In the wake of the prevalence of industrialize among the United States, the former U.S president Jimmy Carter proposed that the Arctic National Wildlife Refuge is not supposed to be developed for industry in his foreword to Arctic National Wildlife Refuge: Seasons of Life and land, A photographic Journey by Subhankar Banerjee. Jimmy Carter effectively builds his argument by logically utilizing pathos, logos, and ethos to plead with the audiences to take his side. Jimmy Carter employs pathos to appeal to the audience’s emotion for supporting his argument. In paragraph seven, Jimmy Carter takes a stand on the position of American citizens to consider the issue of industry developing, and he suggests that “instead of tearing open the heart of our greatest refuge, we should use our resource more wisely.” To offer a proposal, Jimmy Carter as a citizen who …show more content…
With the specific explanation about the influence of the Alaska National Interest Land Conservation Act, that it “specifically created the Arctic National Wildlife Refuge, doubled the size of the former range, and restricted development in areas that are clearly incompatible with oil exploration”, Carter supports his argument that protecting the Arctic National Wildlife Refuge is necessary from a professional perspective of the singer of a relative major act by using ethos, and it not only appeals to the audiences by referring his character as the former US president, but also helps the author to raise credibility of his central argument. In conclusion, Jimmy Carter adeptly utilizes pathos, logos, and ethos to strengthen his argument that the industrial development in the Arctic National Wild Refuge should be prohibited in his foreword to Arctic National Wildlife Refuge: Seasons of Life and land, A photographic Journey by Subhankar
Furthermore, Carter mentions that “there are few places on earth as wild and fierce as the Arctic Refuge” to prove to the audience that the refuge is distinctive, rare, and does not
Rhetorical Analysis of Jon Krakauer’s “Into the Wild ” Jon Krakauer ’s purpose in writing Into the Wild is to recount Chris McCandless’ journey, physical and metaphysical, from college in Georgia to his death in Alaska, through the use of factual, and anecdotal evidence. Krakauer uses factual evidence to establish that he is a trustworthy narrator capable of giving the reader a realistic scope on the events in the story. Jon uses anecdotal evidence to see into Chris’ psyche from the various perspectives found in the book’s excerpts, including how Jon understands the events.
The following poems all teach readers the importance and significance of wildlife and the horrible treatment they too often receive from human beings. As everything becomes more modern, we can not help but stray farther away from nature. This increasingly insensitive attitude can have detrimental effects on the environment. Although the elements of poetry used in the following poems vary, Gail White’s “Dead Armadillos,” Walt McDonald’s “Coming Across It,” and Alden Nowlan’s “The Bull Moose,” all share one major conflict; our civilization 's problematic relationship to the wild.
In his 1995 essay “The Trouble with Wilderness,” William Cronon declares that “the time has come to rethink wilderness” (69). From the practice of agriculture to masculine frontier fantasies, Cronon argues that Americans have historically defined wilderness as an “island,” separate from their polluted urban industrial homes (69). He traces the idea of wilderness throughout American history, asserting that the idea of untouched, pristine wilderness is a harmful fantasy. By idealizing wilderness from a distance, he argues that people justify the destruction of less sublime landscapes and aggravate environmental conflict.
Into the Wild, by Jon Krakauer, tells the story of a young man named Christopher McCandless who decided to go and survive in the wilderness of Alaska without correct preparation. McCandless was a man with as transcendentalist-like mindset, an adventurer, an explorer, and a hiker. He migrated away from civilization and society with the goal of living in solitude and living his life to the fullest through nature. The audience was introduced to McCandless’ views towards society through McCandless’ journey through Alaska, and the depressing yet inspiring events that led up to his death. Krakauer creates emotional appeals to connect him with McCandless to credit himself as a writer, as well as to develop the audiences’ feelings of McCandless.
Jimmy Carter builds a compelling argument to persuade his audience that the Arctic National Wildlife Refuge should not be developed for industry. He has evidence to back up his argument. He uses reasoning to develop ideas and uses persuasive elements to get his point across. Jimmy uses facts or examples to support his claims.
“Death By Landscape.” Wilderness Tips, Doubleday, 1991, pp. 97-118 Brock, Richard. " Envoicing Silent Objects: Art and Literature at the Site of the Canadian Landscape. " Canadian Journal of Environmental Education, vol. 13, no. 2, 01 Jan. 2008, pp. 50-61.
