‘Drylanders’ of 1962 Name: Institutional Affiliation: Course Details: Supervisor: Due Date ‘Drylanders’ of 1962 ‘Drylanders’ is a film produced in 1962 by a film maker Don Haldane. It is a Canadian film and its setting and plot is Canadian prairies in the period of 1930s which were greatly occasioned by the great depression and harsh drought seasons. The film focuses on the hardships faced by the communities trying to cope with the problems of the arid land. The story revolves around a young couple who has a dream of establishing a successful farm in the dry lands despite having a lot of challenges which includes financial problems, environmental hardships and internal conflicts with other farmers of the region. For the determined …show more content…
It remains a powerful tool because of the following strengths it portrays as a film. Authenticity is evident since the film authentically portrays the challenges faced by the Canadian farmers during that period and it clearly shows the harsh realities of Agricultural life in that period and the farmer’s resilience. In addition, the film also has a cinematic approach where Don Haldane combines both documentary techniques and artistic elements. This combination brings an effect of sinking and thriving through the emotions brought out in the documentary. Moreover, the director applies historical significance since it provides an essential Canadian history of farmers who struggled and triumphed in the harsh conditions and therefore opening door to the unknown Canadian history. Also, the film employs human connection since the film talks of farmers’ individual experiences which allows audience to develop a deep sense of empathy and connection hence the film becomes more relatable to a huge range of viewers. …show more content…
The film also lacks diversity since it only focusses on suffering of white farmers thereby neglecting stories of indigenous communities or other marginalised communities which may have played a major role in the Agricultural history of the place. The limitation of lengthy presentation is also seen in this film where some viewers may find the pacing and length of the film too slow especially in the absence of traditional narrative structure. It also becomes a limitation to those viewers who prefer faster pacing stories and films. It also has a weakness of limited contemporary relevance since as a historical documentary it may lack relevance to the contemporary viewers who are modern and so they lack the specific historical concepts. Therefore the film will require supplementary information to bridge the gap between the film’s release in the 1960s and the modern viewers. Advantages and Disadvantages of a Film as a Medium for Telling this History
One of the easiest ways to convey information to the masses is to provide it in a movie. This form of story-telling connects with visual and auditory cues, keeping the viewer in the experience. With the viewer captured by the screen, the producers and actors are able to share a story and immerse the audience within the emotions and actions of the subject. Such a method is utilized when telling the history behind the education assimilation of Native people in the movies “Indian Horse”, “We Were Children”, and “Rabbit Proof Fence”. Each of these went into the effects of education assimilation on individuals, showing glimpses of the general effect on the tribal nations.
The film’s narrative structure is, at times, difficult to navigate, partly due to Sunny’s dual role as a subject and first-time filmmaker. While the subject matter is fascinating and there 's almost enough material here for 3 documentaries, the fact that the film is produced, directed and written by one of the Abbertons’ themself presents much bias and controversy. A documentary such as this one needs certain neutrality, which never happens. This becomes a real problem for the film when it
“Shane” is an Old Western movie that represents the western lifestyle and perspective of manhood. It was one of the unsurpassed movies produced in 1953. The movie’s plot revolves around farmers’ who try to save their own land from a dominant cattle rancher called Fletcher and a rider called Shane tries to stand by one of the farming families to keep their rights. This creates tragic events and conflicts between the family members themselves, and the family members with Fletcher and his men. The perception of being in danger is haunting the family from all sides and this is what led them to be very cautious with who they deal with and who they let in their farm.
Furthermore the length of this documentary makes it difficult for the audience to follow and is saturated with information. Since this documentary is an hour and half long, it takes a good amount of effort to recall the events from the beginning of this documentary while reaching the end. The director could have made the documentary shorter by only including the parts from the history which were most relevant. In the beginning of the documentary Ward Churchill's story is shown, however by the end the viewer has forgotten the details presented at the beginning resulting in his story not being as impactful as the other. The director could have recapped all the major issues at the end, which would have helped the audience to completely understand the main idea of the topic.
The visual reenactments along with varying narrations of the events provided an engaging format that accurately and effectively informed the viewers of the struggle by French Canadians and rebels to overcome British colonial powers. The content also provides an objective view of the events by discussing first hand accounts of both British and French Canadian during these dark times. Moreover, the chronologically formatted order helps the viewer maintain a sense of progression and setbacks made the Parti Patriote rebellion. For instance, it establishes the motives for rebellion in the beginning of the film by describing the colonial imposed hardships faced by French Canadians within urban and rural areas of Upper and Lower Canada. Sequentially, the rise of the Parti Patriote follows the lack of support from the British monarch, and the rejection to establish a republic and self-governing state.
Thus, it is always important to note the possibility of falsely depicted information in historically based movies such as this one and to compare the details with that of more reliable
Through the film industry, the indigenous peoples can express their culture thus educating people about their land, food, family, and beliefs. Through film, indigenous people are also able to express the problems that they are facing and what they want to be done. The films Sweet Country and Samson and Delilah both are tools of self-expression but the indigenous people are through their directors (Ryan-Fazilleau, 2011). They show the land which once belonged to the Aboriginal people, the work they do, their food, their problems, and the justice system (Walker, 1994). The film Sweet County shows two conflicting societies which are the indigenous people and the white people.
The film focuses on the characters lives and how they can keep going when they struggle with society. The film uses rhetorical strategies such as pathos, ethos, and logos to make this movie bring emotions, blank stares, and leave the audience to question reality. The purpose of the specific camera shots and angles is to provide an appropriate view of the movie. Lastly, the use of persuasion to allow the audience to interpret what the film says versus the thoughts in their head. The film does a good job of pointing out the flaws in our system and a specific culture that the flaws
Intro The medium of film is just like every other medium. It has the ability to influence people. In an audience that desperately needs to be influenced to change, it’s a rich opportunity for a piece of media to take advantage and bring that audience something they may have not known they wanted in the first place. The setting is America fresh off the embarrassment that was the Vietnam war.
This demonstrates the harmful impact the film industry has on people's perspectives of Indigenous culture and way of life. Due to the film industry, Indigenous people are being looked at in a negative light. Society views them as stone-cold violent warriors that never backed down from a fight. These negative perspectives are problematic
This essay will discuss how the film uses these two techniques, in reference to the film, and to what ideological and political ends are the techniques used in the films with specific references from the film to support the argument. A Man with a Movie Camera is based around one man who travels around the city to capture various moments and everyday
The film would make European Australians realise how wrong we were to treat the Aboriginals like we have in the past. The characters are very effective and make the stereotypical Aussie come to life and the indigenous actors in the film are very true in the way that they play their roles and portray the way white Australians treated Indigenous people in our past and even in our current time. The film techniques such as the hand held camera give viewers an almost real life experience to the film and the soundtrack on the film is all native Australian music.
The film praises the essentialness and creativity of a gathering that is subcultural, part of the way of life, without being countercultural, to be specific working outside of and against prevailing society.
Being a visual medium of presentation, a film creates an instant, direct and more convincing impression on its audience fulfilling its dual purpose of entertaining as well as sensitizing the audience. A lot of movies based on social issues are now being made to create awareness among people about the issues besides entertaining the audience, which is perhaps the foremost purpose behind the making