In the beginning of Where Are You Going, Where Have You Been?, Joyce Carol Oates describes fifteen year old Connie as being self absorbed and narcissistic. This is based of her belief that her looks are everything. At first connie is a very static character, her attitude does not change and she does not take interest in anything that could change her attitude towards her beliefs. As the story goes on, Connie experiences changes that do change her attitude towards her family, and beliefs.
“Connie would raise her eyebrows at these familiar old complaints and look right through her mother, into a shadowy vision of herself as she was right at that moment: she knew she was pretty and that was everything.” Much of who Connie really is surrounded by her physical beauty. She gets criticism from her
…show more content…
Arnold Friend is really the reason why Connie becomes so different at the end of the story. Arnold's presence at Connie's house causes connie to feel torn between desire and fear. As Connie spends more time with Arnold she starts to get an uneasy feeling about him. “Connie stared at him, another wave of dizziness and fear rising on her so that for a moment he wasn't even in focus but was just a blur standing there against his gold car, and she had the idea that he had driven up the driveway all right but had come from nowhere before that belonged nowhere and that everything about him and even the music that was so familiar to her was only half real.” After Connie is hit by a spell of dizziness she begins to realize that Arnold is not who he says he is. She has a disturbing idea that arnold friend has no past and no roots. The author expresses this idea by not sharing any background information on Arnold. Unlike Connie, whose history and thoughts are in the story, arnold is not “humanized” or normal making him very mysterious and suspicious
In this context, Connie can be seen as the ego, which must decipher right from wrong. Friend is shady and eventually we discover him to be dangerous –as our Ids can be. Friend overpowers Connie, just as our Ids can overpower our egos to do certain things, and impact our decisions. Oates illuminates this concept in her story when she illustrates: “Arnold Friend was saying from the door, "That's a good girl. Put the phone back."
Arnold Friend is a character full of mystic, and he is very diabolical. Oates even describes that “He was standing in a strange way, leaning back against the car as if he were balancing himself” (Oates 125). Arnold can be depicted as maybe having magical powers since it is as if he is balancing himself while standing in a strange way. Along with how Arnold stands, Joyce Carol Oates also hints out important symbols on Arnold’s car. “The story even implies that Arnold has killed, or at least raped, before. "
However, this is countered when Connie notes that “he was much older—thirty, maybe more” (315), a fact that frightens her. What Arnold is to Connie is a challenge of her want to be an adult, and a trail of her ability to deal with adult issue. Such as a man who singles her out sexual reason. Her wish to be an adult is something she seeks while passively avoiding it. Her avoidance is marked by day dreams of puppy love romance, like a typical teenager; yet, her attractive flaunt to be mature is presented as if she seeks to be an
The short story “Where Are You Going, Where Have You Been?” was written by the author Joyce Carol Oates in 1966. Oates describes her idea for the story after briefly reading an article about the real-life murderer, Charles Schmid, who lured and murdered three teenage girls (Kirszner & Mandell 523). She uses this idea to create the character, Arnold Friend, and his victim, Connie. Connie is a typical teenage girl portrayed as naïve and self-centered. The short story appears realistic, given that the conflict in the story is based off of real events.
“Beauty is not just a white girl. It's so many different flavors and shades.” A quote most famously used by Queen Latifah. Julia Alaverze the author of ‘I want to be Miss.America’ faced the struggle of loving and appreciating her beauty when she moved to the United States with her family.
When Connie realizes that Arnold is much older than she thought, she is taken over by fear of what’s going to happen. This situation is much different than anything else she has ever
He tries to seduce and persuade her to go with him for a ride similar to how the Devil lured Eve with a shiny and mysterious apple. Oates displays evidence of biblical allusions regarding Arnold Friend’s appearance and persona in the story by depicting his physical characteristics, his supernatural knowledge, and his demeanor as an image of evil. Connie wants to be desired for her sexuality and Arnold possesses this by his tone throughout the story. His appearance comes
In the story, Connie looked at the phrase “man the flying saucers and she felt like “words meant something to her that she did not yet know” (p.) which if she was on drugs she might not be aware of the fact that what she is seeing is not real, but eventually when she is sober she will understand. The ambiguity of Arnold Friend leaves many unanswered questions for readers. Unless Joyce Carol Oates decides to reveal the real Arnold Friend, readers may never know if he was in fact the devil or just a figment of Connie’s
In her short story "Where Are You Going, Where Have You Been?", Joyce Carol Oates utilizes a variety of literary devices to strengthen the story in its entirety. This short story is essentially about a 16-year-old girl named Connie and the conflict between her desire to be mature and her desire to remain an adolescent. Throughout the story, the audience sees this conflict through her words in addition to through her behavior. The audience is also introduced to Arnold Friend, a rather peculiar man, who essentially kidnaps her. This short story by Joyce Carol Oates functions and is additionally meaningful because of her usage of literary devices.
Throughout the story, there are many instances: the illogical time and settings, the similarity between Arnold and Connie and the unrealistic events show that the meeting between Connie and Arnold Friend is a dream. The dream is also a preparation for Connie before she steps onto the stage of being an adult. Connie’s dream begins when she refuses to go to her aunt’s house for barbecue party. She stays home, and under the warmness of the sun, she begins her day dreaming about love and the boy she has met the night before. In the beginning, the author writes “Connie sat with her eyes closed in the sun…”
The short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates can be interpreted in a multitude of ways due to its ambiguity. A psychological lens, however, provides the most accurate viewpoint for analyzing the story as it clarifies certain obscure scenes and actions of Connie. One psychological issue of Connie that is easily inferred from the beginning of the story is her insecurity about her looks. Connie constantly worries about the way that she looks and takes any opportunity to do so, “craning her neck to glance into mirrors or checking other people's faces to make sure her own was all right” (1).
Reluctantly, her parents allow her to stay home alone. A few hours later, a familiar gold jalopy pulls up to her house. The driver announces to Connie that his name is Arnold Friend. His unusual physical appearance, his tone of voice, and what he may symbolize frighten the Connie.
“Where Are You Going, Where Have You Been,” is about a teenager named Connie who is trying to come to terms with her transformation from childhood to adulthood. Through this process, Connie attempts to act older than she is an tries to gain the attention of boys. In “Where Are You Going, Where Have You Been,” Joyce Oates portrays Connie as obsessed with men to symbolize how one’s obsession and narcissistic attitude can cause danger to seem surreal. In the short story, Carol Oates describes Connie as having two different personalities, one being a narcissistic attitude.
He knew her name even though she had only quickly glimpsed at him the night prior with no communication from her at all. He knows where her parents are, what they are doing, how long they will be, how they look he even knows who her best friends are. Essentially Arnold Friend is the very essence of nightmare to Connie he is everything she is afraid of. He pressures her in to a situation out of her control. He takes away her pride of rejecting people and forces her to choose her family being hurt of facing her demons and going with him.
Connie was unable to see the men's true personality until they removed their glasses, which like Connie, a person who has multiple sides. They use similar expressions throughout the story, for example, “Christ” and the use of the word “dope” this further links the two characters personalities. At the end of the story, after Arthur stops Connie from calling the police, she willingly joins the two men. This shows Connie ignoring her superego- calling the police- to succumb to her id (8, 9). Connie once asks, “how come we never saw you before?” to which Arthur replies, “Sure you saw me before… You just don’t remember” these lines also illustrate the tendency for a person to repress their ultimate desires (5).