Hostility or Compassion?
Dante Alighieri, was exiled from Florence, Italy, because of politics, after he was exiled he wrote an epic about his view of Hell. In the epic, The Inferno, Dante, the protagonist, strays from the right path, so Virgil, his guide takes him through Hell to show him that he needs to get back on the path of God. However during the epic, Alighieri shows compassion and hostility to certain sinners through his protagonists actions, diction and extra punishments. Such sinners he felt compassion or hostility to are Filippo Argenti, Ser Brunetto Latino, and Bocca Degli Abbati.
Alighieri shows hostility towards Filippo Argenti, a wrathful sinner, through his diction, and by making his protagonist add an extra punishment to
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When Dante enters where the Treacherous to Country are he accidentally or willfully kicks, “As we approached the center of all weight, where I went shivering in eternal shade, whether it was my will, or chance, or fate, I cannot say, but as I trailed my guide among those heads, my foot struck violently against the face of one” (XXXII, 73-78). By having Dante kick Bocca in the head, Alighieri conveys that he feels hostile against him. Even though Alighieri writes “whether it was my will, or chance, or fate”, the fact that he writes his protagonist to kick Bocca, shows his hatred. After Dante kicks him, Bocca asks who he is and Dante then has a hand on his hair while he answers. Bocca then doesn’t reveal who he is, so Dante states, “I grabbed the hair of his dog’s-ruff and said: ‘Either you tell me who you truly are, or you won’t have a hair left on your head’... I had a good grip on his hair; already I had yanked out more than a fistful of it, while the wretch yelped” (XXXII, 97-99, 103-105). Alighieri writes Dante to rip his hair out, which causes Bocca pain, which demonstrates how Alighieri wants Bocca to feel pain and be punished for being a traitor to their country, Florence, Italy. Alighieri's diction also applies that he has hatred to Bocca, by stating that his hair is like a “dog’s-ruff” conveys that Alighieri is being disrespectful by calling him a dog, and
"The Inferno" is the first book in the epic poem called the “Divine Comedy” by the Italian politician Dante Alighieri and it is followed by "Purgatorio" and "Paradiso”. The book "Inferno", which is the Italian translation for Hell, tells the journey of its author through what he believes is Hell, which consists of nine circles of pain and suffering. In his journey, he is guided through the nine circles by the Roman poet Virgil. Each circle in the book represents a different type of sin with a different type of punishment, varying according to the degree of the offense they committed in their life. By the end of his journey through all of the circles, Dante realizes and emphasizes the perfection of God's Justice and the significance of each offense towards God’s unconditional love.
The same way, disorder means damnation. In both of the masterpieces we find the same way in conceiving coordinates and juxtaposing politics and religion, empire and church. Analogous is the way to express certain forces of nature, intimate qualities of the spirit, sublimation or degeneration of senses through animals. Dante’s Comedy and the mosaic of Otranto teem with animals and monsters: dogs, wolves, dragons, lions, sphinxes, griffins, centaurs, etc. We find all of these representations in both of the works and with the same meaning, same analogies, and same functions.
He is punished in the Fourth Bolgia because he practised magic and tried to see into the future, which is the prerogative of God. Dante portrays Michael Scott as trapped in his own folly and unable to progress. This punishment is appropriate because Michael Scott attempted to predict the future, a power that only belongs to God. Guido Bonatti is the seventh Soothsayer Dante encounters in the Fourth Bolgia.
Alighieri as a child excelled in his studies and offered much to the world of philosophy, yet preferred poetry to his studies. " Kind star or something better has given me that gift, I not abuse it. “ (Alighieri, Canto 26). Alighieri turned to poetry as his only emotional outlet, increasingly so after by the death of his lover, Beatrice Portinari. Alighieri had unforgiving tendencies regarding political stances, however, Dante was in most opposition against those in neutral parties.
In The Comedy, Dante the Pilgrim develops a relationship with his damned idol, Virgil, in order to journey through both Inferno and Purgatory. Even though Virgil was a good man while living, he lacked understanding of certain virtues, like pride, which prevented him from being able to reach higher levels in the afterlife. Dante the Poet’s choice to damn Virgil conveys that obeying a higher order is the way to one’s salvation. The developing relationship between Virgil and Dante the Pilgrim throughout the first two canticles brings light to the opposing separation between the two characters because of the devotion Dante has to Christian virtues in comparison to Virgil’s pagan misunderstanding of virtue. While Dante the Pilgrim experiences many
Down to the penultimate Canto, Dante meets the second pair of sinners bound together: Ugolino and Ruggieri. Ugolino bites the skull of Ruggieri—the vengeance that he badly wanted on earth is given to him for eternity. This image of Ugolino and Ruggieri reminds us of the image of Paulo and Francesca as the only sinners in Hell that are bound together. The juxtaposition of Ugolino and Francesca ultimately demonstrates two facets of love: A fatherly love that was rejected because of pride and a passionate love that was pursued despite its unlawful nature. (Inf.
