Donatello was an important and influential early Renaissance sculpture from Florence. He focused his work mainly on classical sculpture using stone, bronze, wood, clay and wax. Donatello’s Equestrian statue of Gattamelata is a statue made out of bronze measuring 12 feet and 2 inches high, it was sculpted during 1445-53. The statue was commissioned by the heirs of condottiero Erasmo da Narni who had passed away. It was placed in the piazza del Santo, were it still remains, facing the Basilica of St. Anthony. The statue was the first of its type serving as an example for future statues in Europe and especially in Italy. Statues already existed, never made out of bronze, but where placed in tombs not in public areas. Donatello was inspired by
This marble representation of Trajan is an exceptionally naturalistic statue. The statue, sized at 81 in. (205.7 cm) high represents a young Trajan in a relaxed position. The scale of this statue shows the power and strength of Trajan during his reign. The Lansdowne Trajan is an example of freestanding sculpture or sculpture in the round because it has been carved and chiseled out of marble, which was really expensive at that time.
Political figures in art has always been an important part of our history, culture and artistic representation, Roman and Byzantine art is a classic case of these representations. The Equestrian Statue of Marcus Aurelius and Justinian as World Conqueror are two examples that demonstrate the power and prestige of these political authorities. First, Equestrian Statue of Marcus Aurelius from the Roman, Italy (173-176 CE) measures 11’6” high, cast in bronze. Secondly, Justinian as World conqueror from Byzantium period measures 13” x 11” entire panel, center panel 7” x 5” and 1” deep. The creator of the equestrian statue is unknown, however, the creator of Justinian’s ivory relief was probably made by the imperial work of Constantinople.
While both the Northern Renaissance style painting by Jan van Eyck, titled The Arnolfini Portrait, and the Baroque style painting, by Johannes Vermeer, titled Woman Holding a Balance, indeed share some similarities, like painting for wealthy merchants and not just the church or royalty, there are some noted variations in the type of form used, between the different paintings. Eyck uses lines that are solid, bold, clearly defining each element and miniscule detail of the painting. The Northern Renaissance was well known for its attention to fine details, and Eyck does a great job of displaying this with The Arnolfini Portrait. In addition, the colors used for this portrait are bold and intense. The Renaissance period is also known for being
The Equestrian Statue of Marcus Aurelius is an ancient Roman sculpture, Rome, Italy. This statue is a focal point of Campidoglio. It is made of bronze and has a height of 4.24 meters. This statue was previously covered with gold. There is a story in the old local myth that the bronze statue goes back to gold again on Judgment Day.
People from all around wanted him to create sculptures or paint for them. He sculpted one of his most famous creations, David, for a political leader in Florence. Although he excelled in both, he saw himself as a sculptor rather than a painter. It took him four years to paint the ceiling of the Sistine Chapel. He also carved the Pieta for a tomb chapel.
This statue is dark and serious. The statue is carved from Diorite; an intrusive igneous rock composed principally of the silicate minerals plagioclase feldspar, biotite, hornblende, and/or pyroxene. https://en.wikipedia.org/wiki/Diorite. The Statue of Gudea has a smooth shiny finish to it. The detail carved into the statue shows this figure to be one of wealth and status.
When you look closely at the columns you can see the different size bases. Moreover as the tour continued outside our next sculpture to mention was The turtle fountain originally from Rome sculptured by Giacomo Della Porta in 1658.The men sculpture holding up the turtles to the fountain was very unique along with the solid base. Another fountain to mention during the sixteenth century is the fountain of oceanus by Giovanni da Bologna. The three men sculptures give this fountain a classic Renaissance look spilling down to the fountain base. Lastly, outside before going in to the
Renaissance Man. Part I A renaissance man is a person who knows a lot of things. There are some characteristics that shows a renaissance man; they are knowledgeable, has many talents and are famous.
Michelangelo famously carved many sculptures throughout his lifetime. One of his most famous pieces is the Rome Pietà. The French cardinal Jean de Bilhères Lagraulas commissioned Michelangelo to carve a memorial piece for his own burial in 1497 (Wallace, 243). The Pietà is currently on display in St. Peter’s Basilica on a pedestal as an altarpiece. William Wallace’s article “Michelangelo’s Rome Pietà: Altarpiece or Grave Memorial?” discusses whether the Pietà should be viewed as an elevated altarpiece or at eye level as a memorial through historical context and the intention of how the work was made to be viewed by an audience.
What does it mean to challenge portraiture in an age of modernity, and how can typically-labelled, painted Renaissance portraiture, be challenged within the contemporary world? Janet Werner, an artist/painter from Montreal, QC. has done just that. Known for her exhibitions “Another Perfect Day”, “Too Much Happiness” and “Who's Sorry Now”, Werner forces us to question what the term “portraiture” truly means and how a typically generic form of artwork, in our modern world of “selfies” and mass photography, can be transformed into a powerful message of self-reflection and self-worth. Although we expect portraiture's to merely be “a shell of someone's self” (Kissick, 2013), we expect that in the physical sense, and less so in the mental and emotional sense – Werner makes the world
The Italian Renaissance was a historical era whereby the Europeans and especially the Italians took advantage of medieval learning and the Italian trade that developed as a result of the Crusades. The Europeans benefited from the “new learning” as well as a more honest assessment of political action. Certain factors led to the beginning of the Italian Renaissance.
Similoluwa Oluwole Professor Bult ART 107 13 November, 2015 Michelangelo and his work: Creation of Adam Michelangelo di Lodovico Buonarroti Simoni, commonly known as Michelangelo, was born on March 6, 1475 at Caprese, Tuscany now known as Italy (Roger 2). Michelangelo, like Leonardo, was a man of many talents; he was a renowned Florentine sculptor, architect, painter, and poet. He is credited as the founder of the high Renaissance style and considered the most influential of late Renaissance artists (Houston 16). His works exhibit his remarkable understanding of human anatomy and muscular structure, a skill which he used to incorporate emotion and liveliness into his works. He rarely painted landscapes; his subject matters were mostly human,
The piece was commissioned by Donato Gianotti for the Cardinal Niccolo Ridolfi (CITE). It took Michelangelo about one year to complete the piece, specifically 1539 to 1540(1). The piece, like most of Michelangelo’s work, has deep symbolism. In one article, it stated that, “Michelangelo wanted to represent a symbol of freedom and rebellion against the current “tyrants” of Florence.”
Italian Renaissance (Late 14th century) Italian Renaissance art had several different iconic art styles that are still known today. Mosaics were made and inspired by the Byzantine period and Greek sculptors. The famous painter Giotto was well known for his creations of the human body, which was at the end of the middle ages. Northern Renaissance (15th century) Techniques and practices during the Northern Renaissance period mainly included oil painting.
Introduction The Renaissance was a period of modern times associated with the rediscovery of literature, philosophy and science of antiquity. When one traces the history of art, we see that there were several steps, several periods; and each period has had the highlights. As the Middle Age was marked by the cult of the gods, the revival was marked by the development of scientific knowledge. This relationship between the arts and scientific knowledge is explained by well precise facts through which we will try to pass.