In “The Chrysanthemum”, Steinback uses imagery to reinforce the feelings of confinement and loneliness in the main character, Elisa’s, life. He gives detailed descriptions of her scenery and the people she interacts with to give the reader an impression of her feelings. He does this by writing the solemn description of the valley she lives in, her house, and the characters in the story.
To begin with, Elisa lives in a valley that seems to be very confining. “On every side it sat like a lid on the mountains and made of the great valley a closed pot.” Since Elisa lives in the valley, it is as if she is also confined in a closed pot. As a woman living during these times, Elisa did not go far from home, and she could not see beyond the valley because of the fog. In the story, it is described as being cut off from the rest of the world when Steinback writes, “The high gray-flannel fog of winter closed off the Salinas Valley from the sky and from all the rest of the world.” The description of the valley paints a picture for the reader of her surroundings and helps them understand part of her loneliness.
In addition, the two other character Elisa interacts with are her husband Henry and the tinker. Most of her conversations with her husband are dull and her lack of confidence becomes apparent. The most they seem to do is occasionally go out for
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Her house seems confining when one reads, “Behind her stood the neat white farm house with red geraniums close-banked around it as high as the windows.” The geraniums cover the windows, and just like the fog in the valley, they most likely block Elisa’s view of the outside world. Also, readers can infer she does not leave too far from home when the story explains, “It was a hard-swept looking little house, with hard-polished windows, and a clean mud-mat on the front steps.” The clean matts indicate she does not travel far. If she did, there would probably be dirt on the matt from her
“The carpet near Bertis’s foot resembles a run-over squirrel, but Karen’s seen worse.” (Coupland 138) The imagery in this novel keeps the reader engaged by prompting their own imagination to visual the setting. Without the author’s skillful choice of words the imagery in this novel would have greatly
She would escape by “working in her garden […](Steinbeck 9)” she would grow chrysanthemums, which she was cutting while saw two men talking to her husband. She enjoyed working in her garden because she has a gift on making flowers grow. While Henry her husband left to do some last minute errands before they left for their movie and dinner, she encountered a stranger who rides along the river. The stranger who rode up in a wagon with a horse, a donkey, and a dog traveling from San Diego to Seattle every year tells Elisa “ I ain’t in any hurry, ma’am” (Steinbeck 14).
The Chrysanthemums Literary Analysis One of the themes of “The Chrysanthemums” by John Steinbeck is gender inequality. In this short story, the main character Elisa Allen was a strong, smart woman who was stuck being a common housewife. Elisa wishes she could go out and be like the tinker, sleeping under the stars and adventuring every day of her life. Elisa’s husband owns a ranch of some sorts, and when he tells Elisa of the business deal he’d just made he gave her an unspecific explanation, or a dumbed down one so he doesn’t “confuse her”.
In Yellow Wallpaper,The Chrysanthemums and Boys and Girls women/girls role in society is often limited. In yellow wallpaper John’s wife is suffering from postpartum depression. John does not let her do anything even write in her diary or read. In chrysanthemums Elisa is the best at what she does which is planting chrysanthemums. A guy came to Elisa in a wagon and told her i travel and fix pots for a living.
Hellen Keller once said that, “Although the worlds is full of suffering, it is full also of the overcoming of it.” In Hellen Keller’s autobiography, The Story of My Life, she wrote about her experiences with learning as a person who was both blind and deaf. In this passage taken from her book, she described her transformation from a child who fought fervently against learning, to an individual who yearned to understand and describe the world around her. Keller presented her shift in the passaged as one that altered her perspective of every aspect of her life, and awakened a sense of happiness and fulfillment within her. She portrayed this change through devices that allowed the reader to closely follow her experiences and understand the emotions that she carried with her
In “Half Walls between Us,” imagery is strongly expressed through Maria Said’s choice of words. For example, Said says, “On my first visit to Agordat, a small town in Eritrea, a country in the Horn of Africa, I fell in love with its mystery, its quiet, its soft sandy colors,” which gives a strong image of the setting (Said 79). To express strong imagery is to give great detail, explain settings, and compare and contrast the surroundings. To have imagery in a story or essay is to give visual effects for the reader to see while being intrigued into a new story. Giving great details to express imagery in “Half Walls between Us” shows the different places and sights she has seen.
