In “The Cask of Amontillado” Edgar Allan Poe uses verbal irony to emphasize the evil intentions of Montresor. Poe uses several instances of irony to demonstrate that Forntunato’s death is imminent and Montresor knows all along. One example of irony being used is when Fortunato says “the cough is a mere nothing; it will not kill me. I shall not die of a cough.”(119) Montresor replies ironically “True-true.” (119) This is an example of verbal irony because it sounds like Montresor is just replying to Fortunato but the real meaning behind Montresor saying that is because he knows that a cough will not kill him but he will. Furthermore, another example of verbal irony is when Fortunato says “I drink, to the buried that repose around us.” (119)
In Edgar Allen Poe’s, “Cask of Amontillado”, Poe skillfully uses verbal irony in order to demonstrate the villainous intentions of Montresor. The first example of verbal irony is when Fortunato, the victim, toasts “to the buried that repose” and Montresor, the murderer, “And I to your long life”(page 119). By now the reader is beginning to understand. Montresor's murderous intentions by Poe’s verbally ironic statements about life and death. Another, example of verbal irony is the play of the word “masons”.
Edgar Allan Poe creates horror and suspense in his use of irony -including verbal irony, situational irony, and dramatic irony-in his short story “ The Tell-Tale Heart”. Verbal irony is when something that is said means the opposite of what is meant. Poe uses verbal irony when he states, “ I loved the old man.” Situational irony is similar. It is defined as when what happens is different from or even the opposite of what we expected.
In the story “The Cask of Amontillado” by Edgar Allan Poe, Poe uses irony throughout story to allow the reader a little inside and humor on what is about to happen. Throughout the story examples of verbal, dramatic, and situational irony can be found easily and are helpful is foreshadowing what is to come. Verbal irony is when one thing is said, but another is meant. For example, when Montresor runs into Fortunato at the beginning of the story, he says, “My dear Fortunato, you are luckily met” (237); However, he actually means that he himself is happy to see Fortunato because he will profit from this meeting, not Fortunato.
Edgar Allan Poe’s use of literary devices to show the how fear of the characters in his stories are both helpful and harmful to them. Poe shows how the fears and obsessions of the narrators in his tales either lead to their inevitable death, or their miraculous survival. Edgar Allan Poe uses many literary devices in his texts, such as symbols, ironies, and figurative language, to show the strange and distorted ways of the characters, and the repercussion of their fears and obsessions. In Poe’s stories, a literary device he uses frequently throughout his stories, are symbols.
Verbal Irony is when the speaker intends to be understood as meaning something that contrasts with the literal or usual meaning of what he says. These are just two examples of irony that are used in these two stories, and helps these authors
Edgar Allan Poe’s short story “The Cask of Amontillado” is the narrative of a man named Montresor who seeks vengeance against a man named Fortunato. Fortunato insults Montresor. Next, Montresor meet Fortunato at a carnival, eventually luring him into the catacombs of his home to bury Fortunato alive. Moreover, different types of irony are portrayed in this short story. Dramatic irony consists of the character in the story knowing less about his or her situation than the reader.
Everybody will eventually want revenge on an old friend or just someone they know. Montressor, similar to many people in the world, wants revenge on one of his old friends, Fortunato. The story opens with, “The thousand injuries of Fortunato I had borne as best I could; but when he ventured upon insult, I vowed revenge” (Poe 212). In this statement, Montressor tells the reader what the cause of his revenge against Fortunato is. “The Cask of Amontillado”, written by Edgar Allen Poe, tells the story of how Montressor brings Fortunato into the catacombs to bury him alive.
Verbal irony occurs when what is said is different from what is meant. In Edgar Allen Poe’s “The Cask of Amontillado,” an example of verbal irony is the final line of the story when Montresor, the protagonist, has just killed Fortunato by walling him up in a tomb in the catacombs beneath Montresor’s palazzo. Montresor says, “In pace requiescat!” (214) which in English translates to “May he rest in peace!” This is verbal irony because, as Montresor has just murdered Fortunato, the reader can infer that Montresor does not wish Fortunato to rest in peace, though that is what he said.
In the short story by Edgar Allen Poe, there are countless examples of irony to convey Montresor’s unlawful act, while applying an additional layer of irony to sabotage his revenge. An example of situational irony Poe uses in the story is simply the name Fortunato. Fortunato is an Italian name that means good fortune or luck. This is an example of situational irony because his name means the complete opposite of what he actually was.
In Edgar Allan Poe’s “The Cask of Amontillado,” irony is applied throughout to help foreshadow future and give more of an insight to the readers, all while adding some humor. Irony is divided into three main types: dramatic, situational, and verbal. Poe uses dramatic irony when he has Fortunato dress as a jester, “a tight-fitting parti-striped dress and his was surmounted by the conical cap and bells” (Poe). The get-up makes Fortunato looks foolish and foreshadows his actions of following Montresor into the catacombs to taste some wine. Montresor even compliments the outfit and says “My dear Fortunato, you are luckily met” (Poe), but it was not Fortunato who was in luck, but Montresor who would gain profit of their meeting.
In Edgar Allen Poe’s “The Cask of Amontillado,” Poe uses both verbal irony and dramatic irony. An example of verbal irony is when Montresor says to Fortunato, “‘And I to your long life,’” in the catacombs. This was when the narrator and Fortunato just finished drinking their wine and jokingly toasts to Fortunato’s life. When Montresor says this, he is actually saying “And I to your short life,” because he knows Fortunato will die soon. It is like Montresor is using sarcasm.
In “The Cask of Amontillado”, Edgar Allan Poe displays the theme of revenge and manipulation. The narrator Montresor pledges revenge on Fortunato for an insult that is never explained. He maintains an appearance of goodwill towards Fortunato and decides to make use of Fortunato's weakness for fine wines against him. During the carnival season, the narrator approaches Fortunato, telling him that he has come across something that could pass for Amontillado a rare and expensive wine. Fortunato being excited about the news insists on accompanying Montresor to the vaults to determine whether it is Amontillado or not.
The fictional short story “The Cask of Amontillado” by Edgar Allan Poe takes place in the catacombs of Montresor’s palace, during the carnival’s climax. The story begins when Montresor, the villain of the story, vows revenge on Fortunato. Throughout the story, the author doesn't tell us what the revenge will be, but his choice of words in the details creates a mood in the reader. The author’s detailed description in the short story creates different moods in the reader like anger, satisfaction, curiosity, and victory because the chosen words connect with the audience.
“The Use of Irony in "The Cask of Amontillado" Edgar Allan Poe is a phenomenal writer and makes many points in his writings. There are three different ways in Poe 's writing of "The Cask of Amontillado" that irony is used: verbal, situational and dramatic. Verbal irony can be seen when Montresor first sees Fortunato at the carnival. Situational irony is also used and can be seen between the meaning of Fortunato 's name and his destiny, as well as Montresor 's response to his own. The last way irony is used is dramatic irony, this can be seen by any reader, this occurs when Montresor tells Fortunato he is also a mason.
The fact that irony can be found all throughout “A Cast of Amontillado” is ironic within itself. However, the use of irony is not just important to the interesting and chilling nature of the story, but it contributes greatly to the overall theme. This idea is also expressed by literary critic James W. Gargono in his “‘The Cask of Amontillado’: A Masquerade of Motive and Identity.” He says that “the setting and pervasive irony of the tale do not merely enhance the grotesque effect Poe obviously intends; more importantly, they contribute their share to the theme of the story.”