Jon Krakauer’s Into the Wild investigates the life and adventures of Chris McCandless. The author provides information about Chris’ life to illuminate his journey. Krakauer also uses rhetorical appeals to defend Chris’ rationale for his journey. Through Krakauer’s use of pathos, ethos, and logos, he persuades the audience that Chris is not foolish; however, Krakauer’s intimacy with Chris and his adventures inhibits his objectivity.
Richard Louv, a novelist, in Last Child in the Woods (2008) illustrates the separation between humans and nature. His purpose to the general audience involves exposing how the separation of man from nature is consequential. Louv adopts a sentimental tone throughout the rhetorical piece to elaborate on the growing separation in modern times. Louv utilizes pathos, ethos and logos to argue that the separation between man and nature is detrimental.
The Alaskan Bush is one of the hardest places to survive without any assistance, supplies, skills, and little food. Jon Krakauer explains in his biography, Into The Wild, how Christopher McCandless ventured into the Alaskan Bush and ultimately perished due to lack of preparation and hubris. McCandless was an intelligent young man who made a few mistakes but overall Krakauer believed that McCandless was not an ignorant adrenalin junkie who had no respect for the land. Krakauer chose to write this biography because he too had the strong desire to discover and explore as he also ventured into the Alaskan Bush when he was a young man, but he survived unlike McCandless. Krakauer’s argument was convincing because he gives credible evidence that McCandless was not foolish like many critics say he was.
In this passage from Last child in the Woods, an extremely discouraged Richard Louv shows the separation of nature to both parents and children. By showing imagery through car rides in the present vs. car rides in the past he shows an extraordinary change. By his use of rhetorical devices such as pathos, ethos, and imagery Louv produces a captivating argument to fire up the modern generation. Throughout the passage Louv cites many sources, and deserves credit.
The frontier ideology is defined as an allure of nature that is culturally spread and shaped by people’s ideals of how the wilderness should truly be. The problematic effects resulted by McCandless’ journey into the undomesticated land of Alaska are analogous to the quandaries that the frontier ideology creates for our environmental. Just as the ideology is embedded in his mind; it is also embedded in the minds of many others. However, McCandless story can actually teach us about the plights with our culture and in doing so, allows us to move forward. This has turned into a myth in which many believe that the most important parts of nature are areas that have been untouched by human hands.
Christopher McCandless, a 29-year-old dreamer, went on the journey of a lifetime to involve himself with nature and being truly independent. He had lived a life of privilege, made amazing grades in school, and even went to school at Emory College, getting degrees in both history and anthropology. Even though he seemed to have everything good going for him, it’s not the life he wanted. McCandless decides after law school to go deep into the “wild”, with no map, no resources. All he kept was a small journal and camera in which he captured and recorded all of his experiences in, allowing people for the rest of time to read and learn about his journey in his book titled Into the Wild, by Jon Krakauer.
In the 2013 online article, “The Chris McCandless Obsession Problem”, author Diana Saverin describes the Alaskan wilderness travel phenomenon along with attempting to uncover the ‘McCandless Pilgrims’ “root of motivation. Sparked by the release of both Jon Krakauer’s and Sean Penn’s “Into the Wild”, numerous individuals pack their backpacks and eagerly step into their (sometimes newly-bought) hiking shoes and tramp into the Alaskan Wild to pay homage to their hero Chris McCandless. Filled with personal anecdotes and interviews, Severin’s Outside article takes a new approach Into the Wild commentary by directing attention to the lives McCandless’s story affected indirectly rather than critiquing on McCandless himself. In response to what appears to be a huge amount of troubled McCandless-inspired tramping stories, Saverin provides an unbiased rationale as a attempt to explain why so many are “willing to risk injury, and even death, to..visit the last home of Alaska’s most famous adventure casualty”. Saverin begins her article with anecdote- telling the unfortunate experience of young lovers and adept adventure seekers, Ackerman and Gros.
Often times when presented with raw facts it can be difficult for an audience to obtain information. In order to make information stick when writing it is important to make a strong connection with your audience. In the excerpt Martha Stewart and The Cannibal Polar Bears in Jon Mooallem’ new book Wild Ones the author makes a strong connection with the audience by seamlessly drawing you in by presenting closeness and familiarity. He simply puts himself to the position to where the reader must look up to him as an expert and someone they can relate to. The author also uses strong ethical based claims that make you almost feel bad for the polar bears.