During my school days, my teachers were very keen to show us a variety of films. There is one that sticks with me. In my year 11, we worked with dystopian novels. One of them was “The Hunger Games“ by Suzanne Collins. First, we read the book and for each chapter, we had to write a summary at home. After finishing the book we watched the complete film in sections, which was released that time. Before watching the film our pre-watching task was to reread the summaries we had written. Our while-watching task was to compare the book to the film content chapter by chapter. After watching each sequence that resembled a chapter, we stopped and discussed which similarities and differences we found. Besides, my teacher asked us, to write down how we …show more content…
Besides, usually, these classes do have lessons of at least 90 minutes which is necessary for watching sequences or even the whole film and discuss it. I think I would watch „1984“ with my class since it is a topic that is very up-to-date.
In stage 1 (lead-in/topic selection) I would start the lesson by greeting my students and then use a silent impulse by showing them a quote from the book on the blackboard “The choice for mankind lies between freedom and happiness and for the great bulk of mankind, happiness is better“. (Orwell, 1948) I will not give them any tasks and just look at them inquiringly. During this phase, the students are working student-centered due to the fact that they are able to tell me anything they want and I will not interfere or correct them.
In stage 2 (contextualization) I would ask them from what time they think this quote is from. After hearing their answers I would tell them that the quote is from a book and that it is from the year 1948. Besides I would put this quote into the context of the genre “dystopian novel“. Furthermore, I would talk about the time in which this book was written and which reason led to Orwell writing it. Since I am taking the lead during this phase, it can be described as
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The first column shows 5 predetermined topics (technology, politics, everyday life, free-time, medicine). The second column has the headline ‘1984’ and the third column is empty. This tasks is repeated for each section. Then they talk about their assumptions for the film.
During stage 4 (while-watching) I would let them watch five significant scenes. For each sequence, they have to answer the multiple-choice questions about the content of the scene and then fill in the information that fits the predetermined topics. (see possible worksheet). After each section, we would compare the written results so each student has the same answers (consolidating).
In stage 5 (post-listening) the students summarise all the information they found while watching the scenes due to the fact that there will occur a number of doubling. After comparing the results with me they should write down the headline “our world“ in the other column of the chart. There the students should compare the information from the film with situations from the real world and find similarities and
L.T. #3 Identifies 3 characters and determining the plot and setting of the story. Finally, L.T. #4 allows the students to explore the belief of the main message or theme of the story using their descriptions and illustrations to support their answers. My goal is to assess the students understanding of the questions that will be asked and the content area.
“ The students will read the first sentence of each paragraph in the text. Each student is going to skim the text. (Appendix 4) Then they are going to discuss the main idea of the text in pairs. The teacher elicits answers.
Before even beginning to write this essay, The Hunger Games and the character Katniss were the first things to pop into my mind while discussing The Hero’s
The PBS article on the film adaptation discusses the difference between written text and the film and the struggle of adapting a book into a movie. The major difference between books and the film is that the visual images stimulate our perceptions directly while written words do this indirectly. Film is also very limited, film must cut out certain events that happened in a book to make it fit into a two or three hour movie. The filmmaker of a movie must build off their own material and choose and change things. For example, “the meaning of a novel is only controlled by one person, the author, while the meaning we get from a film is the result of a collaborative effort” (PBS).
It is much more effective for the students to have their own perception of the characters and scenes first, then they can watch the story come to life. The audience will already have knowledge on the message and a personal insight on Jeannette Walls’ emotions. Watching the movie first will already put a visual in their minds, which will not let them create their own private image. Reading is an intimate experience, all readers perceive a picture differently. Although no movie based on a book is fully satisfactory, it is always amusing to watch the storyline in a different light.
1. Which lesson or lessons are shown in the clips? Identify the lesson(s) by lesson plan number. Describe any changes in the lesson plans for the lessons shown in the clips and the reasons for those changes.
“Ask any reader who has seen the movie version of a favorite novel, and the answer will usually be, "The book was better. " That 's because readers of a novel have already made their own perfect movie version” (Corliss et al., 2005). It would appear that Corliss is correct because many people who have read The Hunger Games book would say that it is better than the movie. Although the Hunger Games movie is entertaining, it is very different from the book.
The Hunger Games is a fairly popular and typical tale that includes a heroine, courage, and bravery. This story can be read or watched through many different lenses such as a Marxist lens, feminist lens, or even an archetypal lens. Through these lenses one can see as a reader or viewer that this is not just a story that fits into one category, but one that can fit into many. Using the Marxist and feminist lenses a viewer can gain a great depth of knowledge into The Hunger Games story itself.
(Orwell 25). This one statement give the readers a hint that
George Orwell was an English novelist and journalist best known for his dystopian novel 1984 which was based on totalitarianism. Winston Smith, an employee in the Records Department for the Ministry of Truth and protagonist of this story, lives a life characterized by rebellion and hatred for the Party. His doubts for the Party’s actions and its control on truth begins to take a journey of discrete insurrection and the meeting of Julia, a young woman with cunning spirit and a worker at the Fiction Department. The plot rises as both of them have corresponding views on the Party; in this particular excerpt, George Orwell establishes antsy with this situation as Winston and Julia are caught by the Thought Police. Orwell’s use of repetition, details
Abstract This paper explores some of the creative decisions Suzanne Collins, author of Year of the Jungle, The Hunger Games trilogy, and The Underland Chronicles, has made in her career as a writer. It discusses many of her inspirations and influences that aided her in the creation of her books, as well as the common themes she writes about. Additionally, it considers some of Collins’ character choices and views on writing which led to the popularity of her books. Suzanne Collins: Influences, Inspirations, and Themes in Her Works Introduction Suzanne Collins, best known for her Hunger Games trilogy, began her professional writing career in 1991, as a screenwriter for children’s television.
It begins with some examples that highlight the target form that is being introduced (simple past and question words). Then there are 3 enabling tasks in which students practise this new form and at the end there is a communication task in which students have the opportunity to produce the target form by themselves. Regards vocabulary, it’s not really exploited since this part of the unit focuses in introducing a new form. The vocabulary used here is
The Hunger Games by Suzanne Collins is a story about Katniss Everdeen who lives in district 12 with her mom and her sister Prim. Her sister gets picked for the Hunger Games which is where each of the 12 districts have to give a boy and a girl from the ages of 12-18 do fight till the death until there is one person standing. This is because there was an outbreak against the capitals thats why there is the Hunger Games. Katniss volunteers do her sister and now has to try and win the games. One theme in this story that is shown is that family love can go along way, this is shown because she is very overprotective of Prim.
It aims at resisting traditional assumptions of gender (3). In doing so, feminist literary criticism examines how works of literature perpetuate or challenge patriarchal attitudes. In feminism lens, The Hunger Games trilogy by Suzanne Collins’ presents itself as a pro-feminist series It challenges gender stereotypes by presenting a female protagonist; Katniss Everdeen. The book has successfully challenged gender stereotypes by showing that men and women are equal. It is the societal constraints that do not provide a level playing field for both genders.
Movies are often said to be an experience to broaden knowledge. When one watches a movie, they are usually focused on the characters and special effects instead of the plot due