The analysis of “The Shining” directed by Stanley Kubrick
The Shining is a horror movie filmed by Stanley Kubrick. It bases on the namesake novel written by Stephen King. The film tells a story of the Torrance family that included Jack, Wendy and their son Danny that shows signs of strange powers from the beginning of the movie. The trio went to the Overlook Hotel where the husband would work as a caretaker during the winter. It appeared the building was possessed by some evil power (Kubrick suggested it could be because the house was built on the Native Americans’ cemetery) that killed some of visitors and workers. The spirit or demon was interested in Danny’s abilities, but the boy used them to call help and save himself and his mother. Jack died (froze to death in the movie) and joined the ranks of people affected by the Overlook Hotel.
Kubrick’s The Shining can be called the most famous screen adaptation of this novel. This status remains despite the fact the director cut and changed some aspects of the original story.
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The music often supports wide shots, like scenes with landscapes, or the most important dialogues, like the moment when Danny asked Jack if he wants to hurt him or Wendy (“The Shining” 56:30); or when he called Wendy and looked in the room 237. Such type of the soundtrack is quite unusual for modern movies, where the music is the major (if not the main) part of the development of the plot. In The Shining music only supports the intension created by the acting, dialogues or background sounds. For example, Jack’s burst of anger (“The Shining” 1:19) started without the background music; man’s feelings were demonstrated with his face expression, aggressive movements and the sound of falling saucepans he threw off the table. Filmmakers also did not use the “pattern” of quite dialogues and loud, “dramatic” music accords in speechless scenes, which is a common choice for modern horror
In 2010, a poll taken from over 1000 people named Darryl Kerrigan of The Castle as the favourite Australian movie character with 23% of the votes (Hayes, 2010). The accolades kept flowing for the 1997 film, with over a third of those interviewed thinking The Castle best represents the real Australian culture (Hayes, 2010). These results raise an interesting question. How does a film taken in 11 days with a budget of half a million dollars capture the hearts of more Australians than a Hollywood blockbuster? What is it about Darryl and his family, and the story of the Kerrigans that Australians can relate to?
For example, in the movie when the church is on fire, Ponyboy and Johnny run into the church to save the kids. This is where Johnny gets paralyzed in both the movie and the book. At this point in the story, to change that event, would majorly change the ending. The director kept this event the same in order to maintain the theme and resolution of the book. As one can see, the events throughout the movie match up with the events in the book.
In almost all films and novels of any genre, evil does not and cannot triumph. This is the case in both “Jekyll and Hyde” and “The Shining” wherein evil is represented as a force that ultimately causes its own demise. Both antagonists commit suicide due to being overcome by their better nature. In “The Shining” Jack Torrance is on the verge of murdering his son, until “the face in front of him changed” and “the mallet began to rise and descend, destroying the last of Jack Torrance’s image”. This suggests that violent people meet violent ends.
“The Shining” is a novel written by Stephen King in 1977 and a horror movie directed by Stanley Kubrick in 1980. The novel and movie tells a story about Jack Torrance, who becomes the off-season winter caretaker of the Overlook Hotel. Although the movie and the book have some similarities; there are many differences from the adaptation of the novel. In the book, the main characters are Jack Torrance, Wendy Torrance, and their son Danny Torrance.
Madison Avenue advertising executive Roger Thornhill’s (Cary Grant) life changes drastically after he is kidnapped and mistaken for a spy named George Kaplan. After a successful escape from attempted murder by Phillip Vandamm (James Mason), Roger Thornhill begins a journey to search for George Kaplan. On his itinerary, he meets the beautiful Eve Kendall (Eva Marie Saint). A romantic relationship is started between the two, leaving Thornhill to believe that Even Kendall would cooperate and help him to meet Kaplan.
The movie depiction is able to elicit fear through cinematic techniques, and the novel uses fear in a different way than the movie which is more effective in frightening the reader. Haunting of Hill House is considered a cinematic classic. Using mise-en-scene the director can elicit fear. Hill House is full of statues and mirrors,
Stephen King’s tough childhood is ultimately the reason for both his writing in horror fiction and his literary masterpiece The Shining. Nellie and Donald King gave birth to their second son, Stephen Edwin King, on September 21, 1947 in Portland, Maine. Just two short years after King was born, Mr. King disappeared and was never heard from, or seen again. After that, the Kings didn't stay in one place for long. They lived in Fort Wayne, IN for a few years, and then heading out to Stratford, Conneticut. Growing up and generally being a kid was tough for King due to many reasons.
