The word “Apophenia” means, the spontaneous perception of connections and meaningfulness of unrelated phenomena. Quiñones reveals disturbing truths about intimate relationships through imagery, episodic line breaks, and emotional undercurrents. The result is an unsettling poem on the realities of a toxic intimate relationship. The use of first person in Apophenia gives an intimate perspective into the life of the main character. The speaker shares vulnerable revelations that reveal the disturbing nature of her relationship with men, “I was taught to never look a man in the mouth (4).” This line plays on the phrase “Don’t look a gift horse in the mouth”, which demonstrates the subservient nature she is taught where she is unable to question …show more content…
These deeper meanings are revealed by the repeated imagery of deer and objects that create distant. The deer imagery is used by Quiñones to convey the predatory manner of the man, “ He sees a doe instead (12),” this line demonstrates the innocence of the speaker and the man’s urges to exploit her. Quiñones also uses the imagery to show the beast like manner of the man, “I can feel where he’s begun to grow antlers (10).” He begins to warp into something that is no longer quit human but more of a beast that targets her. Due to her entrapment imagery forms of her being distant from him, “I see a man at the bottom of this lake (11-12).” She begins to remove herself mentally from the situation due to the trauma with the lake representing the distance she feels. The intimate experiences with the man also create a disassociation from real life, “ Black underwear makes a constellation around my ankles (7).” The constellation represents the distance away she feels even from her own body with the constant objectification she faces. Quiñones also utilizes dark imagery of pain and suffering that represent the harm the speaker is going through, “ I want to catch my ankle in the spokes of his bicycle (14).” This action of intentionally harming herself to be a part of “his” life further show her distorted idea of love and what it means to be in a relationship. Imagery is used by Quiñones in this poem to convey the predatory manner of the man and the dissociation and negative ideas that happen because of
Relationships begin based on a mutual attraction and often end due to betrayal and loss of love. Because of the end of relationship, it’s common for people to feel deceived and lament the loss of their lover. In “For That He Looked Not Upon Her,” Gascoigne utilizes a sonnet form, metaphors of the mouse and fly, and grievous diction to address the sadness and frustration of betrayal experienced in the speaker’s broken relationship. Gascoigne’s structure remains typical for the time period, but adds an opinion different from many sonnet writers of the time, addressing the negatives following an ended relationship. Through the use of a traditional sonnet, Gascoigne keeps the structure of the poem predictable and constant.
Men in literature are often times displayed as strong willed and lacking emotion. In the poem “For That He Looked Not upon Her” by George Gascoigne, the speaker is, presumably, a man who has suffered an emotional blow. Through his work Gascoigne illustrates the struggle between a man’s self-image and his temptation to be with a woman who was hurt him in the past. The attitude of the speaker is developed through the use of literary devices such as form, diction, and imagery.
The use of imagery invokes a sense of discomfort and disgust in the speaker. In “Plums Failing Well”, the only attention they receive is from “ants and birds”. This indicates that humans have absolutely zero respect towards the plums. In fact, the only attention they receive is from the lower class creatures such as “ants”. By using personification, if “only they can breath”, the poet is comparing plums to humans.
Mistakes and failures from one’s past can be discouraging and disheartening and can even make one too afraid to ever attempt the same feat again. This is especially true in the case of love and infatuation. In “For That He Looked Not upon Her” by George Gasciogne, the speaker’s tone shifts from a wary to a bitter attitude. This shift is signified by the vivid imagery in the examples of the mouse and the fly and by the increase in intensity of the speaker’s diction.
“The Deer of Providencia”, a short story by Annie Dillard presents suffering in multiple ways; it is used through nature and violence. In the short story, four North Americans, one woman and three men, visited a village where they witnessed a deer suffering. It did not bother any of them that they were observing a deer suffer right in front of their eyes. The men of the group thought it was bizarre that the girl of the group was not bothered by the torturing. As their wives would have done anything to save the deer.
