The Devil in the White City portrays the Chicago World’s Fair as a significant event that set itself in America’s history books as one of its greatest achievements. Though the Fair itself was a sensation alone, with all its dazzling features and worldwide attention, the Fair was not the only significant even happening in Chicago at the time. This event however involved murders hidden by the shining brilliance of the Fair. The murderer in question, arguably America’s first notable serial killer, was H. H. Holmes. Through the use of descriptive imagery, the juxtaposition between him and the World’s Fair, and the one self-defining allusion of Holmes, Erik Larson provides the reasons why Holmes truly is the Devil of the White City. In the book, …show more content…
. . utterly without light” (294). The imagery causes the readers to read in horror as each of Holmes’s unwitting victims are killed with such …show more content…
The contrasting ideas between the colors black and white appear throughout the entire book. The “Black City” is supposed to represent the harsh, cold reality that patiently awaits the return of the guests and jobless workers “with filth, starvation, and violence” (323). Though with a much less extent towards “filth”, Holmes does support the use of “starvation” and “violence”, which the reader can visualize how much Holmes has affected the people associated with him. On the subject of “starvation” Holmes was no saint in the matter, whether being “a demanding contractor” (67) using tricks and tactics to gain free labor from desperate workers who built his hotel, or not paying his charmed creditors, he still gave plenty to the tide of unemployment and desperation. Furthermore, “violence” was no stranger to him, as he was, indeed, an infamous serial killer whose cruelty may have even cost the lives that was estimated to “range as high as two hundred [victims], though . . . implausible even for a man of his appetite” (385). Though “filth” is not really a strong point, the word itself can imply for the reader of represent humanity’s darkest, dirtiest parts, and with all these considerations, Holmes’s seems like the perfect candidate to represent the “Black City” as he too walk among the visitors in the seemingly protective
Throughout the course of his The Devil in the White City, Erik Larson describes Chicago’s 1893 World’s Fair through the eyes of two different main characters: Herman Webster Mudgett—a psychopathic serial killer who builds his famous “death castle” on the outskirts of the fairgrounds, and Daniel Burnham—the director of works for the World’s Columbian Exposition. Larson employs the use of many contrasting themes within his writing including success and failure, but perhaps most importantly, murder and beauty. In order to emphasize said themes, Larson juxtaposes the accounts of his two main characters: Mudgett and Burnham. There is no doubt that the manner in which Larson portrays Mudgett is sketchy at best. Rather than introducing him with a concise description, Larson familiarizes the reader with Mudgett over the course of several chapters.
If you had to drop everything you had leave your life right now and go to pursue a better life, would you be able to do it? You would have to leave everything you have like your family, friends, and your job, to step out into an into an unknown world and start a new life. In the Devil in the White City, this was a thought that was running through many of the lower class and some middle class's mind looking for a new life or to trying to get money. There are many jobs that were available during the construction and during the fair like construction and cashiers or other positions for the stores in Chicago. Construction was one of the most important jobs/parts in the building of the fair so it was going to take a vast number of workers to be able
The devil in the white city is based about the Chicago’s 1893 World’s Fair also known as The Worlds Columbian Exposition. In the book, the author Erik Larson talks about both Daniel Burnham and the infamous killer H.H Holmes. Daniel Burnham is the architect who would build the designs of the World’s Fair in 1893. H.H Holmes is the serial killer who would use the fair as his way to find his victims and kill them in a three story building that he had built with an elevator known as the house of horrors.
Chicago could emerge as a powerhouse over other populated cities in the United States and the United States could emerge as an evolving supreme nation over all others. The an unthinkably short deadline to meet, the success and the beauty Burnham was able to capture is truly miraculous. His’s intentions for the fair were pure; he truly desired Chicago to be molded into the “white city” and many would say he achieved his goal. On the opposite end of the spectrum, but a few blocks away from the exposition, Holmes also saw potential. Holmes was already a criminal, but his bloodthirsty desire grew when the opportunity arrived to prey on the people swarming to Chicago because of the opportunities and the exposition.
“There would be no Jubilee March, no landing by Columbus, no address Harlow Higinbotham, George Davis, or Bertha Palmer; no presentation of awards, no praise for Burnham and Olmsted; no ‘Hail Columbia’; no mass rendition of ‘Auld Lang Syne’” (Larson 331). The repetition of the the word “no” and the long sentence structure allows Erik Larson to express to his readers how much was planned for the end of the fair and all the disappointment that was caused by this sudden death of Harrison. Making the sentence structure long
In the first chapter of
In Erik Larson’s novel The Devil in the White City takes place during the Gilded Age. During this period of time everything appears good and golden on the outside when in reality everything was full of corruption. In the novel, the author takes the reader to the city of Chicago, where the city is “swelled “in population causing the city to expand in all “available directions” (Larson 44). As Chicago became the “second most populous [city] in the nation after New York” there was an urge that city show off to the world and the nation of how great it was through the Chicago World’s Fair (Larson 44).
The Devil in the White City Rhetorical Analysis Essay The Chicago World’s Fair, one of America’s most compelling historical events, spurred an era of innovative discoveries and life-changing inventions. The fair brought forward a bright and hopeful future for America; however, there is just as much darkness as there is light and wonder. In the non-fiction novel, The Devil in the White City, architect Daniel Burnham and serial killer H. H. Holmes are the perfect representation of the light and dark displayed in Chicago. Erik Larson uses positive and negative tone, juxtaposition, and imagery to express that despite the brightness and newfound wonder brought on by the fair, darkness lurks around the city in the form of murder, which at first, went unnoticed.
The Devil in the White City The Devil in the White City is a historical non-fiction book written by Erik Larson that reads like a novel. The book follows two, real main characters, during the building and existence of the Chicago World’s fair. The first is an American architect named Daniel Burnham.
Holmes, the mysterious serial killer. Burnham and Holmes have many similarities, the biggest one being their sheer determination to reach a goal or get what they want, which is used towards the manufacture of good, or the manufacture of sorrow. However their differences separate them apart, their biggest difference being their actions, as one build the World’s Fair and does this for the wellbeing of everyone, while Holmes uses his talent to kill many people, and cause commotion in Chicago and such. In conclusion, Erik Larson tries to show the underlying difference between good and evil, and how no matter what, evil is accompanied by good, and vice versa. Even the title of the book “The Devil in the White City” shows the most prominent theme of this amazing novel, by Erik
The Devil in the White City gives a unique glimpse into how there is both bad and good existing in the city. In my opinion the point of the book was to show how both good and bad coexist in one place. Sometimes with the knowledge of the other existing. The book was written by Erik Larson and published by first vintage books. Published almost 14 years ago the book is still relevant today and still has much to teach us.
In the late 1800s the Chicago World’s Fair was well on its way to becoming a modern marvel of the time, little did the fairgoers know that both good and a great evil lurked among them. The Devil in the White City is a historical nonfiction book written by Erik Larson, within it there lies two stories of two very different men. The tale of good follows the life of a young architect whose goal is to make an impact on the world. How will he accomplish this? By making the, “legendary 1893 World’s Fair”.
A Literary Comparison The Victorian period can be described as one of imperial expansion abroad and social upheaval at home. Evidently, millions left Britain’s shores either as ambitious merchants, ruthless warriors, or peaceful settlers consumed by desire to attain a safe haven. In this particular assignment, our primary focus will be directed towards the representation of different colonial territories in Conan Doyle’s The Sign of Four and Robert Louis Stevenson’s The Beach of Falesa. According to prominent social thinkers such as John Ruskin, British Victorian respectability is plainly reflected in the amount of security guaranteed by comfortable homes.