Mise-en-scéne is crucial to classical Hollywood as it defined an era ‘that in its primary sense and effect, shows us something; it is a means of display. ' (Martin 2014, p.XV). Billy Wilder 's Sunset Boulevard (Wilder 1950) will be analysed and explored with its techniques and styles of mise-en-scéne and how this aspect of filmmaking establishes together as a cohesive whole with the narrative themes as classical Hollywood storytelling. Features of the film 's sense of space and time, setting, motifs, characters, and character goals will be explored and how they affect the characterisation, structure, and three-act organisation.
The film ‘Good Will Hunting’ directed by Gus Van Sant is a movie which follows the life of Will Hunting who is gifted with astonishing skills for maths but whom suffered with a fear of abandonment. He developed a defense mechanism which affected his ability to create long lasting relationships. An important extract from the movie is the scene ‘ It’s not your fault’. This scene conveyed the impact of childhood traumas, the effects of suppressed emotions and the idea of soulmates. These ideas were manifested through the use of various film techniques, such as camera shots and movements, music and dialogue.
The movies that I chose to compare are “The Conjuring” release on 2013 July and “Annabelle” release on 2014 October. “The Conjuring” is directed by James Wan starred by Vera Farmiga, Patrick Wilson, Ron Livingston and Lili Taylor whereas “Annabelle” is directed by John R. Leonetti starred by Annabelle Wallis, Ward Horton and Alfre Woodard. Even though both of these movies start with the same opening scene, two young women and a young man in 1968 are telling Ed and Lorraine Warren whom are paranormal investigators about their experiences with a doll called Annabelle they believe to be haunted, the rest of the story lines of these two movies have many different points. The first difference is the beginning of mystery. In “The Conjuring”, a couple
Even though it may be just a stereotype, the Scottish people are not generally known for their joyful nature and friendliness. No wonder, considering the geographical location of the country, the weather and the scarce population in the wild landscape. Kilts, mysterious countryside full of lochs and ruined castles, back pipes, whiskey and Brave Heart is what usually comes to people’s minds when Scotland is mentioned, but legends and nature are not exactly what the contemporary Scottish films usually focus on. Once a person gets himself into the modern Scottish cinematography, what they encounter are not huge historical and probably not even real battles taking place in the romanticised landscape of Sir Walter Scott. The movies focus rather
In the film ‘The Shining’, Shelly Duvall plays the character ‘Wendy’ the stereotypical ‘woman in distress’ and a rather quite sexist outlook on women. In the beginning of the film, the way Jack behaved towards wendy already showed that he had some sort of resentment towards Wendy, some sort of grudge he was holding against her, “As long as I live, she’ll never let me forget what happened.” Wendy’s character plays the nurturing mother, a ‘good’ wife that fixes things around the hotel like a typical housewife would. This whole ‘typical’ female role as a wife and mother is considered ‘ideological’ and it is semiotic to the male dominated society nowadays.
O Brother Where Art Thou? is a film that will take you on a perilous journey with Ulysses Everett McGill and his simpleminded cohorts. This film may be set amidst the early 1930’s Great Depression era, but it still has a Homer’s Odyssey feel to it. Down in the dusty and highly racial south, Everett recruits a couple of dimwitted convicts, Pete Hogwallop and Delmar O’Donnell, to help him retrieve his lost treasure and make it back home before his wife marries another suitor.
The Wizard of Oz has revealed to be an exceptionally well thought out film when analysed. The film has made use of stylistic elements such as colour, light, sound and mise-en-scene which coincide with the various twists and turns of the plot as Dorothy moves from Kansas, to Oz, and back again. In The Wizard of Oz, the directors have employed the use of different unique editing techniques despite being an early film. It is obvious that the audience is able to notice the absence of colour in the beginning and ending of the film. The audience is able to identify the mood and overall feeling for Dorothy when she is in her family farm in Kansas.
One of the best usage of sound design as a tool of storytelling has to be in the first sequence of The Exorcist. As a horror movie, which as a genre builds itself on the vicarious experience it provides, uses more complex patterns of sound design templates to enhance the adventure of watching the movie. Throughout the first scene, Ken Nagle lays what the audience will be the experiencing through the duration of the movie with sound design; the duel between good and evil. The Exorcist’s first sequence, the audience can hear the digging sound of the workers, which resembles the heart pounding.