When it comes to watching films from any time period, there always seems to be some type of criticism. In Not only does it come from critics but society as a whole as well. While “ideological film theory” studies the connection between society and films, they also look over how it could signify social realities. “An ideology is a set of beliefs about society and the judgments about the nature of right and wrong, good and evil, justice and injustice, law and social order, and human nature and behavior” (Prince, 430). There are numerous ideologies in societies. Some are more agreeable and others clash with controversy. Some controversies and their conflicting ideologies will range from gun control to racism in films. “Ideological film critics study the ways film …show more content…
“The ideology in film is determined by the social perspectives that given films express. These in turn, are related to the distribution of power, privilege and opportunity within the larger society” (Prince, 438). Throughout the years of film history the power and privilege sanctioned voices of social communities on gender, race and even class. Besides Sidney Poiter, who was an actor, there were no African American Directors. By the 1990’s we were swimming in diverse directors throughout America. Black filmmakers have worked on a variety of films being able to pin point them at different audiences. Spike Lee was one of the first in his group to emerge in the confidence of film making. His, She’s Gotta Have It, was a game changer and let his Do the Right Thing go over ideologies In relation to race. Other directors like John Singleton made his mark on the film world with his movie Boyz N the Hood. Actors like Denzel Washington, Will Smith and Morgan Freeman made many breaks with ideological films in throughout the
In this essay, I will be discussing the debate and conversation surrounding the topic of Blackface, and what does that mean in media and to the black people, and how they are being misrepresented by whiteness. Through the analysis of Spike Lee’s Bamboozled, what is understood about Lee’s exploration of Hollywood’s representational politics, double consciousness and racial interpellation. And also, with support from the film and readings, how does Lee frame characters from a gendered perspective. Blackface, as known in today’s context and one from when it was conceptualized, is understood to white people’s construction of blackness, in the same breath trying to paint out and mould what the black experience could be. When dealing with the concept
The sexism that prevails is one basic factor and a primary component to this discrimination. Cinema as a constructed representation of almost every societal issue and problems, has many examples of sexists’ behaviors, but also of non-sexist behaviors, and even feminist movements take place to this industry. As a micrograph also all the ideological political and historical scenes and changes are reflected to the “big scene”. One of the
TITLE Jenna Stokes What makes a movie transformative? The medium of filmmaking is advantageous in many ways – from the striking capabilities of visual effects and camera work to its capacity for emotional connection with an audience. However, even the most casual moviegoer can attest the qualitative difference between movies meant simply to entertain and those seeking to reflect society on a deeper level examining elements of the human condition. Both To Kill A Mockingbird, directed by Robert Mulligan, and Do the Right Thing, directed by Spike Lee, are transformative movies that center on small American communities illustrating the damaging effects of racism in society and analyzing the moral character of America’s citizens and justice
De’Angelo Epps Primary source essay 4/20/17 Blaxploitation is a film genre that branches off from the exploitation film genre and came to light in the 1970’s right here in the United States of America. This genre uses certain stereotypes and caricatures of the African American population to aim at the black population (mostly those with a more lower middle class urban background) and “empower” the race. These films primarily were based in a setting of poverty in southern urban neighborhoods and featured tons of funk and jazz in every soundtrack. The antagonists were usually followed the model of a racist white man or white group. This was to set up a theme for black empowerment and give a righteous tone to the movie so the crowds of viewers
In this essay I will be analyzing the overall attitude and movie of two movies. Both movies deal with the issue of the American revolutionary war. First one, “1776” a broadway musical transfer to the big screen, directed by Peter H. Hunt and realeased on 1972. Second one, “The Patriot”, more “popcorn” type movie, directed by Roland Emmerich, and realeased on 2000. We discussed 1776 is darker, almost pessimistic movie.
Investigating Set Forms: The Film Industry With reference to Straight Outta Compton and I, Daniel Blake, outline some of the key differences between the mainstream and independent film industries. Straight Outta Compton is a Legendary production co-produced by former members of N.W.A. Dr Dre and Ice Cube and distributed by Universal Pictures that portrays the journey of the world’s best know gangsta rappers from 1980s onwards up until the point of their alleged decline. I, Daniel Blake, on the other hand, is a contemporary British social realist film which attempts to shows the dysfunctionalities of the social welfare system While focusing on the fate of one single individual.
