Jane Eyre: A Revolutionary Novel Perspective is something many people lack; it aligns with empathy and understanding. However, in the case of literature, various positions often lead to multiple interpretations of the “same” story. By viewing a novel in different “lights,” certain events may not seem like monumental events, essential characters may not be as indispensable as they once were. This concept is easily applied to Charlotte Brontë's Jane Eyre; on the surface (or at least from this interpreter’s experience) the novel appears to be the struggle of a young girl, Jane Eyre, a young girl dealt unfortunate life circumstances which led to a journey of self empowerment by facing multiple hardships. The idea behind the historical critical …show more content…
John is one of the most prominent characters within Jane Eyre that follows the pattern of Victorian Era Evangelicalists. Shortly after meeting St. John and the Rivers family, the audience is given an example of his firm belief of total depravity as he talks about Rosamond. St. John says, "that while I love Rosamond Oliver so wildly--with all the intensity...she would not make me a good wife; that she is not the partner suited to me; that I should discover this within a year after marriage; and that to twelve months' rapture would succeed a lifetime of regret. That I know" (Brontë 380). Within this quote it is once again seen that St. John is discontent with his total depravity (Grier). He practices his strict religion but frequently expresses his desire for more in life. Again, he shows his discontentment with religion as he states, "troubling impulses of insatiate yearnings and disquieting aspirations" (Brontë 358). In this way, Brontë is again compelling her Victorian audience to think about the “losses” within the Evangelical religion. Whilst St. John is arguably the most religious, he is the most active in breaking the rules of said religion at certain points in the novel. He doesn’t do this simply to progress the book (because in reality his marriage proposal to Jane really does not progress anything, her hearing Rochester is what does, however, that is besides the point). Brontë choices to have him disturb the conventional religious society because he is then a …show more content…
From the beginning of the novel, the audience is gifted the knowledge of what has happened to Jane Eyre's parents. Killed by typhus, Jane is exposed to illness from a young age. Likewise, Jane befriends a miss Helen Burns who is befalls among the sick as consumption wastes away her body. As Helen wilts, Jane sneaks in to talk to her (Dunnington). During their talk, the subject of God surfaces. When asked what or who God is Helen declares, “My Maker and yours, who will never destroy what he created. I rely implicitly on his power, and confide wholly in his goodness: I count the hours till that eventful one arrives which shall restore me to him, reveal him to me."(Brontë 58). By saying this, Helen becomes a prime example of the lost innocence of children. Helen is, to some extent, eagerly awaiting a chance to meet her maker, which will inevitably be true due to her sickness. Brontë follows in the footsteps of other Victorian writers by using the dead/dying child trope. This also allows the work to be more historically accurate and again fights/embraces concepts of
Images of death and rebirth presented throughout Jane Eyre by Charlotte Bronte suggest the life that was Jane Eyre 's came literally and figuratively from death. The death of her parents, Uncle Reed, Helen Burns, the horse chestnut tree, and Bertha Mason Rochester all significantly gave birth to some aspect of Jane 's life.
It is ironic that Jane is seen as the guilty party in the incident with John Reed because John started the fight when he slapped Jane. Then when John’s sisters, Eliza and Georgina, go to “tattle tale” on Jane, their mother blames Jane for the whole situation. Jane compares John to a “murderer,” “slave-driver,” and “Roman Emperors” (Bronte 9). During this comparison, she is implying that he is a very cruel and awful person. That he would beat her and boss her around.
Arguably, Helen’s short presence in Jane’s life influences Jane’s many of Jane’s decisions throughout the test. First, Jane forgives Mrs. Reed for her cruel treatment during Jane’s childhood. Jane also forgives Mr. Rochester for his deception and decides to return to him, all before knowing about the fire and Bertha Mason’s death. Just as Jesus preached to his disciples to forgive and live a pure life. In Maria Lamonaca’s literary criticism, "Jane's Crown of Thorns: feminism and Christianity in Jane Eyre" she states, “[Helen’s] example and beliefs serve Jane in good stead later in the novel.
While Helen embodies the ideal young lady of the 1800s – modest, submissive, and devoted to God – Jane is characterized as being passionate and stubborn. Helen’s acceptance of death and desire to go to heaven also highlights the way Jane craves adventure and independence. However, throughout the novel, Jane begins to follow Helen’s teachings and starts to follow the word of God. By contrasting Helen’s theological beliefs against those of Mr. Brocklehurst and St John Rivers, Brontë also emphasizes how Helen is more successful in spreading God’s teachings because she does not use religion as a tool for controlling Jane’s true nature. The character of Helen Burns not only plays an important role in helping Jane develop into a more submissive woman and devoted Christian, but her positive outlook on Christianity also emphasizes the use of religion as a tool for manipulation throughout the
Bronte’s novel develops a connection between Jane and Bertha where the latter acts as the imaginary ego with the knowledge to pass to the speaking subject. However, this knowledge is given a repulsive form when depicting Bertha as an animalistic figure denied language in itself which in turn leaves her out of the symbolic order. Male figures of the novel, namely Rochester and St. John, powerfully exercise the disruption that brings Jane to a state of submission and objectivity. She accepts the life of isolation in Rochester’s service as well as allows St. John words to close her narrative.
