Everything about this film for me was perfect. Starting with first scene, the establishment shot showing the California buildings then panning and zooming to the characters room.
For a black and white old movie, there are so many powerful techniques used that are still relevant even to this day’s horror movies.
Alfred Hitchcock (producer and director) managed to execute a horrifying film without using props and ghosts. The movie for me is psychologically
Manipulating and thrilling to make sure your eyes are glued to the screen. He Uses close up to show a characters emotions and how they express anxiety and sorrow. The conversation of Norman bates and Marion at the motel also used a close up so that we can catch Norman psychological emotion
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Norman’s creepiness is illuminated by lighting him from behind which draws the audience to view and focus in on his reactions as the car is sinking, stalling the car a bit, then sinks again. Also Hitchcock manipulated us to feel empathy to Norman as we never want him to be catch, same scene at the shower when Norman was cleaning the blood. It make you fear full for the villain
The scene where Lila finds Norma bates and reveal the plot of the movie, the director used a perspective point of view to create suspense and horror to make scene scary. Also when Lila hits the light creates that flickering feel of lighting to make the scene more dramatic.
However, Hitchcock played with the high key lighting in a different way to border his characters flaws and expose them, which is a fear that we all have and can relate; having our darkest desires held up to the light for the world to see. In a sense Hitchcock is saying with her death and his insanity, here it is and look at it. This gives way to the themes of the movie lack of privacy.
When Norman bates was in the interrogation room, Hitchcock used a wide shot to place the character in the middle of the frame to highlight the lonely and insanity of the
Hitchcock utilizes sound, camera work, MacGuffins, and plot twists to tell the storylines of the movies. Hitchcock understood the importance of camera work and sound because he began his career making silent films.12 It is why he uses many close up shots so the audience can pay attention to specific details and the emotions on the character’s face. He does not rely on dialogue to tell the story. He uses sound to help convey the message of a scene.
The lighting also links through to the sound in this part of the scene, it was shown as harsh lighting as it sharply defines the shadows from Ginger and rocky. These combinations of techniques work together to make a more extreme effect of rising panic and to also prove that the emotions were emphasized during the scene with proof from the frightened look on Ginger’s
Alfred Hitchcock is remembered as the "master of suspense", most notably in one of his cinemas, "Psycho". Hitchcock used a variety of sensory details, to shock moreover frighten his audience. Three sensory details that he used, is when we notice a cop following Marion, we see that Norman is stalking Marion, and when a shadowy figure shows up while Marion is taking a shower. The first sensory detail that creates suspense is when we see the cop following Marion. We believe that the cop recognizes something is up furthermore, is going to assert Marion for stealing the money.
The movie depiction is able to elicit fear through cinematic techniques, and the novel uses fear in a different way than the movie which is more effective in frightening the reader. Haunting of Hill House is considered a cinematic classic. Using mise-en-scene the director can elicit fear. Hill House is full of statues and mirrors,
Released September 29, 1950, Sunset Boulevard is a film noir of a forgotten silent film star, Norma Desmond, that dreams of a comeback and an unsuccessful screenwriter, Joe Gillis, working together. Ultimately an uncomfortable relationship evolves between Norma and Joe that Joe does not want a part of. Sunset Boulevard starts off with an establishing shot from a high angle shot with a narrative leading to a crime scene shot in long shot (a dead body is found floating in a pool). The narrative throughout the film established a formalist film. Cinematography John F. Seitz used lighting and camera angles in such a way to create a loneliness and hopefulness atmosphere.