As described above, film greatly influences society views. Vrasidas highlights that people learn to believe discrimination is ok and that stereotypes are accurate when seen in a film. As a result, students end up having to rely on their parents without receiving proper education on culture in school, which hasn’t been shown to work all of the time. That is to say, if films continue to teach culture using stereotypes students will continue to be uneducated and this will eventually create a divide in society formed by hate and misunderstanding.
For one, films lose their originality as they reach the public in whitewashed films or television shows. People who watched Death Note without reading the original manga would never know its Japanese origin. Furthermore, the excessive depiction of white actors in other ethnic storylines induces the sentiment that the white race can represent all races and ethnicities. For instance, The Great Wall (2016) centers around the heroic adventure of a white warrior, casted by American actor Matt Damon, in the Song dynasty China.
Josiah Koser 04/10/2017 Robert Sklar, Movie-Made America, Random House inc., New York City, New York, 1994. The argument made by the author Robert Sklar in his book Movie-Made America has to do with the impact that American movies have had on the country's culture and society as a whole. Sklar says this by stating that, “American movies, through much of their span, have altered or challenged many of the values and doctrines of powerful social and cultural forces in American society, providing alternative ways of understanding the world.”
Ideology is defined as the ideas reflecting the social needs and ambitions of an individual or group. It is usually affiliated with the political platforms, in film however it is important because it gives access to filmmakers to bestow meaning to objects and ideas, and watch the fable unwind along the way. Ideology has to power to impose itself on the viewing audience allowing it to convey the message. The ideological perspectives and moralities disconnect us from our own idea of self. The ideas being communicated are often at an unconscious level of viewing thus is not knowingly or frequently noticed.
Spike had a good beginning of black filmmaking community by finishing his first feature film She’s Gotta have it. Another important film could be School Daze, which is about “class and social distinction within the African-America community”. Also, his third film Do the Right Thing “explored racism in a way never seen before in Hollywood”. In Spike’s opinion, black know much more about white than white know about black.
Externally Black America has faced many adversities regarding systems, laws, and institutions that are unjust and influences the everyday lives of African Americans; however, internally the divisions of Black America mentally restricts men and woman daily. The two major divisions that Black America fails to overcome is colorism and classism. The HBCU environment serves as a foundation of the clash of colorism and classism due to the fact that there is a majority of African Americans, but all stemming from different backgrounds. Spike Lee emphasizes how Black America is divided through the depiction of colorism and classism in his film School Daze released in 1988. The film shows through the HBCU environment how detrimental colorism and classism can be to African American’s daily lives and
Americans have acquired inconsistent ideas on development in both actual world and in the movies. There have been several facts in history and in movies that heroes are alive with several upright characters such as self-sacrifice, thoughtful, and sympathetic. First of all, the word Negro mean dark-skinned group of peoples originally native to Africa south of the Sahara. The black were not respected because of their color and were treated differently. The black did not have a voice to say anything when it comes to violence in work or criminal act.
Have you ever wonder to what extent has historical events impacted the film industry and film process? In fact, history has informed the ways in which black women’s sexuality was represented in films during and after the slavery era. Slavery and emancipation are all historical events that influenced the way films are developed. Early depictions of black women were confined to demeaning and stereotypical images where they had no explicit connection between their body and sexuality if portrayed. Anat Pick (2004) claims that the New Queer Cinema has failed to portray “gender-neutral queer” to “adequately acknowledge a lesbian presence” (p. 105).
Discuss the role of censorship in the construction of classic Hollywood Cinema. Censorship is something we all do to ourselves. Understanding why and how we choose to self regulate our sensory experiences is crucial in understanding representations in classic Hollywood cinema and how it functioned on an economic and psychoanalytical level. Self-regulating began long before the enforcement of the MPPC (Motion Picture Production Code) in 1934 when the Catholic Legion of Decency threatened to boycott cinema. For well over a century, individuals found that by refusing or rejecting certain images or text from social contexts they could benefit others or themselves.