“The Indian Lily,” by Herman Sudermann tells the story of Richard Niebeldingk’s love life through the literary device of metonymy. The metonymy can be seen in the Indian lilies that he sends to his past conquests. Niebeldingk sends the lilies as a means to say, “In spite of what has taken place you are as lofty as sacred in my eyes as these pale, alien flowers whose home is beside the Ganges. Therefore have the kindness-not to annoy me with remorse” (331), which is to say thank you for the evening please do not contact me again. He also says that, “I give them as a symbol of my chaste and desireless admiration” (333), which means he has no desire to further the relation.
Alice Walker uses imagery and diction throughout her short story to tell the reader the meaning of “The Flowers”. The meaning of innocence lost and people growing up being changed by the harshness of reality. The author is able to use the imagery to show the difference between innocence and the loss of it. The setting is also used to show this as well.
The Sign of the Chrysanthemum- Katherine Paterson The novel The Sign of the Chrysanthemum by Katherine Paterson is a story a sef boy named Muna who runs away from his manor to the capital city of 12th century feudal Japan, Kyoto, in search of his samurai father. I will discuss the primes of social structure and politics. Katherine Paterson’s The Sign of the Chrysanthemum accurately portrays the Heiji Disturbance and the status of craftsmen and ronins.
This quote shows the impact that surroundings have on the objected and people in the city and you can imagine in your head what that looks like or maybe even feel like. It also shows how Lutie herself sees the weather and surroundings. She sees her surroundings as bothersome and unappreciated. Lastly, the author uses figurative language to give life to the
The setting in the story depicts what is happing to Elisa not only in the physical world, but what is happening in her emotional world. This connection of the physical setting on the character develops Elisa as a character throughout the story and builds
On of the greatest examples of imagery that Alice Walker uses is the one that compares light and darkness. At the beguining of the story the author mentions delicate and calm setting of a farm. In creating this imagery the reader is able to understand that all the positive and upbeat words are associated with the farm setting. Myop’s light-hearted innocence is also shown when “watching the tiny white bubbles disrupt the thin black scale”. The effective description provides credibility to the environment, and makes the later events all the more shocking,
Confinement and women meet once again. In “The Chrysanthemums,” John Steinbeck uses the story of Eliza and her flowers to portray the confinement that she feels; the theme of confinement is found throughout the entire short story. Steinbeck shows Eliza’s confinement using vivid imagery. In this work, the reader gets a glimpse of Elisa feeling free and alive but this is shutdown by the reiterated fact that Elisa is confined primarily because she is a women. The idea of confinement can be seen through the images that the author puts forth for the reader.
The ponderous, mythical opening of visionary auteur Guillermo del Toro’s Oscar-winning film The Shape of Water gently guides us into its unique blend of horror and romance, surrounded by the same magic del Toro effortlessly captured in its spiritual predecessor, Pan’s Labyrinth from 2006. In the age of superhero blockbusters, endless sequels and reboots, del Toro’s sensual adult fantasy manages to make its voice heard amidst the cacophony of studio demands and creative restriction. Set during the height of the Cold War in Baltimore 1962, the film follows the journey of mute custodian Elisa Esposito (played with aplomb by Sally Hawkins), who works at a high-security government research facility, and a amphibious humanoid creature captured from South America. Elisa proves that vulnerability is not a sign of weakness, that she doesn 't need to hide her identity under cynical facades; there is a nuanced strength at
From the beginning of recorded history, men and women have assigned special meaning and significance to different flowers and plants. The symbolic use of flowers is mentioned in Egyptian inscriptions, Chinese writings, and in Greek and Roman mythology. Subtle and secret messages can be given by choosing flowers carefully. It is believed that the flower language began in Turkey during the seventeenth century. Romantic lovers began using floral exchanges to convey emotional messages using the flower’s meanings.