In the novel, As I Lay Dying, William Faulkner shapes the plot based on the looming presence of the absentee protagonist, Addie Bundren. The reader’s knowledge of Addie accumulates through the monologues of other characters, so the reader gains only bits and pieces of Addie’s character. However, after her death, the reader obtains a better understanding of Addie’s voice through her own monologue and as a result, is characterized as cold and selfish. Through the use of similes and interior monologue, Faulkner shows Addie’s tendency to detach herself from the people in her life, which relates to the novel’s overall theme of solitude as Addie adheres to her father’s philosophy that the reason for living is no more than “to get ready to stay dead a long time” (169). Addie’s chapter takes place from the grave, so as a dead person, she reflected upon her relationships during her life. While she spoke about her relationships with family members and others in her life, she seemed to be primarily focussed on the aspect of herself that she values most: her aloneness. For example, when Addie looked back to the birth of her first child, she seemed unhappy claiming, “My aloneness had been violated” (172). To Addie, it …show more content…
Addie’s ideas are very raw, so that the reader understands that what Addie says is an accurate representation of how she feels. In this particular interior monologue, Addie explains the stress that other characters put on her, which contributes to the reason why she chooses to stay away from others. The interior monologue shows that Anse affected Addie’s self-image dramatically, because of Addie’s inability to remember life before him, “The shape of my body where I used to be a virgin is in the shape of a ” (173). The blank represents Addie “drawing a blank” or forgetting what life used to be like when she was still a
In Zora Neale Hurston’s Their Eyes Were Watching God, Janie is a young woman who struggles to find her identity. Janie Separates her exterior life from her interior life by keeping certain thoughts and emotions inside her head, and she reconciles this by while presenting the proper woman society expects her to be. Janie also silently protests to those expectations by acting against what people require of her, both emotionally and physically. When Janie’s rude and abusive husband, Joe, dies, Janie is glad because she is finally free from him.
Unlike most novels, identifying a single main character in As I Lay Dying is difficult, since the novel does not have a single narrator and follows an entire family’s journey. The novel surrounds mainly seven characters: Addie, Anse, Cash, Jewel, Dewey Dell, Darl and Vardaman Bundren. Each of these character narrates several sections in the novel, and all show important information and accounts of what happens. The entire family not only advances the main plot of burying Addie, but has their own subplots that are equally if not more important to them. For example, Dewey Dell not only travels with the family to bury Addie, but along the way seeks out a doctor to help her get an abortion.
An Analysis of Eva and Eddie The book, What’s Left of Me by Kat Zhang is a Science Fiction/Dystopian book. The book is set in a modern but different world. The book is about a girl who have a receiving soul. The first perspective of the book is the receiving soul, Eva, and the second perspective is the body of the receiving soul, Addie. The girls are going to a clinic that has one purpose, to get rid of the receiving soul.
In Their Eyes Were Watching God, Janie’s happiness and self-fulfillment greatly depended on the man whom she was in a relationship with. From, the beginning of the novel, Janie never followed the path that had the utmost value to herself; She always settled for what other people thought was best for her. This made Janie never quite content with her situation and caused her happiness and self-fulfillment to be hindered by her circumstances. The horizon, a motif representing dreams, wishes, the possibility of change, and improvement of ones’ self, is the point in which Janie’s journey of self-discovery is illustrated by.
Faulkner creates the sense of autonomy in As I Lay Dying by using multiple symbols that revolve around the Bundrens. One of the most common symbols in As I Lay Dying is Addie’s coffin. According to critic Homer Pettey, her coffin is said to be the main reason and “the focus of the Bundrens' efforts, frustrations, and fixations”(3). Pettey repeats that Addie’s coffin is an object that causes the rest of the Bundren family exasperation and aggravation from its ability to throw the world into “absolute chaos”(8). Many times throughout the novel Addie’s coffin causes situations that cause the family to have great misfortunes.
William Faulkner As I Lay Dying The two most conspicuous characters in the introductory parts of the story are Addie and Darl Bundren. Addie Bundren is the mother to Cash, Darl, Jewel, Dewey Dell, and Vardaman, and is married to Anse, the patriarch of the family.
