Louis Armstrong had a tremendous impact on history of American Jazz. As a trumpeter, singer, and soloist, he had acquired a reputation in his lifetime as “the greatest trumpet player who had ever lived.” His numerous accomplishments, even in an America where African-Americans rarely found success, propelled him to be one of the most notable Jazz musicians.
Armstrong’s story began in 1912, in his hometown of New Orleans. He fired his stepfather’s gun in the air on New Year’s eve, and was immediately arrested and taken to Colored Waif's Home for Boys. There he found a mentor, another highly influential musician known as Joe “King” Oliver. Oliver taught him how to play a cornet, an instrument similar to the trumpet yet also distinctive by its compactness and rounder shape. Armstrong himself recognized the significance of meeting Oliver, saying “if it had not been for Joe Oliver, Jazz would not be what it is today”.
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The band was immensely significant as it was the first to bring New Orleans style music up north. In this band, he swiftly became popular with other Chicago musicians. During this period, Armstrong’s southern style influenced other musicians from the south to move north. After a brief stint in New York from 1924 to 1925, in which he switched to the trumpet, he then returned to Chicago. After his return, Louis’s career would reach new heights. Armstrong formed his own band, the Hot Five, and later the Hot Seven. During the period from 1925 to 1928, he would release over 60 records, which are today regarded as some of the most influential records in Jazz history. Furthermore, these recordings helped transform Jazz from ensembles to soloist music. Armstrong also popularized Scat singing in 1926, a type of improvisation that uses the voice as an instrument through wordless
So, louis was in love with music his whole life, since he was a kid until death. He was super dedicated to his main music “jazz”. Living in New Orleans he was given lessons by a professor. For some people, they would consider hello, dolly to be his best song.
Aidan Sleigh Mr. Kovalsky English II H December 2014 Lee Morgan Edward Lee Morgan, the trumpet player, composer, and bandleader who was considered to be a quintessential hard-bopper, was one of the most important jazzmen of his time. In his fast paced life, he played with Dizzy Gillespie’s Big Band, Art Blakey’s Jazz Messengers, released twenty-five albums of his own on the Blue Note label, and was a leader of the Jazz and People’s Movement. Few people accomplish half as much in their lives as Lee Morgan managed to fit into his thirty-three year life. He is undoubtedly worth studying for his life, music, compositions, and his efforts to change the public’s perception of jazz.
Louis Armstrong shaping scat singing to make it achieve posterity Louis Armstrong (1901-1971) is surely one of the most famous and incredible jazz singer and trumpet player. He influenced widely, and still does, jazz music. But there is something that only jazz specialists or some aficionados know: he actually reinvented a brand new genre of vocal jazz, the scat singing.
Bolden showed how much talent and dexterity one can have with playing the trumpet. King Joe Oliver was one of many important trumpet players. He was the bandleader of King Oliver’s Jazz Band, and played a lot of New Orleans jazz. The song “Snake Rag” (1923) at 2:13 is a good example. Oliver is accompanied by Louis Armstrong, another paramount trumpet player who was heavily influenced by Oliver.
This took him several weeks to recover. He became popular around the world in 1963. “Hello, Polly” was a record released in 1964 and quickly climbed to the top of the music charts (“Louis Armstrong”). After Louis’ death, his reputation has only continued to grow. In the 1980’s and 1990’s; young African American jazz musicians began to speak about Louis’ importance.
They appeared on radio and films. During the 30’s, the band toured Europe on two occasions. It was the sense of musical drama that made Ellington stand out. Ellington’s fame soared in the 1940’s, when he composed new masterworks. After WWII, the band toured Europe on regularly bases, even went on brief trips to South America, the Far East, and Australia.
He popularized scat-singing, in which various meaningless sounds were used more than the words and his music game of phrasing on the tube influenced almost every singer, appeared on stage after 1930, such as Bing Crosby, Billy Holliday and Frank Sinatra. In addition, a great sense of humor and a radiant stage persona Louis Armstrong became probably the main natural factor in the popularization of jazz. Once seeing him on stage, the young performers were inspired, while millions of viewers were charmed by the magic of jazz through the music of Armstrong. In later years his creative world tour Armstrong made it famous as "the American messenger of Peace"
Three years after starting with King Oliver’s band, a woman who would later become his second wife, Lil Hardin, entered him into clubs under the name of “The World’s Greatest Trumpet Player”. This promoting allowed him to form a studio band called “Louis Armstrong and His Hot Five”, they would later break up and he would create “Louis and the Allstars” (Patricia Daniels). Louis Armstrong went on and continued to be successful. He made eleven movies and toured Japan and Africa with his band, “The All
Camille Burton Dr. Greene English 1010-3 22 November 2014 Jazz Artists in New Orleans The early development of jazz is closely tied with the community and is a very important part of the history of New Orleans. New Orleans is seen to be the home of new jazz during the 1900's.
For this discussion I choose a musician Louise Armstrong song from Pandora. When I type Louis Armstrong song, there were hundreds of his records. I choose a “Stardust” track from the album called “Don 't Get Around Much Anymore “. This song is composed by the popular song composer by Hoagy Carmichael in 1927. This song has many versions that recorded by other jazz great musician added to Armstrong.
His music got African Americans through such rough times. His voice gave them hope as well. He was the one that shaped the way that jazz is today. The Harlem Renaissance was an important movement that showed the talents of gifted African American musicians, poets, artist, and many
While in New York, Armstrong made dozens of records as a sideman, creating inspirational jazz and backup singing for many blues singers. Moreover, he had records as a soloist including "Cornet Chop Suey" and "Potato Head Blues." These solos changed jazz history, by incorporating daring rhythm choices, swing and high notes on cornet(Source B). Furthermore, in 1926, Armstrong finally switched from the cornet to the trumpet. After 1926, Louis became more and more famous and broke more and more barriers through his music.
Armstrong started to draw attention by his cornet playing, thus the start of his music career. According to biography.com, it states, “On New Year’s Eve in 1912, Armstrong fired his stepfather’s gun in the air during a party and was arrested on the spot. He was then sent to Colored Waif’s Home for boys. There, he received musical instruction on the cornet… Armstrong began earning a reputation as a fine jazz player.”
Armstrong performed an astonishing 300 concerts per year on average (Harris). Through his expertise in jazz music Armstrong set the bar for all aspiring musicians, something great to learn from but hard to live up
James Baldwin’s “Sonny’s Blue’s” makes great use of different literary devices throughout the story. The author utilizes conflict, symbolism, and the narrator’s point of view to give the story a deeper meaning and significance to the story. Sonny’s Blue’s is about an older brother’s relationship and differences with his younger brother, Sonny.