Maggie In Alice Walker's Everyday Use, the use of a flamboyant and downright abrasive character as Dee helps to portray the serious effects of a lack of exposure to society in the quiet and passive demeanor of Maggie. Maggie's isolation from the riches of society in the world offers a stark contrast with her sister, Dee. Where Dee is ostentatious and loud, Maggie is almost silent and shies away from any flux of social activity. She's is repeatedly skittish and she cannot even bear to be hugged. “He [Hakim-a-barber] moves to hug Maggie but she falls back, right up against the back of my chair. I hear her trembling there and when I look up I see the perspiration falling off her chin." She is completely at loss at how to approach Dee and her companion. Dee, however, completely takes over the social situation. She instantly adjusts the spotlight to her with her clothes, hair, and attitude toward her family. "A dress down to the ground, in this hot weather. A …show more content…
When Dee practically demands the quilts promised to Maggie, Maggie automatically forfeits them without complaint. She never takes the time to battle her sister and she doesn't lose her composure. She, akin to a defenseless child, gives in to the pressure of Dee. "She can have them, [the quilts] Mama,” She is far more worried about keeping the peace and hiding from the commotion than defending what belongs to her. This professes Maggie to be a very complacent and scared girl, especially in the face of her sister Dee. She deliberately avoids her and her new sense of self-righteousness. Maggie's lack of exposure to society makes her weak in her sister's eyes and vulnerable to her sister's pretentious attitude toward what is owed to Maggie. Dee disturbs the peace by proclaiming, "Maggie can't appreciate these quilts!” It is clear that Dee believes that she deserves to receive whatever she wants, yet Maggie never fights for what she is already entitled
Despite her strictness, Mama loves Maggie more than her oldest daughter Dee. Mama is also protective of Maggies feelings. When Dee wanted the quilts, Mama fought for Maggie. Mama also knew that Maggie was somewhat intimidated by Dee. So she kept her promise of giving Maggie the
She is intimidated by Dee’s intelligence and would not debate with her, but then Momma says, “When I looked at her like that something hit me in the top of my head and ran down to the soles of my feet. Just like when I am in church and the spirit of God touches me and I get happy and shout. I did something I had never done before: hugged Maggie to me then dragged her on into the room, snatched the quilts out of Miss Wangero’s hands and dumped them into Maggies lap,”(p.76, par. 7) and in that instant you can feel that she has become a stronger person as a whole, just the same in Cathedral, when the Husband hears Robert is coming to visit and is blind he has no sympathy nor does he want Robert there. By the end of the book when they finish drawing with their eyes closed Robert says “I think that is it. I think you got it.
Mama even thinks that Dee was (and is) apathetic towards Maggie (49). Even though one might think that she cares about her heritage, Dee only cares if she’s “supposed to care”; society is looking for that. Dee is heavily shrouded by her style, but in reality, she is a cruel, uncaring
Everyday Use and Sula are coming of age stories. They both illustrate times in people’s lives when they have to decide to how they are going to live with their past and themselves. The short story "Everyday Use", Alice Walker emphasizes the aspect of individuality. The story focuses on the lives of two sisters, Maggie and Dee.
This angers Mama as Dee is not appreciating the full value of the quilts so she decides to pass on the quilts to Maggie for her own everyday use. Mama made the right decision in entrusting the sacred quilts to the care of Maggie instead of Dee.
That is the way my Maggie walks." From the beginning we see Maggie as this dimwit child sheltered off from the world, hidden away under her mother 's arm. Despite her weakness, Maggie does have some strengths. She has never been to school to have a formal education, but she is a caring young girl and she has also learned how to quilt which is a strong traditional factor that connects her with
Maggie is also oppressed by society and Dee, and, though to a further degree than her mother, her view of herself attacks her equality compared to the rest of the world. The subject is immediately introduced. The story begins with Maggie and her mother waiting for Dee. They waste their time in order to be available to Dee as soon as Dee
Dee manages to always look fashionable and keep up with the latest trends. Mama tells us that Maggie “thinks her sister has held life always in the palm of her hand, that ‘no’ is a word the world never learned to say to her.” She seems to be very materialistic and thinks she can have anything that she decides she wants. In lines 186-187, Dee says “That’s it! I knew there was something I wanted to ask you if I could have.”
(Nancy Tuten) agrees by saying, "Mama's distaste for Dee's egotism is tempered by her desire to be respected by her daughter.” The Mom’s character changes during the quilt scene, as she realizes that Maggie shares the appreciation of culture and heritage, and Dee's appreciation is entirely different from theirs. During the quilt scene, Dee is demanding Mom to give her the quilts, and Mom says, "when I looked at her like that something hit me in the top of my head and ran down to the soles of my feet.” In other words the daughter who she has always thought so highly of knew little of their culture and had little appreciation for their heritage. Walker creates the “mom” character to help defend her point, which is the importance of upholding the values and traditions in the African American
She doesn 't know how hard life is with her sister and mother. Dee only cares about what she wants and she talks down on her family. She believes her sister could not use the quilts in a way she thought they should be used. " Maggie can 't appreciate these quilts!" she said.
These quilts are a ways of honoring her African American heritage and to be given these was very significant in their culture. For once Dee sees the historical background because of the stitching and material used, but doesn’t find any use in using them. Dee is going to try and convince her mom to let her keep the quilts, when Dee says, “Maggie can’t appreciate these quilts!” (Walker 721) and “You just will not understand. The point these quilts, these quilts!”
Maggie did not go to school, does not dress in colorful attention-getting African garb, and does not have a fancy boyfriend, but she does slam a door which indicates her feelings about the quilts and butter churn her sister has come to claim out from under her feet. The temper has flared, and Maggie gets her quilts. In conclusion, the story seems to tell how different Maggie and Dee were from each other; with few comparisons between the two girls to suggest that they had anything in
“Maggie can’t appreciate these quilts! She said. “she’d probably be backward enough to put them to everyday use.” (walker). This shows that dee really wants the quilts but not for the reason her mother wants.
Maggie in Alice Walker’s short story “Everyday Use” plays the role of being the nervous and ugly sister of the story, however she is the child with the good heart. Maggie was nervous ashamed of her scars “Maggie was nervous… she will stand hopelessly in corners, homely ashamed of the burn scars down her arms and legs”. Living in a house with a pretty sister and being the ugly sister with scars could be the reason why she picked up on a timid personality, being ‘ashamed’ of her own skin shaping her in a way that she degraded herself from everybody else. Maggie was not this way before the fire, her mother stated, as it is quoted that she had adopted to a certain walk ever since the fire.
In the short story Mama states: “Dee… at age sixteen had a style of her own: and knew what tyle was.” pg. 105. Dee knew what fashion was and wanted to pursue a career in the industry. On the other hand, we have Maggie.