Jane Eyre: A Testament to Adversity The bildungsroman Jane Eyre by Charlotte Brontë underlines the necessity of adversity in one’s life. Jane’s unwarranted circumstance and discriminatory society, however unjust, proved vital for her growth. For in the end, the trials and hardships she underwent allowed her to become a person, who was neither completely controlled by her beliefs or her religion. (Benvenuto)
Bronte 's Jane Eyre transcends the genres of literature to depict the emotional and character development of its protagonist. Although no overall genre dominates the novel exclusively, the vivid use of setting contributes towards the portrayal of Bronte’s bildungsroman (Realisms, 92) and defines the protagonist’s struggles as she grapples with her inner-self, and the social expectations of her gender. The novel incorporates Jane’s frequent conflicts, oppression, isolation and self-examination as she defends her identity and independence. Set amongst five separate locations, Bronte’s skilful use of literal and metaphorical landscapes, nature, and imagery, skilfully intertwines with the plot and denotes each phrase of her maturity.
In Charlotte Bronte’s novel “Jane Eyre” Edward Fairfax Rochester plays a contributing role in Janes development and growth as a character and human being in the Victorian time period. Not only does he play a large role in her independency, but in her emotional and spiritual growth as well. She grows around him whether she likes it or not. Due to Edwards manipulative and seductive nature, jane has to grow and develop in a way that has her frequently questioning her own ideals, whether that be spiritually or morally, and strengthening her independence by constantly refusing her feelings for him and adapting to punishing situations. Edward also opens Janes eyes to a world that is bigger than she realized due to his company at the house, wealth, and opportunities at the favorable Thornfeild manor at which she was employed by him.
Jane Eyre: A Quest for True Happiness Charlotte Bronte’s classic heartfelt novel entitled “Jane Eyre” depicts how an unloved orphan constantly wishes for affection and acceptance throughout her life. Even at an early age in life, she never truly understood what it meant to be “loved” and what it means to “love” others. With this, maturing into a young lady definitely opened her eyes to the realities of life. Moreover, the novel also depicts a patriarchal society where women aren’t respected with dignity and equality. In this coming of age novel, discover how a young woman courageously faced her fears and triumphed with love in the end.
With Charlotte Brontë’s father being a clergyman and member of the Church, Charlotte Brontë, as well as her sisters have been in constant contact with religion throughout their whole lives. Even though her father gave Charlotte relative freedom in developing her own ideas and beliefs, religion was an important factor in Charlotte Brontë’s life nevertheless. Through Jane Eyre Charlotte Brontë expresses several issues of Victorian Britain, such as gender equality or the class system but religion is a reoccurring and omnipresent subject in Jane Eyre. Throughout the whole novel Jane is confronted with religious characters such as Mr Brocklehurst, Helen Burns and St. John Rivers. Those characters all represent three vastly different variations of Christian faith in the Victorian Era.
When a new suitor, St. John, proposes to Jane, she again rejects the marriage. This time, it 's because St. John plainly states that Jane would be subordinate to him as a missionary 's wife. Jane soon leaves St. John too. It 's only when Jane is fortified financially through an inheritance and socially by newly discovered family that Jane marries a blind and crippled Mr. Rochester. A marriage without equality, according to Bronte, shouldn 't have to be the only option
Jane Eyre is a novel where a modern view on gender roles get in the discourse of the traditional Victorian social hierarchy and patriarchal
Jane Eyre, published in 1847, by focusing on its protagonist’s, Jane’s personality, dependency and self governance. The aim of this study is to look into Jane’s development and analyze her identity with the help of a theoretical framework drawn from psychoanalysis and developmental psychology, and within the context of the Victorian era. The novel focuses on Jane’s experiences and psychological growth from youth to adulthood. Psychoanalytic criticism adopts the methods of "reading" employed by Freud and later theorists to interpret texts or writings.
Charlotte Bronte takes us on a journey from the point which Jane Eyre, the protagonist lives with her aunt and cousins whom very much dislikes her in Gateshead to her going to a boarding school in Lowood, after which she becomes a governess in Thornfield where she falls in love with Mr. Rochester her employer whom she later finds out is married to a mad woman by the name of Bertha Mason, upon her discovery of this she picks up and leaves Thornfield, she then ends up at Marsh End where he meets her relatives. The novel carries us through ever important event in her life, which introduces us to new aspects of her personality, up until her eventual marriage to Mr. Rochester. The novel fits this theme as its protagonist chooses individualism as she refuses to take the role subservience as that of a traditional female of the Victorian era society, she stands up for her rights and want she believes in, she ventures in her own unique thoughts, and stands by her views even if it means disagreeing with those superior to her. Jane comments on the role of women in society and the greater constraint imposed on them. V.S Naipaul’s
Topic: Marriage in “Jane Eyre” In “Jane Eyre” Charlotte Brontë rejects the traditional role of women subdued by social conceptions and masculine authority by generating an identity to her female character. Thesis: Jane´s personality will bring into being a new kind of marriage based on equality, meanwhile her choice for romantic fulfilment will depend solely on her autonomy and self-government. Introduction Charlotte Brontë´s “Jane Eyre” stands as a model of genuine literature due to the fact that it breaks all conventions and stereotypes and goes beyond the boundaries of common romance in order to obtain love, identity and equality. 1.