Zora Neale Hurston, the author of How It Feels to Be Colored and Me explains through her essay how she created her identity by refusing to victimize herself in societies hands regarding race. She does this effortlessly with the use of diction, syntax, parallelism, and metaphors. Hurston expresses culture and racial pride while overlooks the differences between ‘whites’ and ‘colored’ and introduces her unique individual identity as a colored woman.
The essay starts off by Hurston contrasting her childhood to her adult life. More importantly, this is the time she became ‘colored’ when she was thirteen. Recounting how, as a child, she used to sit on her front porch and watch white people pass through town. Using parallelism she describes how “The native whites rode dusty horses, the Northern tourists chugged down the sandy village road in automobiles” (Hurston, paragraph 2). This use of parallelism introduces to the reader how Zora interpretation who was colored and who was not.
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Describing herself as “not tragically colored” (6). Through this use of syntax, the reader realizes that Hurston wants her identity, not one to condemn to her because she is a woman of color. Instead, she loves her uniqueness. Stating that “No, I do not weep at the world-- I am too busy sharpening my oyster knife” (6). Through this choice of diction, Nora views that she is too busy worrying about herself to be sad against racial segregation. Furthermore, she occasionally separates herself entirely from the notion of racial identity stating several times that ‘at certain times, I have no race’ (8). For she only feels colored when she is, “Thrown against a sharp white background” (9). This use of imagery makes the reader visualize Nora against a white wall, exposing the dark pigments of her skin adding to Nora's transformation towards her true self beyond the segregation block of being colored or
Nella Larson’s novel Passing, tells the story of two African American women Irene Redfield and Clare Kendry who embark on a journey to “reconnect” with one another. Although, similar in appearance, these two women were very different in the way they determined race. For women like Irene and Clare who were physically able to “pass” as white women, despite having African American heritage the typical connotation that race was distinguished by the color of one’s skin did not apply to them. As a result, many women like Irene and Clare would cross the racial lines. The character Clare Kendry was the perfect example of “passing.”
The artwork Untitled: Four Etchings by Glenn Ligon contains an immense amount of depth and symbolism using Zora Neale Hurston’s famous depiction of her relationship with racism. In his piece, Ligon utilizes a unique style of texture through his portrayal of the noteworthy phrase “ I do not always feel colored… ... I feel most colored when I am thrown against a sharp white background,” (Hurston). As one looks from the top of the image down, there is an extremely noticeable transition in the texture of the words from clear, smooth letters into letters that are blurry and smeared.
The short story “Sweat” by Zora Neale Hurston is about an abusive man who is married to a hard working woman. Through Hurston’s use of diction she is highlighting the idea that an individuals actions are directly correlated with their destiny. This is shown when Sykes uses Delia’s fear of snakes to scare her. In the beginning of the story Delia’s fear of snakes is made clear when Sykes drops his bull whip on her shoulders to scare her. Later in the short story, Sykes brings a rattlesnake into their house.
Throughout the text, Hurston infers that she's optimistic about being colored. “How can any deny themselves the pleasure of my company”(67)? Hurston writes that she feels discriminated against but also feels how could anyone not want to be in her presence therefor She feels optimistic about the future. Hurston recalls that “Slavery is sixty years in the past” (65).
In Nella Larsen’s novel Passing, the question of racial identity and racial pride is presented through several characters who struggle with their own identity and with the identities of others. We are presented with two opposing sides of the color line through Irene and Jack, who both stand firmly by their respective races. These two, who would otherwise be oblivious of the other, are brought together through their relationship with Clare, whose ability to pass upsets their view that race is stagnant and resolute. Although Irene and Jack condemn passing and act to reinforce the color line, they are nevertheless attracted to Clare and enamored by her charm and mystique. Something about her draws out similarities between them, and, though they
Zora Hurston uses vivid imagery, natural diction, and several literary tools in her essay “How It Feels to Be Colored Me”. Hurston’s use of imagery, diction, and literary tools in “How It Feels to Be Colored Me” contributes to, and also compliments, the essay’s theme which is her view on life as a “colored” person. Throughout “How It Feels to Be Colored Me” Hurston carefully incorporates aspects of her African American culture in an effort to recapture her ancestral past. Hurston’s use of imagery, diction, and use of literary tools shape her essay into a piece of Harlem Renaissance work. Imagery in “How It Feels to Be Colored Me” is quite abundant.
