Arnolds Friends tries to get Connie into his car for a ride and most likely for something much cruel. When Arnold arrives in his car to Connie’s house and tries to lure her out, he tries to convince her that he is young and later on describes what he wants to do with her, that she is his “lover”. There are many symbols during this passage that wraps around the whole story. Arnold’s car in “ Where Are You Going, Where Have You Been” it is mostly seen in the story that the guys are always driving and when Arnold asks Connie to go for a ride he wants control over her, once you go inside you don’t have much power, the power is in the driver. His car symbolizes dishonesty, power and disguise
In “Where Are You Going, Where Have You Been?” there are many theories as to who Arnold Friend is and what his role. The story does not introduce Arnold till the middle and end of the story when Arnold Friend and Ellie Oscar, his friend, decides to pull up to Connie’s house trying to be gentle, but threatening at the same time. The tone sets the mood of the story, the way he talks is suave, so he doesn’t scare her as much but you could sense a little of annoyance in his voice when she refuses. He asks her to come ride with him, but then starts to threaten her family so she would get out the house and be with him.
Finally, Oates uses irony when Connie tells Arnold that he is "crazy"(72) and he responds by saying that she is the one who is "crazy"(72). This is ironic because it is clear to the reader that Arnold is the one who is truly unstable. Overall, "Where Are You Going, Where Have You Been?" is a work of fiction that employs several different rhetorical devices to create a haunting
There are many dangerous things in this world, and most people would never recognize them. Anyone can be dangerous, yet they would look so normal to the world. “Where are you Going, Where Have you Been” shows that exact thing. There are many threatening figures in the short story, and most people do not recognize them until they are right in their face. The symbols are the only thing that would show the danger’s true self.
Arnold Friend was there to take Connie away; away from her childhood and home, which never quite felt like home until her fantasy world deteriorated and reality set it. The next moment is pivotal, this is when Connie forgets her hedonism and becomes something of much more substance. Before Connie studies Arnold Friend’s abnormal personality and erratic behavior she is fascinated by him and even worries that she is ill prepared for this
However, this is countered when Connie notes that “he was much older—thirty, maybe more” (315), a fact that frightens her. What Arnold is to Connie is a challenge of her want to be an adult, and a trail of her ability to deal with adult issue. Such as a man who singles her out sexual reason. Her wish to be an adult is something she seeks while passively avoiding it. Her avoidance is marked by day dreams of puppy love romance, like a typical teenager; yet, her attractive flaunt to be mature is presented as if she seeks to be an
Joyce Carol Oates uses physical characterization to foreshadow early on what truly is going to happen to Connie. Arnold is hiding things about his physical appearance. No matter what Connie says or does, Arnold keeps talking, and yet he reveals nothing about himself. He never physically asks Connie to join him, but his words have the same force and pull as the actions he only threatens to take. "Soon
Arnold Friend, the antagonist in Joyce Carol Oates’s story “Where Are You Going, Where Have You Been?” represents the devil who arrives to bring Connie to the underworld. For example, his unusual appearance implies that he is an inhuman being, unlike what he wants to lead on. As he struggles to walk from his car to the front door, Connie notes that “his whole face was a mask... tanned down to his throat...as if he had..makeup on..but had forgotten about his throat”(5). Arnold Friend covers his demonic features in order to pass as a teenager with the intention of deceiving Connie into leaving with him.
In the coming of age story “Where Are You Going Where Have You Been?” Joyce Carol Oates uses symbolism, conflict, and the third person to foreshadow fifteen-year-old Connie’s unfortunate, yet untimely fate. While one may think that the conflict stems from Connie’s promiscuity, it is clear to see her promiscuity is only a result to a much bigger conflict, her mother’s constant nagging and disapproval, alongside the lack of attention from her father. the author paints a vivid picture of what happens when a fifteen-year-old girl such as Connie goes elsewhere to find to find the love, attention, and approval that she lacks at home. All which is vital for her growth and wellbeing as a person.
He mysteriously knows where Connie lives and invites himself to drive over to her house. Arnold assumes Connie’s friendship by convincing her that he knows everything and everybody, “I know your name and all about you” (Oates 201) when she never told him her name in the first place. He knew her friends, their names as well as what she did the night before. He also knew exactly where Connie’s family was, at a BBQ at Connie’s aunt Tille’s.
In Joyce Carol Oates fictional short story “Where Are You Going, Where Have You Been?” the majority of the story lies beneath the surface. More specifically than just the story, you realize that there is more to the character Arnold Friend than what may appear. The author has always remained silent and ambiguous about the real meaning of Arnold Friend’s true nature and she leaves room for the readers to make their own interpretation of him. Readers can analyze Arnold Friend and see him as the devil, he could just be the personification of popular music imagined by Connie in a dream, but Arnold Friend could also be the result of drug use.
In her short story "Where Are You Going, Where Have You Been?", Joyce Carol Oates utilizes a variety of literary devices to strengthen the story in its entirety. This short story is essentially about a 16-year-old girl named Connie and the conflict between her desire to be mature and her desire to remain an adolescent. Throughout the story, the audience sees this conflict through her words in addition to through her behavior. The audience is also introduced to Arnold Friend, a rather peculiar man, who essentially kidnaps her. This short story by Joyce Carol Oates functions and is additionally meaningful because of her usage of literary devices.
Throughout the story, there are many instances: the illogical time and settings, the similarity between Arnold and Connie and the unrealistic events show that the meeting between Connie and Arnold Friend is a dream. The dream is also a preparation for Connie before she steps onto the stage of being an adult. Connie’s dream begins when she refuses to go to her aunt’s house for barbecue party. She stays home, and under the warmness of the sun, she begins her day dreaming about love and the boy she has met the night before. In the beginning, the author writes “Connie sat with her eyes closed in the sun…”
Reluctantly, her parents allow her to stay home alone. A few hours later, a familiar gold jalopy pulls up to her house. The driver announces to Connie that his name is Arnold Friend. His unusual physical appearance, his tone of voice, and what he may symbolize frighten the Connie.
Instead of realizing the danger that she was in, Connie was focused on what Arnold Friend was wearing and how attractive he was. Connie’s obsession with finding her own sexuality overpowered her gut feeling of danger. In an analysis of “Where Are You Going, Where Have You Been”, Barbara Wiedemann discusses how the antagonist Arnold Friend is based upon serial killer Charles Schmid, who murdered several young girls during the 1960s. In the analysis, Wiedemann
In Joyce Carol Oates’s short story “Where Are You Going, Where Have You Been” the main protagonist finds herself in a very hostile situation. With an all most fateful encounter with a man known as Arnold Friend. Forcing her to choose whether to run off with him or taking her by force. This man known as Arnold Friend to the reader comes off as almost a demon. A person who uses many temptations, word play, and threats to take advantage of the young protagonist Connie.