The concept of ideal beauty has not changed a lot during centuries and is not strongly influenced by the Western culture, as sometimes is claimed. The Chinese language identifies an ideal woman in a phrase that literally can be translated as “white, reach and beauty.” Therefore, the first feature of the concept of the ideal beauty is white skin. Among other feature are also “goose egg face,” slim body, big eyes and a small nose. Consequently, the ideal Chinese woman is slim, with a pale skin, big eyes, noble nose and an oval face with a pointed chin.
As it was mentioned above the concept of ideal beauty almost has not changed its initial features. Thus, pale skin historically became the feature of a beautiful woman. Fair skin for years represented health and wealth since it indicated that person had not worked outside. Therefore, it
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Despite often claims that modern Chinese beauty ideals are strongly influenced by the Western culture, it is barely true. As it may be seen, most of the features that are necessary for being considered beautiful always were recognized as such during Chinese history. For instance, such feature as fair skin and slim body have always been desirable and recognized as ideals. Mostly it may be explained by the assumption that these features symbolize and present healthiness, wealth and fertility of a woman. However, some of the features of the ideal of Chinese beauty have not remained the same. Thus, preferences with regards to the shape of a face and eyes have been changed with a pass of time. It has been illustrated in the paper that initially round face were much preferable among Chinese dynasties. The same approach existed with referring to the shape of eyes. Eyes with single eyelids were considered more attractive, than double eyelids that are much preferable
Beauty today may not entirely be defined by skin tone, but popular opinion seems to steer this way. I often don’t see modeling advertising featuring darker skin toned women; often they’re of lighter pigment. I think it goes largely unsaid nowadays, but the pain of stigma and the relations between those of darker and lighter skin tone remains the same. It’s not so subtlety swiped under the table until protested, while as in the author’s day it was more blatantly done.
“The closer a race was in appearance to the Greek body, the closer that race was to the ideal.” Africans differed completely from this standard of beauty, and as a result, were identified as inferior. Physiognomy was used, having one’s character being determined completely based on societies perception of beauty. It can be concluded that, since the Africans had no physical similarities to Europeans, they were deemed ugly. Since they were deemed ugly, it was inferred that they were ugly in personality, character, and nature as well.
In the essay What Meets the Eye, Daniel Akst argues that look or beauty does matter in the daily life, that is, people’s life can be largely influenced or even controlled by look. Through reading Akst’s essay, I completely understand how people have different perspectives of others, as many people pay attention to and worry about how they look in the daily life. And people tend to judge others by their beauty or looks to a large extent. Akst’s ideas quite conform to and reinforce Paglia’s points that pursuing and maximizing one’s attractiveness and beauty is a justifiable aim in any society, and that good surgery discovers reveals personality. Both of them hold the idea that beauty plays an important role in people’s life and it is significant to enhance one’s beauty and attractiveness.
Chung accepted herself the way she looked and learned that the definition of beauty is “one that embraces differences and includes every girl, who can hold her head up, sang ka pul-less and chinky-eyed” (108). She hoped that her awakening about true beauty and acceptance would also help other Asian females, especially her mother realize that they are beautiful just the way God created them (Finding My
She outlines her culture as something that is truly remarkable. During a time where society puts a strain on physical appearance, Silko proves that the meaning of beauty is something that has less to do with physical appearance and more to do with
Not Just a Bowl Beauty is one of the main foci in society today where selfies, beauty enhancement or plastic surgery, celebrities, and the media reign over society—constantly defining what people should aim for in terms of appearance. Appearances are everything to many people rather than inner beauty such as character and values. In turn, this beauty-obsessed world has led to people becoming more shallow, superficial, and unaccepting towards anything besides the “norm.” It is quite ironic to have a “norm” considering how each individual is different and live in different cultures and such. People are not meant to be or look the same neither should they adhere to a certain standard in which someone else has established.
The beauty in this era covered was a wide range of years, allowing different influences to develop. Women were praised for their natural features and body types. The ideal woman was that on the more voluptuous side, paintings from the Renaissance period often focused on women who would today be considered overweight. Her bust would appear full of no signs of bones. The ideal female would also have pale skin, unlike the tanned look that is popular in our modern day.
Thus, beauty, a concept that is assumed to be subjective, now morphs into something objective. Valenti notes that in popular culture, for instance, the most desirable woman is depicted as one
Before the 1900s, the Rubensque women painted by Rafeal and Renoir dominated the ideal female body image. The Bathers, painted by Pierre Auguste Renoir in 1887 was also an example of what the ideal female body looked like. Women having extra weight reflected wealth and beauty then. In the early 1800s, women preferred having pale skin because it showed that they spent less time outdoors working, which reflected wealth. Also women at that time were expected to have small hands and feet as a sign of their feminism, otherwise they would be considered as masculine-looking.
Personal Statement I would like to confirm that it is my motivating of Chinese culture that ignited my passion for cultural and creative industry. As a Tourism Management major student, I was able to explore the Chinese diversified cultures and landscapes, which offered me an insightful understanding of the Chinese cultural development. Under the guidance of commercialization, some cultural heritages have developed into huge tourism souvenir markets full of counterfeit and shoddy products. The over-commercialization reveals the fact that the Chinese culture is facing a severe situation. The country calls for a better cultural development strategy, which cultural and creative industry can offer.
Chinese women suffer from the unfair notion for thousands of years. The basic requirements of being virtuous women are “Three Obediences and Four Virtues (三从四德)”. The “Three Obediences” were “obey your father before marriage (未嫁从父); obey your husband when married (既嫁从夫); and obey your sons in widowhood (夫死从子)”. And the “Four Virtues” were “Female virtues (妇德)”, “Female words (妇言)”, “Female appearances (妇容)” and “Female work (妇功)”. (Sun, 2015).
Week 3: Sacred Goddess: Ideas about Femininity China is an appearance driven society where heavy emphasis is placed on a woman’s aesthetics and femininity rather than their talents and achievements. (Chan & Cheng, 2011) Women are constantly under pressure by their peers, family and society to chase the ideal standards of physical beauty. This has caused the beauty economy in China also known as “mei nü jing ji”, to thrive (Zhang, 2012). Many take radical measures to “fix” physical qualities that are deemed flaws. Some characteristics that are associated with femininity and are extremely sought after China include fair skin, big, bright eyes, and a small and delicate soft nose.
Cross-cultural research suggests that what is considered “beautiful” is similar across different cultures. Describe the evidence and discuss the implications of this. The maxim Beauty is in the eye of the beholder asserts that each person has or may have their own standards of beauty and that therefore people shouldn 't agree on what is beautiful or attractive. As different cultures presumably have different beauty ideals, it follows that this claim should be valid all the more across cultures (Langlois, Kalakanis, Rubenstein, Larson Hallam & Smoot, 2000).
Cultural Analysis of China The definition of culture is; the customary beliefs, social forms, and material traits of a racial, religious, or social group; the characteristic features of everyday existence (such as diversions or a way of life) shared by people in a place or time. Mainland China has a rich and prosperous culture which dates back more than 4,000 years, which is full of Chinese culture and history. China has a colorful history, which focuses on more traditional aspects like food, customs, and the life style of its people. The Chinese people have shared a common culture longer than any other group of people on earth.
The traditional Chinese cultures have a development process for thousand years, now we are creating another kind of traditional culture especially under the wave of globalization. Although the form of expressing or performing the culture experienced some changes but the basic idea and belief behind rarely changed. To promote Chinese culture we would refer to the essence of Chinese wisdom so the following is actual practicing of different dimensions of Chinese traditions which show the beauty of China. The family concept is the essence of Chinese culture.