Art Analysis #1 The painting Autumn Rhythm was painted in 1950 by Jason Pollock. This particular painting was made with enamel on canvas and is 105 inches by 207 inches, which is approximately 8.75 feet by 17.25 feet. In 1957, this painting was purchased by Robert Hale to be placed on display at the Metropolitan Museum of Art in New York, New York. The painting remains there until this day. Autumn Rhythm was painted with enamel paint, obviously on a very large canvas. Enamel paint is a type of paint that is specialized because of its ability to air dry and leave a hard and glossy finish to a painting. Enamel paint is also known for its heat resistant property. They are available in a wide range of colors, but the artist chose only 3 for this …show more content…
World War II began on June 27th, 1948 and ended on January 10th, 1950. Life in America wasn’t so great during this time mainly due to the government. Due to the war, the government was forced to control many things, especially things that affected natural goods. For example, citizens were allowed only three gallons of gas per week. Jackson Pollock was in his late thirties during this time so was probably feeling the effects of the implications put on the communities by the government and this may have had key effect on the painting. The colors used in the painting, like I said before, gives the painting a dark feel which could be how he described living in the U.S. in this disastrous time. The picture has very little clarity to what he was even thinking about, so the erratic lines across the painting could represent his mind at the time. Pollock also struggled with alcoholism most of his life, so Autumn Rhythm really explains the effect this may have had on him. Beginning in 1951, Pollock also began painting in darker color and tones. This period of paintings was called ‘Black Pourings’ and this specific painting (Autumn Rhythm) could have been a start to something no one saw
The speaker likes the radiant colors of autumn. In the text it states, “Is a pictur’ that no painter has the colorin’ to mock.” By saying this, the speaker is telling us that no modern art can capture the beauty or feeling of the colors of fall mornings. Lastly, the
The painting “The Battle of Nashville” by Howard Pyle (1853-1911) was painted in 1906 and is now hanging in the Governor’s suite of the Minnesota State Capitol in St. Paul (mprnews.org). Figure 1 Image from Minnesota Capitol Pyle’s painting of “The Battle of Nashville” depicts the horrific scene of the charge of the 9th and 5th Minnesota Infantry Regiments across a cornfield by using dark colors, showing all the bodies down, and keeping the background of the painting bare. The cornfield that the battle took place in is near Shy Hill which we can see in the background of Pyle’s painting. Pyle’s combination of dark colors, having all the bodies down, and the bare background of the painting depicts the sadness and darkness of the Minnesota Civil War.
It took him seven months to complete it. Rivera sketched his mural before he could paint it because it was highly crucial that it was correct the first time. Rivera also used an array of vibrant colors in this mural. The colors were both warm and cool. Tertiary colors are used as well.
Personally, I feel very connected to the painting because of my experiences of living on the Texas Coast. A majority of my fondest memories have been on the beach and surrounded by water. “Clouds over Laguna” is a very familiar sight to me and feels like home. Most of my birthdays have been spent on the Texas coast enjoying the water and the sights. The movement of water is very calming to me and whenever I’m stressed I turn to the Texas Coast as a way of relieving
He also lived through the Franco-Prussian War of 1870, but his paintings were destroyed in the war. He moved from place to place to find inspiration for his painting around Paris. After the Franco-Prussian War, Pissarro was influenced by his surroundings and created the Impressionist movement. Impressionism was a movement in the 1870s. Some of the well-known members of this movement are Claude Monet, Edgar Degas, and Camille Pissarro himself.
My Media report was on, “Untitled,” by Robert Seldon Duncanson. The medium used was oil on canvas and the date was circa 1852. The painting was approximately 42 x 32 inches. The painting is of a centered waterfall, deep between the trees, and under a mountain. It is quite eye catching and very beautiful.
The sun beams from the sky are lighting up a small area of the painting and the rest is dark and gloomy. The gloominess of the painting represents dark and depressing times while the brightness of the sky creeps through thick dark clouds. This represents heaven because heaven is so large and bright and amazing that even though life is hard and seems like the world is ending, there is always something greater out there. Personally, I love this painting. I really like how Dore paints that trees and valley dark because it really highlights the beams from the sun.
Many of the murals had themes of things such as labor in factory´s and businesses….The 1930s was a time when many people took interest in and experimented in the arts, and many artists were intrigued to try new styles and forms of art that had been around before. Artists such as Grant Wood, Edward Hopper, Ben Shahn, and many others were creating art that depicted the American landscape and its people in new and innovative ways. These artists, along with many other artists supported by the New Deal programs, helped to establish the United States as a major center for different arts. The work of these artists still is and will continue to be an important part of
He completed 18 painting before the king’s mental state of mind and suspicion questioned West’s political loyalties which ended the project. The colors that Mr. West used in the painting are dimmed and dull with the exception of a white gown worn by a woman in the center of the painting (I will elaborate on that later). The color palette that he choose I believe was to show that atmosphere of doom and gloom for the passing apocalyptic flood that just cleansed the land of sin. The brush strokes that make up the human figures are thin and almost invisible to the naked eye.
It is easy today for someone to see the effects famous artworks have had: the toy clocks that look like they are melting and dripping off the table, the parodies of artworks on coffee mugs, and the artistic styles that still appear across the world. Many of these products and influences originated from the 1930s. This time was characterized by the Great Depression, upcoming World War II, the entering of communism on the world stage. Economic strife and political orientation found their way into the world of art, helping to develop new movements of Surrealism, Social Realism, and Regionalism along with artists, such as Salvador Dali, that will continue to captivate large audiences for times to come. For much of the decade, Surrealism and Social
Landau concludes the article by reflecting back to the central argument of whether or not “Jackson Pollock is the greatest living painter in the United States”, Landau supports this statement with a resounding yes as she credits him as being the most influential character ever produced in America also referring him to have “virtually singlehandedly brought about the long-awaited aesthetic triumph of America over the centuries-old hegemony of
Created in the waning days of World War II, Philip Evergood’s oil painting, Wheels of Victory , may at first seem to be a celebration of American industry. The foreground of the 1944 painting is dominated by powerful iron girders, tanks, and a train engine, while an endless line of oil tankers crisscross the background. However, when examined more closely in the context of time, the painting seems to possess a more somber mood than a victorious one. While white train workers gather together in the center of the painting, a black soldier looks on despondently. I believe that the oil painting, Wheels of Victory, by Philip Evergood serves to remind its viewers that although African-Americans contributed to America’s victory in war overseas, they were not allowed to hold good jobs once they returned home to America.
Pop art era originated in New York during the mid-1950s and ended in the early 1970s. It focused on familiar places in citizen’s day to day life, creating commercial images and during this time Pop art boomed because of the media World War II was receiving. Roy Lichtenstein’s painting “WHAAM!” would mostly fall under the category of the Pop art era for the reasons being that it is based on an image from a DC comic “All American Man of War” which was published by DC comics in 1962. Lichtenstein presented a powerfully charged scene in an impersonal manner, leaving the viewer to decipher the meaning for themselves. The painting is in a comic style of art (Pop Art) and depicts two fighter jets (one owned by the United States the other owned by the Soviet Union) in the air with one shooting a missile towards the other jet with a humongous “WHAAM!”
The colors show his depression and agony and reveal how truly broken down the subject
The sky is gray with the blocking of sun, it shows that the day was not a good day, offering no happiness or life in the painting. The painting on the right shows a man trying to rescue a fallen soldier, signifying the need to try and preserve what life is left after battle. The bottom painting shows the result of war, which gives only the result of death and despair. Each painting tells its own little story but all together they tell a story that only few can