The following passage is significant to the play ‘Othello’ in retrospect to the plot progression, as it reiterates themes and introduces important facets to the plot development. Through Iago’s cunning manipulation and Shakespeare’s crafting of language, this passage is constructed as a pivotal point of the play, marking the transition of Othello’s personality and revealing his deepest insecurities that eventually lead to his downfall and tragic ending. Iago wields a lot of power over all the characters throughout the play, but in this passage in particular he is presented at his most powerful. The passage is riddled with subtle suggestions and insinuations by Iago to raise Othello’s suspicions of his wife’s fidelity, opening with the admonition to “beware, my lord, of jealousy!
Dante sees a Florentine in the group of Sodomites, by the name of Ser Brunetto Latino. Latino was a mentor to Dante after the death of his father and had a significant influence on Dante. “Therefore, go on; I will walk at your hem, / and then rejoin my company, which goes / mourning eternal loss in eternal flame / I did not dare descend to his own level / but kept my head inclined, as one who walks / in reverence meditating good and evil” (Canto XV, lines 40-45) Dante uses Ser Brunetto Latino as a symbol of his influences he had in life, as well as, to help explain the beliefs of Dante. On some accounts, Dante put Latino in Hell, because of his homosexuality, which Dante disliked, due to the views of Church.
Dante Hero Essay Pieces of writing are often viewed as a product of their origin time period, even in the modern day it is not uncommon to view our time plane as independent to what preceded as if we were somehow separate from every moment that came before. Instead every aspect of a story is ingrained with the message of millenniums before it, so much so the effect that the present has pales in comparison. This is present throughout Dante’s inferno written by Dante Alighieri as it is not merely a representation of the time period it originated from, rather the present represents the top of an iceberg whose very existence and stature are fully dependent on the times that preceded. This phenomenon of the past is fully present in Dante’s epic hero cycle. Dante’s resurrection reveals to be heavily influenced by the history of humankind.
At the final 9th circle, Dante encounters Count Ugolino, a traitor against italy. Dante listens to Ugolino’s story about the tragedy of himself and his sons, reflects the theme of human reason and emotions. Count Ugolino commits an ambiguous sin and has an unreliable reaction towards it, which causes the reader to question the incredibly heavy punishment that Count Ugolino is dealt. This passage draws attention to issues with reliability, regarding Ugolino, Dante the author, and Dante the pilgrim. Dante as both the author
In The Inferno, Dante is the hero of the story. Dante is the man exiled from his home as a result of his political struggles and beliefs with the choice between evil and good. Dante’s heroism is in the form of humanity as he faces the challenge which all human beings struggle with. Dante’s courage is tested as he journeys through the rings of hell. According to Dante, “therefore look carefully; you’ll see such things/as would deprive my speech of all belief” (Alighieri, Dante. 1854).
Between 1308 to 1320, Dante Alighieri wrote The Divine Comedy, which was later translated by Mark Musa into Dante the Divine Comedy Volume 1: Inferno. Dante Alighieri was born in Florence, Italy around 1265 and grew up in a noble yet impoverished family. (Dante the Divine Comedy; page 1) He lived a fairly normal life, where he attended college in Bologna, married his wife Gemma Donati, and even had four children. Alighieri met a woman named Beatrice with whom he fell fiercely in love with/had a crush on and inspired the writing of The Divine Comedy, yet when she passed away in 1290, he became engaged in a political battle.
This impacted Machiavelli and his standing in Florentine society because of his connection to the Medici family and because he was not a religious leader in the city. The religious and political turmoil Dante lived amongst also shaped his views on violence. The Guelf-Ghibelline conflict resulted in Dante’s exile, and his Inferno shows how that conflict and his exile shaped his views of violence. Since a conflict that affects an entire city-state is often violent, placing violent people deep into hell shows how Dante felt about violence and the negative affect it had on
“Durante Degli Aligheries Inferno {Part of the Divine comedy} is widely regarded as the greatest poem in modern european language, its allegorical comparisons, metaphors and satirical critisism of italy in the 15th century all contribute to its level of prestige. However, what influenced Dante Aligherie to create such a masterpiece? By looking at Dante Aligheries participation in Florentine Politics and comparing it to the extensive amount of political references used in Dantes Inferno it is clear that Politics played a vital role in creating Dantes depiction of Hell. Furthermore, by examining the importance of religion in medieval Italy and Dantes connection to the church, one can easily see that Dante heavily uses religious references to the pope of the church. Finally, this essay will investigate how Dantes connection to Florentine art influenced the poems content.
Dante’s Inferno represents a microcosm of society; meaning, laymen, church, politicians, and scholars are all compiled into one place and punished for their sins. Hell, despite being depicted as brutal, ugly, and chaotic, is made realistic because the inhabitants come from every country and every walk of life. While Dante Alighieri did not invent the idea of Hell itself, he did create an important and in depth concept that still receives attention in biblical, classical, and medieval works. The Divine Comedy itself was written sometime between the years 1308 and 1321 and scholars still consider it the “supreme work of Italian literature.” The work itself is an epic poem divided into three separate sections: Inferno, Purgatorio, and Paradiso; respectively Hell, Purgatory, and Heaven.