“I am good, but not an angel. I do sin, but I am not the devil. I am just a small girl in a big world trying to find someone to love” (Marilyn Monroe). Joyce Carol Oates is the author of the realistic allegory story, “Where Are You Going, Where Have You Been?”. The story is about a young girl named Connie, who likes seeking attention from men, as a distraction from her problems at home. She meets a man named Arnold Friend, he goes after Connie, claiming he has to take her on a ride, but it is obvious he wants to do other things. Because of this character’s actions, it is determined that he is a representation of the devil. Through plot, characterization, and dialogue, Oates successfully portrays Arnold Friend as a symbolic Satan. Through plot, …show more content…
Right when Arnold comes up to Connie’s driveway, it is unknown what real feelings he causes on Connie. When she sees his car coming “Her heart began to pound and her fingers snatched at her hair [...] ‘Christ, Christ’ wondering how bad she looked” (Oates 2). Connie was worried about how she looked, so it is possible that she was excited to see a car coming up her driveway. She is all about getting attention so she could be excited for that. Just as Arnold makes Connie feel excited, Rubin points out that he also makes her feel scared. “Connie fears she will be destroyed by Arnold, and the critics (like wegs) have concentrated on the immediate level of physical death” (Rubin 1). Connie might be scared by the fact that an unknown man has been following her. Arnold is a man that manipulates Connie to believe he is as old as her, but she can see he is lying. Besides the way Arnold makes Connie feel, his looks are mentioned as a successful way of portraying him as a representation of satan. As Easterly has explained, “Thus one can hypothesize that Friend wears a wig to hide his pointed ears and horns. His feet do not go all the way down into his boots because they are really hooves” (Easterly 2). As it is explained by Easterly, Arnold’s looks makes easier to compare him with the devil. Arnold lies about his age, so his face would be a mask to hide away his real identity. Many say the devil …show more content…
By the way Arnold talks and treats Connie, it is seen that he is manipulative. He manipulates Connie into sin when he says; “I’ll tell you how it is, I’m always nice at first, the first time. I’ll hold you so tight you won’t think you have to try to get away or pretend because you’ll know you can’t” (Oates 6). Sin is something that feels good to do at first, but someone who thinks about it, regrets it later on. Arnold says he will hold on to Connie so she will stay with him. The devil holds onto sinners to keep them in sin. Arnold also demonstrates how he is portrayed as a symbolic satan when he waits for Connie from the outside of the house. Arnold insists that he is not going to go inside the house, as he tells Connie, “I ain’t made plans for coming in that house where I don’t becoming but just for you to come out to me, the way you should. Don’t you know who I am?” (Oates 7). It is weird that someone that is coming to take a young and beautiful girl away, says they will not go in the house, but wait for her to come out. The way Arnold insists that he is not going to go inside the house, can be interpreted as hint that he really is an evil spirited character. Most likely, the devil himself. Just as Wegs explains, how evil spirits cannot come in a sacred place if it is not invited in, “Although Arnold has come to take Connie away, in his traditional role as evil spirit, he may not cross a
Is the classical representation of a monster. That is, he is an amalgamation of features and attributes which resemble the protagonist and their faults. Connie wants to be mature, to which Arnold obliges from a sexual aspect and not a romantic one. Arnold is a man with a mashup of both young an old. His pattern in speaking seems to match that of the current generation of adolescents, and the persona he presents is that of teenage boy, even claiming to be eighteen.
In the short story, “where Are You Going, Where Have You Been?” Arnold Friend tries to get Connie to do bad things to please him, which is revealed through arnold friend him Arnold Friend makes a promise to Connie at the drive-in-dinner In the short story it said “I'm going to get you baby”Oates. This foreshadows what is going to happen later on in the story it foreshadows that arnold will come for Connie and try to get her anyway possible .The
Characters in stories sometimes follow a theme when it comes to their traits. These traits are called archetypes. Archetypes can be as simple as a villain or hero. They can also be used to portray unfathomable human characteristics that exists in everyone. Characteristics such as greed, lust, envy, pride, sloth, and gluttony are examples.