Her sense of race is affected by the environment she is in, in some places she doesn’t feel “colored”, and so she does not let it hinder her. She tries to get readers to see race and ethnicity as fluid and dynamic as opposed to static and rigid. She wants readers to
The pursuit of dreams has played a big role in self-fulfillment and internal development and in many ways, an individual 's reactions to the perceived and real obstacles blocking the path to a dream define the very character of that person. This theme is evident in Zora Neale Hurston’s Their Eyes Were Watching God, which is about the search for identity. A woman of a mixed ethnicity resides in several communities, each playing an important role and serve as crucial influences on her life. During the story, she endures two failed relationships and one good relationship, dealing with disappointment, death, the wrath of nature and life’s unpredictability.
Struggle is human. Sometimes the universe gives out more than people think they can handle. However, if they keep fighting, a break will come. In the 1920s, prejudice was a significant problem in America. People of color had to work twice as hard just to receive less opportunities than the average white man.
"Sweat" is a short story by Zora Neale Hurston that explores the relationship between Delia and Sykes, a married couple living in rural Florida in the early 20th century. Before the time of the story, their relationship was characterized by Sykes' abuse and infidelity towards Delia. Sykes spent Delia's hard-earned money on other women and forced her to wash the laundry of white people to support their household. The men on Joe Clark's porch are a reflection of the larger community's attitudes towards Delia and Sykes' relationship. They view Sykes as a lazy and abusive husband and sympathize with Delia's struggles.
Racism can be defined as prejudice, discrimination, or contributions to a system that perpetuates the idea that one race is inferior to another. Racism was heavily enforced throughout American history, specifically in the early 1900’s. Coincidentally, this was the same time feminists, or women’s-rights activists, were in the in the midst of their fight for equality. Feminism is the theory that women should be treated equally to men in terms of social, political, and economic matters. In Their Eyes Were Watching God, Zora Neale Hurston uses the protagonist, Janie, to convey both concepts through her journey to self-love and acceptance.
In Hurston’s Spunk, the author’s usage of imagery to characterize key characters gives an insight into the prevalence of gender roles within the story. Being told from the perspective of a townsperson, Spunk is first introduced as a “giant of a brown-skinned man” and as “big as life an’ brassy as tacks”(1) from the point of view of one of the townspeople. When walking into the town, he had Lena, “small pretty woman clinging lovingly to his arm” (1). Using imagery to show their physical appearance, Hurston demonstrates both the roles of a masculine and feminine character. With the repeated usage of the word “big” by the narrator, Spunk is portrayed as a masculine figure showing authority and control.
Hurston’s autobiography, Dust Tracks on a Road marks the popularity of her career as a writer in the Harlem Renaissance. It is an autobiography intertwined with reality, mystery, imagination, creation, humor and wisdom, celebrating Hurston’s struggle from an isolated southern child to a recognized black female writer. It is an autobiography contains a controversial work evoking both recognition and discrete criticism. Starting with the history of Eatonville, the founding of the pure Negro town, Hurston in Dust Tracks locates herself as a carefree black girl in a harmless place immune from threats of the racial segregation, then delineates her life as a wander after her mother’s death. Aside from her journey in life, the alienation of the narrator
1920’s society offered a prominent way for blacks that look white to exploit its barrier and pass in society. Visible within Nella Larsen’s Passing, access to the regular world exists only for those who fit the criteria of white skin and white husband. Through internal conflict and characterization, the novella reveals deception slowly devours the deceitful. In Passing, Clare and Irene both deceive people. They both engage in deceit by having the ability to pass when they are not of the proper race to do so.
One major theme authors universally write their stories around concern the power of human relationships. Though writers may take different paths to communicate this, the strength that comes from these unique connections that exist between individuals resonates with everyone. Authors clearly articulate through a myriad of rhetorical devices that maintaining relationships is a fundamental part in personal growth and allows for a stronger sense of self. In finding companionship and comradery. people become capable of evolving and arriving at better understandings of who they are.