Louise and Delia
What do most women want in a marriage? Is it hatred and an unfaithful husband? No! Women expect to have a husband who loves and cares for them. Someone who will cherish them for all eternity. In a close examination of the way Louise Mallard, the protagonist of “The Story of an Hour”, and Delia, the protagonist of “Sweat”, react to their encounters with their marriages demonstrates that authors Kate Chopin and Zora Neale Hurston both use short stories to tell similar stories about the difficulties of their emotional states in their marriages.
First, it is seen that Louise Mallard is an unchanging character who values her freedom from her marriage. Throughout the story it becomes obvious how self-centered Louise Mallard is. “’Free!
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While reading, it becomes evident that Delia is a good person. Not only is she good, but she holds strong to her religion. She is always putting others needs before her own. Delia does not only work to support herself, but works to support her husband and his mistress. “’Mah tub of suds is filled yo’ belly with vittles more times than yo’ hands is filled it’” (Hurston 531). She is telling Sykes that it is because of all her hard work that he has food to eat. She is the one who has to “’Work and sweat, cry and sweat, pray and sweat!’”(Hurston 531), not him. She does not let Sykes get the best of her, she is not vengeful. She says, “Sykes, like everybody else, is gointer reap his sowing’” (Hurston 532). She believes in karma, that whatever Sykes does will come back around to him. She is good and believes that in time good things will come to her. Also it is clearly seen in the story how dynamic Delia’s character is. In the beginning, Delia is scared of Sykes and is too afraid to stand up to him. While trying to do her work Sykes is fussing at her but rather stand up to him, the story states that, “Delia never looked up from her work, and her thin, stooped shoulders sagged further” (Hurston 530). This shows that she is afraid of what he might do should she try to stand up for herself. As the story goes on, Delia begins to change and become braver when it comes to dealing with Sykes. Hurston writes, “Delia’s habitual meekness seemed to slip from her shoulders like a blown scarf” (531). She was no longer afraid of Sykes or what he might do to her. From that point on Delia was a changed women. One night Delia even had the courage to tell Sykes, “’Ah hates you, Sykes’” (Hurston 535). This came as such a surprise to him that he had trouble trying to come up with something harsh to say back to her. Delia was a changing women and Sykes could not handle it. As for Delia’s marriage, it was
When Sykes aggravated her, Delia “seized the iron skillet from the stove and struck a defensive pose, which act surprised him greatly, coming from her. It cowed him and he did not strike her as he usually did.” (Sweat 2). This powerful moment displays the focus of Delia’s growing self confidence. To start, the repetition of strong verbs, such as “seized”, “struck”, and “cowed” show how unusual this is.
When Nicholas Vidal, a gang member, is told a prophecy of his death his entire life changes. After allowing a Turkish woman to read his fortune in coffee grounds, the woman confirmed that he would one day loose his head over a woman. In the Judges wife by Isabel Allende, the author uses imagery, foreshadowing, and symbolism to covey her story of Nicholas Vidal. Since confirming his prophecy, Vidal shunned women out of his life in fear of the prophecy coming true. When Judge Hidalgo marries Casilda, Vidal is very unpleased by the sight of her even going as far as calling her ‘ugly’.
Delphine, a mature yet childish girl, has a very complex character with a change of personality over the entire book 'One Crazy Summer'. Throughout the book William presents Delphine as a mature and serious girl who is represented in lots of things, some being mature and on the other hand, she can be shone as being childish. She has a very big responsibility of taking care of her sisters which she does this very well; as when she and her sisters go to see her original mother who left them when they were younger, they grow much more mature and learn the truth about the world including racism and injustice. She and her siblings learn these by being forced to spend their day at the black panther daycare. Throughout the book, they grew much more
An example of Delia defending her emotional being and everything she earned is when she yelled, “that ole snaggle-toothed black woman you runnin’ with ain’t comin’ heah to pile up on mah sweat and blood” (cite). Warning her adultering husband she has a materialistic possession she is unwilling to part with and telling him to leave with the mention of divorce. Delia actively reacts to the abuse when Bertha wants to move into Delia’s house. This one want plunges Delia’s life to further hell as Sykes actively tries to remove her from the house. When he gets a negative response, he starts trying to scare her to death by getting a
She takes an iron in her and stands up to her husband. Sykes being the cowered he is, realizes simply bullying Delia
Delia makes provision possible for both herself and Sykes. What is sickening is that, at times Sykes will try to sabotage her job by scaring her with a snake. Thankfully, it backfires and only makes Delia more determine to continue working hard. Delia is strong enough
Being an extremely vulnerable character she automatically relinquished. As her last resort she names characters and accuses them of being along side of the Devil that came to her. In a quote, her timidness can easily be represented. “(In a fury) He say Mr.Parris must be killed (...)
“Spunk,” by Zora Neale Hurston, is a short story about a man who appears masculine and fearless claiming another man’s wife, but the tables turn by the end of the story. The short story begins with Spunk, the main character, walking off with Lena Kanty. Joe, Lena’s husband, knows about the affair, but is too timid to confront Spunk. Hurston uses regional dialect, allusion, and dramatic irony as language devices along with a serious tone to tell a story about karma. Tone is the attitude which the author communicates towards her subjects.
Throughout their marriage Sykes helps her gain her strength. First he begins to give her brutal beating daily. Then he cheats on her with another woman. He doesn’t show any respect to her or her job. I think what pushed her past her breaking point is when Sykes kicks her laundry all over the house.
Mildred lives life content with these rules and regulations. She functions as many others do in this society. It was through the other members of society and her will to be popular among others where she was influenced to act as she does. She is afraid of the government, and often acts to save herself in risky situations, such as when she tipped of Captain Beatty of Guy’s collection of
In the beginning of the story, it shows that she is a very superior person as being the reverend’s niece. She evidently changes when she had the power of
Delia slaves out at work to make money, but Sykes bullies her so that she can spend the money with the woman who happens to be new in town. “Bertha had been in town three months now. Sykes was paying her room rent at Della Lewis’—the only house in town that have taken her in" (Sweat
Ah been married to you fur fifteen years, and Ah been takin’ in washin’ for fifteen years. Sweat, sweat, sweat! Work and sweat, cry and sweat, pray and sweat!”(Hurston 2,17). The Sweat is the result of Delia 's diligent work, and without it there is no support system. It also stands for her hard-working attitude and how she has attempted to influence her work as best as she can, it is a vital piece of her life.
In Kate Chopin’s “The Story of an Hour” demonstrates the personal growth of the dynamic protagonist Louise Mallard, after hearing news of her husband’s death. The third-person narrator telling the story uses deep insight into Mrs. Mallard’s thoughts and emotions as she sorts through her feelings after her sister informs her of her husband’s death. During a Character analysis of Louise Mallard, a reader will understand that the delicate Mrs. Mallard transforms her grief into excitement over her newly discovered freedom that leads to her death. As Mrs. Mallard sorts through her grief she realizes the importance of this freedom and the strength that she will be able to do it alone.