While in William Faulkner's work, As I Lay Dying, similar themes of duty and death are explored in the less aquatic setting of Mississippi. Which is done through the observation of the effects of Addie Bundren’s death on her family. In both novels, Moby Dick and As I Lay Dying, analogous social archetypes can be noted within the stories’
The family's treacherous journey to Jefferson is filled with danger and excitement, yet Faulkner gives many doses of humor throughout the novel. The characters employ themselves in outrageous acts of irony, from Addie's rejection of her most devoted son, to Anse's concern with his false teeth instead of Addie's death, to Vardaman's calling his mother a fish. This irony would not have been evident if it were not for Faulkner's use of multiple narrators. Faulkner was enchanted by Freudian theories of psychology when he wrote this novel, and recounting the story through various perspectives allows the reader to understand each character's reaction. This enhanced the dark humor throughout the novel because the reader can see into each family member's thoughts on her death.
Similarly, in As I Lay Dying, Addie’s death could have brought her family together to complete the task of bringing her body to Jefferson. In this way, this task distracted them from focusing solely on the death. While each member of the Bundren family already had their own issues to focus on (Anse had his new teeth to keep him going, Dewey Dell was focused on her unmarried pregnancy), the moving of Addie’s coffin to Jefferson caused a distraction from her death, the same kind of distraction Stevens urged readers to find after a
“Looking, waiting, breathing short with impatience. Waiting for the world to be made” (11). Janie’s first dream is love. She believes that with love she can feel complete and happy. However, it takes Janie three marriages to finally experience true love.
This shift in the text is caused by the repetition of the words “motionless” and “silence”. Both of these words describe one thing, nothing. Nothing is what Ann feels, she has no one to fill the void inside of her that is seeking affection. Her sense of loneliness is portrayed through her personification of the feeling of being alone. As the “silence again, aggressive, hovering” over her, she felt so lonely that loneliness itself had become her only companionship.
The Comedy Amidst The Chaos The novel As I Lay Dying by William Faulkner, is a novel that would appear to be easily considered a tragedy at first glance. However, after reading and examining the novel, it becomes questionable as to what the genre of the novel actually is. The story of the Bundren family and their quest is surrounded by a tragic event, the death of a mother and wife, Addie. In spite of this, the Bundren’s quest to bury Addie in her hometown creates a series of events and actions that cause characters and the quest to spiral out of control. The death of Addie is truly a tragedy, but it is the tragedy that generates situations and circumstances that are so strange that the novel becomes comical.
The setting of a story not only includes the material, physical settings, but the context and the ‘mental’ settings of the character are important as well. Ann is still a young woman compared to John, “eager for excitement and distractions” (401) and finds her relationship with her husband monotonous; to the point where they don’t even talk to each other as she sees no point in “talk[ing] with a man who never talked” (399). In fact, Ann found most of her neighbours the same way; finding no reason to talk about crops, cattle and other neighbours with them. Ann was alone, with no one to bring any interest to her life with the exception of Steven. When Steven came over during the storm, she “felt eager” and “challenged” (403) for the first time in a while; she even changed into a dress and did her hair to impress him.
Over the course of the novel, Faulkner explores existential behaviors and questions about the meaning of life and death, as well as trying to understand the purpose an individual has in an irrational world. Characters such as Darl, Addie, and Vardaman all convey existentialistic behavior leaving them to view the world from a different perspective than other characters such as Jewel. Throughout the novel, Addie, Darl, and Vardaman all act differently than Jewel due to their existentialist ideas. Although it is important to understand the world around us, if we become submerged into our own thoughts and try to understand the complex world around us, we might lose ourselves in the process. At the heart of the entire novel is Addie Bundren, as her death and decision to be
Undoubtedly, one of the most substantial and off-putting narrative characters, is Anse- the husband of Addie. Addie dies early on in the book and wishes to be buried in a farther off town; it is the husband’s job to complete his wife’s final wish. Out loud he talks about his “duty” to his wife: to give her what she wants, but in his own POV he is partly doing it to get his “well-deserved”