mass incarceration is an extension of slavery. It is intended to inform viewers about the criminalization of African Americans and the United States prison boom. 13th uses rhetorical devices in its claim to persuade the viewers by using exemplum in the opening seconds of the film. President Barack Obama presents statistics, saying “the United States is home to 5% of the world’s population but is home to 25% of the world’s prisoners.” Also the film uses a hyperbole in talking about the movie Birth of a Nation produced in 1915 which portrays a black man as a violent savage who will kill white women.
In 2015, HBO aired a six-part, true crime documentary series titled, The Jinx: The Life and Deaths of Robert Durst. Writer and director, Andrew Jarecki, examined the details of three crimes associated with Durst, including the disappearance of Durst’s first wife Kathy, the murder of his dear friend, Susan, and the murder and dismemberment of his neighbor, Morris Black. While the mini-series was met with acclaim, many – including myself – criticize The Jinx for its storytelling approach. The series seemingly blurs the lines of storytelling – for entertainment purposes – and journalism; raising many questions regarding ethics. Initially, Durst approached Jarecki regarding an interview after he saw All Good Things, a film Jarecki had released
The intriguing world of Casablanca, displays a wondrous mise-en-scene in fashion that accentuates emotions and feeling through aspects of cinematography. From the movement of the camera, to the intricacy of the shot distances chosen to be included within the frame, the film reveals important elements of the diegesis without uttering a sound. The cinematography of Casablanca gives the audience an insight into the intimacy of Rick and Ilsa's relationship, and seeks to situate the viewer’s attention to the space and time of the film. Throughout the film, Rick’s romantic relationship, or rather previous relationship, with Ilsa appears to be a focal point of the film.
Iran has always had a legacy of challenging the existing the status quo, be it with regards to politics, society or culture. Iran waged a revolution against the modernising Pahlavi regime to establish a conservative clerical government under Khomeini. Iranians have projected various forms of resistance to the onslaught of colonialism. Hamid Dabashi says that without these forms of groundbreaking initiatives or resistance, Iranian subject would have been historically denied or colonially modulated (Dabashi 2001:213). These modes of resistance have given a historical agency to the Iranian subject.
Soviet Cinema were established between the years 1917 to 1953. This was a time of transition and great development in the film industry. Soviet Cinema focused on creating films that dealt with political and ideological ideas that arose during those times. A Man with a Movie Camera was released in 1929. This film became revolutionary in the way it used techniques of film editing such as; constructive/linkage editing and intellectual montage and how it helped narrate the story without a storyline.
Cinematography is critical to the success of any movie. Cinematography uses composition, lighting, depth of field, and camera angles to determine what the audience sees. Casablanca’s cinematography directs the audience’s attention, shapes the audiences feelings, and reveals the theme of the movie. Cinematography directs the audience’s attention and acts as the viewer’s eyes. The cinematography highlights Casablanca as a dangerous place filled with deception.
He also directed important movies in Hollywood (IMDb). I will evaluate his three movies according to mix genre. These movies are Bullet in the Head (1990), Hard Boiled (1992) and The Killer (1989). When we evaluate these three films, we can see
Among many advocacies contributed to on-going and loosely constituted film movement “New Latin American Cinema” starts from 1960s, the manifesto “Third Cinema” highlighted certain significant traits of film in Latin America. The word “third” does not necessarily refer to the Third World, yet it suggests a particular response to the first and second cinema, namely the mainstream industrial production in Hollywood and European auteur film respectively. These cultural hegemonic countries, such as United States, United Kingdom and France, are also the imperialist enforced neo-colonialism to Latin American countries. In conjunction with the struggle for national and continental autonomy in Latin America, filmmakers endeavour to liberate people from
Baz Luhrmanns contribution to the art of film, brings about a flamboyant and revitalizing side to the industry. Through the use of cinematic language, his story telling techniques and belief in the theatrical cinema come to life. Baz Luhrmann has a very distinctive directing approach with particular techniques that define his style. He presents his films as if he were telling a story, which he invites you into. His stories are simple and he tends to give away the ending at the beginning of the film, which intrigues you to find out more about what had taken place.