The Last Duel provides a vivid story about the Jacques Le Gris and Jean de Carrouge’s feud that led up to their battle in Saint-Martin-des-Champs in which Carrouges ends up victorious. Eric Jager argues throughout the story that Le Gris is at fault for causing the duel since he raped Carrouge’s wife. Providing a story is good when the evidence of history backs it up yet in this case, Jager ends up making up the most vital parts of his argument. Jager’s argument is unconvincing since its very foundation that helps make the rest of the story make sense is flawed. A feud between Le Gris and Carrouges, the rape of Marguerite, and a man that confesses to the cry al show the way in which Jager’s argument falls apart. The main people involved in this …show more content…
One of the biggest mysteries this story is the firmness in which Marguerite held for the story that Jager provides a vivid story. The rape of Capomesnil involved the lady Carrouges alone in the castle of his mother in law in which Le Gris’s accomplice ad himself would be let themselves in and Le Gris Rapes her in her bed. As the text provides, a sample of the detail that says, “Seizing Marguerite by the arms, Le Gris dragged her over to the bed and roughly threw her onto it. Pinning her there facedown, one huge hand gripping the back of her neck, he finished untying his boots, loosened his belt, and pulled down his legging.” Jager’s book depends on the vividness of the rape since without it, the rest of the events such as the reveal to Carrouges, telling their family, getting it to court and eventual duel depends on her account. One flaw in this very idea is the likelihood of a noblewoman truly being alone in a castle. He claims that all the servants went with Lady Carrouges but that just sounds unreasonable. Although he provides this evidence to show stubbornness of the accomplice of the squire, Adan Louvel was tortured during the case and did not confess to anything. In a time when torture was a viable source of information, this says a lot since in most cases a person would admit to anything yet the fact that he asserts his …show more content…
Jager focuses on the case between Le Gris and Carrouges and ends with the death of Le Gris and the eventual death of Jean Carrouges in one of the last Crusades that Europe would be involved in and Marguerite being lost to history. At the appendix of this book, he tries to assert the case that Le Gris was guilty and tries to debunk the other possibilities, even mentions the fact that a condemned felon admitted to the crime. The problem of doing this is that rather than put this in the actual ending where the Carrouges supposedly live out their life’s until their death after the duel, this does not fit in to his narrative. He does add this into his book, but by putting it in the appendix, this decreases the chances of anyone actually reading the “aftermath of the
Coras decided that he trusted blood relatives above any of the other witnesses, but even here he ran into multiple contradictions. Legal technicalities kept him from arriving at a decision, and he became more and more frustrated. Coras rejected Pierre’s argument about Pierre’s ignorance of Basque because Guerre was only two when he left the Basque country, and it was entirely possible that he had never learned his parents’ native tongue. After eight years away from home, it was possible that he had forgotten what he did know. Coras distrusted Pierre Guerre because of Pierre’s admission that he had misrepresented himself as Bertrande's attorney before the judge at Rieux.
Finlay’s view is that the account of the story told by Davis is a fabrication and at odds with the firsthand accounts, primarily those of Jean de Coras. One of Finlay’s main criticisms is that Davis projects modern thinking on to peasants of 16th century France. For example, Bertrande is not simply a wife duped by an impostor, but instead, a conniving accomplice who desires a loving husband and personal autonomy. For Jean de Coras, Bertrande was depicted as a simple peasant wife, who was easily persuaded by her sisters to accept the imposter as her absent husband. Finlay states that this interpretation of the historical accounts, one that disregards motivations and character traits purported in the sources, is bad historical research and teeters more on the side of historical fiction than a work of history
2. Summary: Meursault, a shipping clerk living in Algiers, receives news of his mother's death. After hearing about the death of his mother, he travels to the nursing home that that he put her in after no longer being able to financially provide for the both of them. Unlike the traditional response to death by grieving for the deceased, Meursault continues on with his daily tasks as if his mother had never died. During a trip with Raymond and Marie, Meursault shoots the Arab, the brother of the mistress that cheated on Raymond, and is imprisoned.