Metaphorically, she depicts the steer as “they look like miracle itself” (“LIVING”). Then, she describes “miracle’s nonchalance” (“LIVING”). Not only does she purport that nature miraculously exists, but it also is unconcerned in its awesomeness. Furthermore, the fifth paragraph expounds upon this contrast by utilizing phrases such as “highway at one end of the pond,” symbolizing man versus “a nesting pair of wood ducks at the other,” representing the natural world (“LIVING”). Likewise, the bushes contain man’s polluting beer cans and muskrat holes which reveal the opposing sides whereby humanity disrupts its beautiful surroundings.
There are two types of people in this world, those who hold onto the memories of the past and those who want to focus on the future. These two poems, “Deer Hit” by Jon Loomis and “ The Rose that grew from the Concrete” by Tupac Shakur, highlight the two different views many people have when dealing with hardships. While both poems illustrate growing up and how to deal with life’s difficulties, each poem focusses their themes on different aspects that come with human suffering. The imagery a story provides can really set the tone for the entire poem and help with the delivery of the main theme.
As the poem advances, he is a “black shoe” in which she has “lived like a foot” for thirty years. It is a metaphor for the confinement of her relationship with her father and the state of confinement she 's been placed in by her father and his memory. Even when she tries to marry, “If I’ve killed one man, I’ve
Kincaid writes, “this is how to bully a man; this is how a man bullies you; this is how to love a man, and if this doesn’t work there are other ways, and if they don’t work don’t feel too bad about giving up; this is how to spit up in the air if you feel like it” (44). Kincaid is addressing to the reader different points about the roles a woman develops in a society, the relationships that need to be established, the choice has to make on the daily basis, including how to behave. A quote that provides these concepts is “this is how to bully a man,” consequently “this is how a man bullies you.” Kincaid supports that a balance should be, and it’s needed in the relationship between a woman and a man, by giving them the option to choose how to bully each
“For That He Looked Not Upon Her”, written by the sixteenth century English poet George Gascoigne, displays a complex attitude of sorrow and almost depression, which is developed through the form, diction, and imagery of the poem. This poem is written in the form of an English sonnet. It follows the “ABAB” rhyme scheme, uses iambic pentameter, and concludes with a rhyming couplet. The speaker explains that he “takes no delight” (Line 3) in looking at his lover anymore; the standard form used helps to support the speaker’s argument.
Maybe she longs for a better life with less hardship, or maybe for a better lover who satisfies her needs. Maybe, she wishes he was a different type of man, less hard and more understanding of her. She is upset, displeased with her life and judging from the man’s expression he can sense this. He recognizes her misery but cannot relate to her needs.
The deceptively simple poem, The Tuft of flowers effectively uses nature to create an image that allows individuals to effectively shape their previous mental thoughts concerning life. The persona recognises the prior existence of another individual in the third stanza, “I looked for him behind an isle of trees; I listened for his whetstone on the breeze.” The evidential failure to locate another person inserts the grim idea of solitude, isolation and loneliness within the persona’s thought process. This is mutually reinforced by the persona’s interpretation of the situation “But he had gone his way, the grass all mown”, that every person must leave once they have completed the task that they are assigned to complete, creating an environment full of dismay and solitude for the next individual that is in the endless cycle. However, the tide begins to turn as “A leaping tongue of bloom the scythe had spared”, indicating that the persona comes to a realisation that the mower had allowed the beautiful piece of nature to stand out within the levelled scene.
In this song, the speaker is portrayed as a man who is hurting from his past relationship and so he tries to figure out what made things change and where they went wrong. Throughout the song the speaker reflects on how he was feeling while they were still together and now that they are apart. The song was written as a message to the antagonist, the woman that the speaker loved, and now, is no longer with; he wants answers and he wants her to know how he feels and just how much she hurt him. The speaker lets us know that the pain he is feeling from this broken love of theirs is internal by stating, “To hear that tears me up inside and to see you cuts me like a knife” (Poison).
The use of exclamation points in this poem is also telling of the determination the speaker has to forget the lover, and the difficulty she has in doing
The concept of nature in this work is painted as a vicious powerful villain who strikes fear and awe in all who witness its power. The author uses similes and personifications to create this image of nature against man as well as the backstory for the Redcliff family. Throughout the story, the emotional experience of the concept of nature remains morose and melancholic with a dash of hope that dies at the climax of the story. Right from the start, readers are given constant hints that nature is stronger than man.