Many people assume deserts are just full of sand, cacti, and a dry place that lacks water. Although some of those may be true, the desert doesn't completely lack life or beauty as we observe in Desert Solitaire by Edward Abbey. In this excerpt by Edward Abbey, he emphasizes the connectivity of the human experience coexisting parallel with nature by attaching human experiences to animals, describing the various inhabitants and scenery, and comparing the features of the desert with those who benefit from them. First, Abbey utilizes certain words, actions, and habits in his writing that are human-like, even when referring to non-humans. He includes diction that talks about the perseverance they have and their range of emotions and feelings, “these small beings are …show more content…
He intently mentions the different species of all of the inhabitants for example “four-winged dragonflies in green, blue, scarlet, and gold” and he describes the strength that certain plants have within the desert “few are too hot or too briny or too poisonous to support life” (Abbey, 1968). Listing the different species adds extra emphasis on the wealth of the desert itself as well as the background of the animals. His detail about the animals brings them to life and paints a picture of vitality. His representations of numerous plants and animals offer a vision of multiplicity inside of the desert. He romanticizes the desert by enhancing the individualism and perplexity that's held within the desert environment. This is exercised in order to provide a reason for why it's so necessary to preserve this in society and not ruin it with modern humanity. Humans and those in the desert environment can coexist but it's necessary for them to keep in mind how abundance can be separate, humans having their modern abundance and those of the vast environment can have their
In 2008, the Grand Canyon received 4, 425, 314 visitors. On average, 6,500 cars enter the park on a typical summer day. In 2009, 38, 574 people participated in (area far away from cities) trips. In 2008, there were 56,000 (beautiful to look at) air tours at the Grand Canyon, about 136 per day during peak season. The Grand Canyon has been preserved and protected by the U.S. National Park Service, and has been open to the public.
Desert Solitaire by Edward Abbey is a memoir depicting his experience as a Seasonal Interpretive Ranger at the Arches National Monument in Moab, Utah. In addition to his own memories, Abbey describes the rich biodiversity of the land, stories about the area, and descriptions of the Industrial Tourism developments happening in the area at that time. During the summer in which Abbey resided on land, he lived in a tin trailer provided for rangers by the government. The Arches themselves are visible from his doorstep, and, in the first chapter describing his first morning on page 5, he says that “I feel a ridiculous greed and possessiveness come over me.
Lost in limbo, these spirits cannot rest without justice. With no place to go, their ghostly presence can be felt in the darkest shadows of the desert. And their hungry gaze void of life, is fixated on the only place they've ever called home, the oasis.
In the short fiction story “The Monkey Garden” by Sandra Cisneros, the author uses deep, rich figurative language to effect the exotic setting. “There were sunflowers, big as flowers on Mars and thick cockscombs bleeding the deep red fringe of theater curtain” (Cisneros 1). A simile is used to create a scene of being on another planet, a place where the monkeys once lived. The usage of descriptive words such as, “ bleeding the deep fringe” (1), and “ thick cockscomb” (1), to give the reader a sense of being in a jungle filled with tropical life and pleasure. The author uses words that are exotic in nature to emanate the jungle scenery.
One main idea of landscape architecture is to persuade people to interact with nature and to enjoy and help it, not to destroy or harm it. Nature is as much as part of this world as humans are; without nature or the wilderness there would be no society. Leopold states, “Wilderness is the raw material out of which man has hammered the artifact called civilization” (264). Human grew out of nature. In the essay “Wilderness” Aldo Leopold talks about nature as if it is a masterpiece painted by the earth or as if it is an ancient artifact in a famous museum.
It shows that like the "wilderness" can listen like a human being. As the poet tries to decide what to do with the dead deer and fawn, he anthropomorphizes the natural wilderness that surrounds the speaker. This brief description is
In the story “Time of Wonder” the writer and illustrator Robert McCloskey creates a mesmerizing picture book. Throughout the book he relates his message to the reader of taking time to enjoy the weather and nature. Likewise, the reader is able to experience these events directly with phrases such as “IT’S RAINING ON YOU” (McCloskey 10). One event the reader is able to conjure up is the ocean in Maine with the taste of salt on their tongue. Moreover, the reader visualizes the calm sea on a sunny day and fears the roaring wind before a hurricane.
To begin, with the difference of human and nature in "Last Child" by Louv, the device of an analogy is demonstrated. We often compare ourselves with nature, but we are yet to realize that we really cannot do that. We are no where in comparison with nature so for us to compare ourselves to it is a disgrace to nature. In this article we are comparing nature to a waste of space, because of the way that we use nature. We use "ads" for our own luxuries to take up the space that we use that is also called nature.
But, nature does not exclude humans, human excludes themselves from nature. Within the “mists of [the] chopping sea of civilized life, such are the clouds and storms and quicksands and thousand and one items to be allowed for”(277). He uses clouds and storms and quicksands to convey that civilized life includes the same negativity included in the connotation of those conditions, but nonetheless, those too are apart of nature. The purpose of utilizing imagery is so evoke images people already have to connect with them on that level to make them understand that they must find a harmony and balance in the world. So, in order to restore order within one’s individual life, one must defy the social norms that distance themselves from nature to find harmony with it.
The first act of the film has the function to exhibit the nature environment before humanity, the appearance of the first ancestors, and the rapid evolution development of the species. These are represented in the film focus on the life and survival of a small humanoid tribe in the desert. The first act present the environment as an empty, lack of life or diversity during a sunrise. These scenes are used for symbolic representation as the ecosystem or the environment before humanity appears. Later during the first act start appearing the first primitive ancestor, a humanoid form in this habitat performing their regular activities, as well as their organizational and social structure.
In Edward Abbey writings he talks his descriptive encounters with nature in the deserts mostly about the snakes that he is watching. Abbey has a love for the deserts and this is why he writes about “The Serpents of Paradise”. In this story he used a lot of detail to make it feel like you know what is constantly going on, it almost felt like I was their and could imagine in my mind every moment I read. The way Abbey writes only makes me want to just keep reading. Abbey uses his senses to describe what he is seeing like the greasy wings of the ravens and what they sound like pretending to talk to him.
“Death By Landscape.” Wilderness Tips, Doubleday, 1991, pp. 97-118 Brock, Richard. " Envoicing Silent Objects: Art and Literature at the Site of the Canadian Landscape. " Canadian Journal of Environmental Education, vol. 13, no. 2, 01 Jan. 2008, pp. 50-61.
Silence. Not eerie, but peaceful. Nobody talks up here, but how would you find the breath, let alone the words to describe this place after a hike like that? So instead you just listen. Listen to the wind’s song to the sagebrush, the river’s trickling babble to the trees, the cheatgrass’ whisper to the clouds, begging for them to move so that they can spark a wild flame of destruction on these desert lands.
In the essay, “A Literature of Place”, by Barry Lopez focuses on the topic of human relationships with nature. He believes human imagination is shaped by the architectures it encounters within life. Lopez first starts his essay with the statement that geography is a shaping force for humans. This shaping force is what creates our imagination; the shaping force is found within nature. Everything humans see within nature is remembered, thus creating new ideas and thoughts for our imagination.
This connection of the sun to the iguana almost gives the iguana a mystical aura, leaning into the poem’s fable-like quality and mood. This fable-like tone is further described in the prey that the Iguana eats. The anthill is described succinctly with one word, which was “monastic”, which means a monastery or monk-like quality. Not only does this word describe the ant-hill, the inanimate object the ants live in, which are full of cells and chambers like a monastery, but also describes the inhabitants inside the anthill.