However, film critic, Robin Wood, argues that ‘since Psycho, the Hollywood cinema has implicitly recognised horror as both American and familial’ he then goes on to connect this with Psycho by claiming that it is an “innovative and influential film because it supposedly presents its horror not as the produce of forces outside American society, bit a product of the patriarchal family which is the fundamental institution of American society” he goes on to discuss how our civilisation either represses or oppresses (Skal, 1994). Woods claim then suggests that in Psycho, it is the repressions and tensions within the normal American family which produces the monster, not some alien force which was seen and suggested throughout the 1950 horror films. At the beginning of the 60’s, feminisation was regarded as castration not humanization. In “Psycho” (1960) it is claimed that the film presents conservative “moral lessons about gender roles of that the strong male is healthy and normal and the sensitive male is a disturbed figure who suffers from gener confusion” (Skal, 1994). In this section of this chapter I will look closely at how “Psycho” (1960) has layers of non-hetro-conforming and gender-non conforming themes through the use of Norman Bates whose gender identitiy is portrayed as being somewhere between male and female
It's easier for the viewer to feel scared while watching a visual version other than the written version. There is a dark film over the camera during the clip, and it emphasizes the Tre music starts to crescendo as the story progresses and nears its iconic ending. The angles get close-up into the actors' grimace and terrified faces. For the lighting, there is barely any light to show how dark the setting and story is. With these suspense devices being used, it's more effective compared to imagery to get the full grasp of terror and horror that comes from this
Alfred Hitchcock is a master of suspense. Suspense and fear is shown throughout his films, especially in Psycho. In Hitchcock's suspense interview, he relays that suspense is not what creates fear. Suspense gives us the whole picture of what’s going to happen in a scene, which gives the audience anticipation and anxiety. Through the death scene of Marion, the audience will see how psychological components create suspense and fear through the non-diegetic sounds, shadow lighting, and back-and-forth camera movement.
This sense of normality shows the difference between reality and the dream. With this sense of normality, many people don’t like to watch these horror movies as it is too scary. However, this shows the sense of normality as it shows the emotions of being scared. On the other hand, the other people show the emotions of
To represent this low key lighting is used in Charlie’s home to show that the reality of his life is there living in poverty. This pattern continues in the cult classic Edward Scissorhands. The town that Edward is welcomed into is in high lighting to signify that it is the life that he never had. He wants to be accepted and loved and this is the place that his wish comes true. Unfortunately we know that his fantasy is unrealistic and there is no way he can live normally.
After watching The 39 Steps (1935), I realized that Alfred Hitchcock really did have a talent for establishing suspense through films. Even though suspense was the primary focus, Hitchcock managed to effectively and intelligently mix humor, romance, and thriller. He uses a variety of techniques to convey these feelings to the audience. According, to some of his interviews with Francois Truffaut, Hitchcock mentions his love for The 39 Steps, specifically about the techniques he uses to create a bewitching experience throughout the film. In this film, he uses a variety of themes that he continued to constantly use throughout his later films.
If the author didn 't use his ability to write suspense fully the scare factor wouldn 't have come out as well as it should have. Writing in a formal manner as if he was writing a letter to the president the amount of sophisticated words would have easily confused the viewers and made the story unreadable to the specific audience. The way Mr. Stine wrote and designed the movie is perfect for his goal. The Specific design choices, for instance of using the daughter as the only one getting a creepy feeling about the house they lived in making the story relate to young girls. When the son hates that he has to move its make boys relate to him and how they wouldn 't like moving.
Tim Burton is well known film director. The movies that he has created are often described as mysterious, odd, and intriguing. Burton's movies use certain film techniques to create a certain feeling for the audience to experience. The three main techniques that Tim Burton usually uses is the lighting, camera angles, and sound techniques.
Then it pans to a close up on Sam and leans in as the intensity of her dialogue increases. It acts as a subjective narrative which observes the protagonists’ argument from an emotional point of view. The director intention was to allow the audience to be fixed on the emotions of the characters through their eyes, hand movements and facial expressions. Through such close ups, the emotional distance between the audience and characters are reduced. It encouraged audiences to experience the intensity of the argument by staring at the actors expressions.
The long shot of the character being out of sight as he turns into each hallway shows the anticipation of something dangerous coming or lurking each corner. This reminds me of the walking down an unfamiliar hallway and turning to corner to not knowing what to expect, gives me the anticipation of my surrounding. Another long shot is one of the girls where the audience to absorb the shock of their present in the hallway in the supposedly isolated hotel. The extreme close-up in this scene of Danny’s faces emphasizes the horror and almost paralyzed feeling of not being alone. And the fast cuts of shots between the girls being dead and Danny’s face shows he is becoming more distress and shock with horror as scene goes on.