Culture, the arts and other manifestations of human intellectual achievement regarded collectively, can be defined by music, clothes, paintings, drawings, TV shows, etc. Joyce Carol Oates in her short story Where are you Going, Where Have you Been? explores the effects of music on an American teen. By making allusions to the church and utilizing music as a motif she explores the moral poverty of American pop culture and the ways it makes people vulnerable. Moral poverty of American pop culture means that in pop songs there really aren’t songs with meaning, that they create idealistic situations.
shows the readers that that vanity and lack of self-awareness can make some vulnerable and easily fall for the evilness of the world. Because Connie became vulnerable, she was easily persuaded by Arnold, who was portrayed as the Devil figure and the darkness that exists, to leave her the known safety of her home and to embark on the road to the unclear future. Oates’s story teaches the readers to be cautious of their surroundings and of the people that are unfamiliar to them that live in the same society. That is because even if someone appears to look a certain way they might have a mask that hides the true darkness and evilness that is in their body and
In the coming of age story “Where Are You Going Where Have You Been?” Joyce Carol Oates uses symbolism, conflict, and the third person to foreshadow fifteen-year-old Connie’s unfortunate, yet untimely fate. While one may think that the conflict stems from Connie’s promiscuity, it is clear to see her promiscuity is only a result to a much bigger conflict, her mother’s constant nagging and disapproval, alongside the lack of attention from her father. the author paints a vivid picture of what happens when a fifteen-year-old girl such as Connie goes elsewhere to find to find the love, attention, and approval that she lacks at home. All which is vital for her growth and wellbeing as a person.
Fantasy V.S. Reality In some cases an individual can perceive something as the complete opposite of what it truly is. People create the illusion or the fantasy on what they believe something to be.
Arnold Friend’s Biblical Allusions In “Where Are You Going, Where Have You Been?”, Joyce Carol Oates tells a story of a young, innocent teenage girl, Connie who enjoys listening to music and begins exploring her sexuality and being with boys “the way it was in the movies and promised in songs” (Oates 198). In fact she catches the attention of Arnold Friend one night while at the mall meeting up with a boy. Not knowing he would appear in her life, Arnold strangely shows up at her house assuming they made plans to get together. His character is seen as the devil.
The Misfit and Arnold Friend both provide to be effective authoritative predators in persuading their victims to follow their directives which ultimately lead to their unfortunate deaths and abduction. Both characters in each of these short stories also exhibited insinuated religious implications that related them mainly to two major figures in religion, Jesus and the Devil. After analyzing The Misfit and Arnold's relationship with their respective main characters, many differences were also noted that separated them as individual manipulators that each performed their own tasks to get what they
It is quite possible that Connie has just invented Arnold Friend based on her love of music, at one point in the story it seems like Connie is falling asleep while listening to XYZ Sunday Jamboree and all of the sudden Arnold Friend shows up coincidently listening to the same thing. Instead of saying Arnold Friend knows Connie’s name and many things about her because he is the devil, you could say that Arnold Friend knows all of that because he is described as
I saw Bridget Bishop with the Devil.” In this line, Abigail Williams is telling the truth the she danced with the
Victor conveys that any human cannot withstand the ugliness of the face of the monster. A simile is used to compare a mummy risen from the dead is not even as close to disturbing as the despicable monster he created. The Dante references to Dante’s Inferno, Dante has come across many demons in hell but, even Frankenstein’s monster is viler than any demon in hell. In response to the monster being born Victor flees in horror. He wants nothing to do with the monster it frightens him so that he deserts it to fend for itself in his apartment not caring about any sort of trouble the monster can cause: “I then reflected, and the thought made me shiver, that the creature whom I had left in my apartment might still be in there, alive and walking about.
As he does not even have a name as a marker of identity, he longs for parental recognition from Victor in order to end the confusion about who he is, and the more he understands the fear and hatred he unintentionally provokes in others, including Victor, the more hopeless his view of the world and his future becomes, which leads him to try and gain that recognition through violence. The murder of William, as Knoepflmacher argues, marks also the irreversible loss of “the ‘benevolent’ or feminine component” of the creature’s identity, which makes him “indistinguishable from Victor Frankenstein, similarly alienated from his feminine self” due to the loss of his mother and later on, his wife. The identities of the two are, indeed, intertwined and become fragmented in relation to Milton’s Paradise Lost, to which the novel constantly alludes. The creature reads Milton’s work and although he at first sees himself in Adam, he soon finds himself forced to identify with Satan. Chris Baldick argues that not only the creature but Victor himself starts to feel more like Satan than God – with whom he should identify in this instance – as the story progresses in the sense that “he too bears a hell within him”.
August Wilson's play Fences addresses a great content of interpreting and inheriting history. Throughout Fences, much of the conflict emerge because the characters are at disparity with the way they see their foregoing and what they want to do with their forthcoming. Fences explores how the damaged aspirations of one generation can taint the dreams of the next generation on how they deal with the creation of their own identity when their role model is a full of dishonesty. Wilson illustrates his qualities primarily through his use of symbolism in the play Fences.
But he himself is almost a reflection of her sharing such similar traits only he comes out as the winner which is the ironic part. A big clue to Arnold representing what Connie doesn’t like is when he says “None of them would have done any of this for you” praying on her feeling of being unappreciated. Arnold is not only a demon in a physical from but also Connie’s eternal demon as