Today is the day. The day we’ve spent the past eight weeks preparing for. Our task: to work with our team to write, produce, and perform a ten-minute play within 24 hours. We will also be required to incorporate a prop, and the first and last line of the play would be given to us. My team, a private theater group called Courtyard Theater, consists of nine young thespians, seven tech crew, and our beloved director and writer. We are raring to go, and as soon as we arrive, we rush to the costume shop, grab our gear, and return to our sponsor’s house where we will be spending the night. In the air is a giddy feeling of excitement with an underlying, ominous fear of incompetence. All our knees knock together with the feelings of both elation and despair that are often experienced on a rollercoaster. But there will be time for …show more content…
I wake up bleary-eyed to the first item of the day: the cast list. I look for my name and find I’m “Peggy,” described as, “the old Janitor.” Looking through the script, I become more and more agitated. Do I even have any lines? Yes! Here! What do I say? Oh. “I can lift these boxes just fine, Ethan.” That’s it? All my lines for this show? What did I do wrong? How could I have gotten this tiny part? I’ll admit, I first indulge myself in a fair amount of angst. I’m one of the oldest students here, and somehow I have been cast as an old janitor? How humiliating! But I try to avoid the spiral, catch my breath and calm myself down. “You’re okay. This isn’t a reflection on you. Just play this part the best you can.” As the day goes on, I keep up this mindset, fully committing to my one-line character. We don costumes and makeup, and I’m pleased to find that my janitor suit is comfortable, and I get to wear fun makeup to make me look older. Things are looking up. Now it’s time to perform. Everyone has jello legs and churning stomachs. Deep breath in, and exhale. Curtains up, let’s
The production ‘Chores´ had a fantastic impact on the audience. It successfully covered all elements of drama into the production
Mathieu Kassovitz’s film La Haine focuses on the lives of 3 friends-Vinz, Said and Hubert. Each of the young men come from immigrant backgrounds and are combating the struggles of poverty. After a well known youth in the community is tortured by the police, a violent riot breaks out leaving Paris in flames. In the midst of the riot, a cop's gun gets misplaced and falls into the hands of Vinz. While Vinz comes from a Jewish background he is still white-passing.
The time is now. The roaring crowd settled, the stadium lights shined above us, the field was set. It was time to show the audience how much dedication, sweat, and tears were put in the show right before the eyes. The masterpiece, I like to call it. The hardest part however, is making it seem so effortlessly.
Backstory: I was mucking about with my dragons one morning, before I saw Spy heading to Berk on a strange dragon. I went to get a better look, seeing this new dragon, I was amazed by its grace and coloration. I went up to the dragon and said "Hello, its nice to meet you," The dragon spoke to me and said Greetings human, it was a pleasure to meet you as well. I asked the dragon for its friendship, he refuses and tell me this. You aren 't worthy enough to tame me, by all means lets talk about this before we can agree on something.
SFSU 's Stop Kiss Review: An Apparent and Astounding Attraction Between Two Friends On an ordinary San Franciscan Friday night, Diana Son 's critically-acclaimed Stop Kiss unveiled at San Francisco State University 's Little Theatre and left me enlivened and eager for more. A week and a day later, on Oct. 17, 2015, I saw Stop Kiss for a second time and was embroidered with theatrical inspiration. The talented cast, dedicated crew, and intricate set were the greatest assets and exemplified precision, depth, and boldness. Set in New York City, Stop Kiss starts off with Callie (Lauren Prentiss), an indecisive traffic reporter who lives alone, being visited by Sara (Rosie Anderson), a gutsy third grade teacher.
The cast of the play are unaware of the audience, however, the audience is able to listen to dialogue that occurs throughout the theater, whether it is in the headsets between technicians, on stage between the actors playing their characters in the play and between the director and actors who make adjustments when necessary. The third fourth wall was at its edge of breaking, where the audience is almost unable to tell whether what they are experiencing is real or not. As an observer of the rehearsal of this play, this wall was broken when I understood that what I was watching was a rehersal of a play, of a rehearsal of a play. It was difficult to describe or understand when the cast of 10 out of 12 were actually in or out of character. The complexity of this play lies in the use of metatheatre, which has been exploited to its fullest extent
We were all asleep in bed when I was suddenly woke up but a creaking noise. I sit up and I look, it was Mr. Van Daan getting into the food safe! “Otto! Otto! Come quick!”
The next day My first mission is to go undercover in a college to bust a drug lord. I know what you’re thinking a drug lord at college. Well, he’s a teacher.
Ever since I was a little girl I was involved in dance. From attending Melinda’s School of Dance in Humboldt to Michelle’s Dance Connection in Algona and then going back to Humboldt to Chanterella’s Dance Studio. I’ve alway dreamt of being on the danz squad. During my eighth grade year, I was so excited because that was the year I was able to try out.
Theater. To the average person, it is just acting, singing and dancing; however, this could not be further from the truth. There are other groups who are as crucial to the show as the actors, if not more. As someone who entered the world of theater much later than the rest of the cast, my eyes have been opened tremendously to the reality of drama. When I first joined stage crew for my school’s spring musical as a sophomore, I was convinced that I knew exactly what went into a production: the cast would do read-throughs of their lines, the stage crew would paint sets and occasionally move a prop or two, the pit band would sit around and look at music, and magically everything would come together.
INTRO I have done it. I have brought upon the death of another man! I have blood upon my hands. For that I feel I should have changed but desperation has replaced the sorrow I feel for my actions.
The productions of this play were successful through stage design, lighting crewing, and acting. Those three aspects made the quality of the play stand out to me, as an audience member. The production of the set design of the play was a good effort. The set design for the play staging aims for the sweet spot between feeding adult nostalgia and satisfying a new generation of children.
I looked upon the finished figure of my second odious creation with a strange calmness that I’ve not felt in a long while. My tentative acceptance of the work I was bestowed upon quickly turned into an eager desire to rid of the evil that has consumed me. Though I have not seen my nemesis since I began assembling, I could feel his diabolical presence watching closely, making sure my promise must not be broken. I began to bring the breath of life a second time. I waited patiently through the gloomy night, not wanting to think about the unforeseen consequences if all does not go well this second demon.
Destiny 's POV Jack has to go back to the doctors today. The coughing is like normal now. It 's like every five minutes he 'll cough like three to four times. I 'm really worried for him.
2015, 129). Each performer acquires roles which contain expected behaviours that are appropriate to the performance of that role (Willmott, 2018). When we perform our roles to other actors and to our audience, we view them as theatrical productions. Our performance displays