A firefight opened in the French camp • Who shot first is unknown o Jumonville asked for a cease fire – to deliver a message/summon o As Jumonville tried to explain himself o Tanaghrisson may have taken his tomahawk and smashed it into Jumonville’s scalp o ➢ Different accounts/deal with circumstantial evidence/half truth o Hearsay – different primary source accounts o COMPARE and
Following this line of thought, Ender’s actions during the final make him a bad person, thus disproving Card’s presentation of Ender as a perfect person with no irredeemable flaws. In conclusion, Kessel is certainly correct in his claims towards Ender’s Game and it’s hidden message. This essay takes Kessel’s point even farther however. Not only does it agree that Card tries to insert his own moral views into the book, this essay attempts to show where Card messed up, and went too
The setting of the novel, Fahrenheit 451, by Ray Bradbury, is a large nameless U.S. city in the year 2053. Some more specific settings in the novel are the fire station, Guy and Mildred Montag’s home, and Professor Faber’s home. A very strong feeling of sadness and hatefulness in this novel seems to be the mood the Bradbury is conveying. He as well made the people living in that society blinded and careless about everything. Bradbury set this story in the future year of 2053, but he wrote it right after World War II.
Forthwith, the sun’s treachery shows the immoral role of Meursault’s idiocrasy in killing the Arab. The sun tormented, pained, compelled, stressed, tensed and mercilessly drove him in jail. The sun then symbolizes the leading stick in this inherent absurdity of
The novel begins with the simple, impassive statement, “Mother died today. Or maybe yesterday, I don’t know” (pg. 8), portraying the indifference of Meursault towards the death of his mother. This indifference is shocking because, as considered by the general society, the death of one’s mother should evoke grief, yet Meursault does not show
The novel Fahrenheit 415 by Ray Bradbury is a work of fiction that shows proper narrative structure. In this essay we will explore each phase of the narrative structure, as well as how it relates to the novel. Though it is split into three books, the novel as a whole follows narrative structure fairly well as well as on a per book basis. Exposition in the novel is occurring when we learn of the firemen and what it is they do in this world. These firemen are far different than our own, starting fires as opposed to putting them out.
Moral Ambiguity and History within The Assault Harry Mulisch’s The Assault is a self-proclaimed “story of an incident” (3) wherein “the rest [of the events are] a postscript” (55). The incident in question is the murder of Anton Steenwijk’s parents, and the postscript refers to the future, where Anton uncovers details relating to the incident. Despite Mulisch’s definitive distinction between events, however, the incident itself is convoluted and its details shift over the span of the work. Through the development of major and supporting characters, Mulisch brings forth a diverse range of perspectives and reconstructs the history of the incident, thereby exploring the motif of moral ambiguity within The Assault.
Abraham Lincoln once said “Nearly all men can stand adversity, but if you want to test a man’s character, give him power.” After making terrible and fatal mistakes, the characters in the novel are given the chance to redeem themselves but their power often clouds their better judgment. Caderrouse, the shallow innkeeper, is present when Danglars and Fernand frame Edmond but “[he] did not oppose the infamous deed” (Dumas 104).
During the beginning of the novel, Meursault goes to his neighbor Raymond’s house. The visit results into a physical fight due to insults made towards Meursault. Relating to aspects on violence, this scene was made to show simple
In The Return of Martin Guerre, Natalie Zemon Davis uses her sources through Jean de Coras to recreate and analyze the trials of Arnaud du Tilh, Martin Guerre, and his wife, Bertrande as a microhistory to gain a perspective and a glimpse of life for the average peasant during this time period. Natalie Zemon Davis’ sources are of diverse bases. Her main source, however is from Jean de Coras. Coras was a judge in part of the case in Toulouse. He was present, and his credibility enables him.