In Act 1 Scene 3 of William Shakespeare’s Julius Caesar, we experience the unfolding of the murder plot through the eyes of 4 important characters: Cassius, Casca, Cicero, and Cinna. Cassius is a power-hungry Roman senator, who has been plotting against Caesar for quite some time now. He becomes the main conspirator against Caesar and begins gathering people to help him. In this scene, he is convincing Casca that what they are doing is right and continues to unfold his plan to get Brutus to join the cause. Casca on the other hand, is a new recruit to the conspiracy. He is also very angry at Caesar. However, he is worried about the success of the plan, as he continues to see omens that foretell misfortune. In this scene, Casca is being comforted by other conspirators that these “omens” do not mean …show more content…
However, in this scene, he adds the fact that he himself would be a better ruler. This reveals the real intention of Cassius’s plan. This continues to be the subject from the previous scene. Before this, Cassius was convincing Brutus to join the conspiracy to murder Caesar, while in this scene, Cassius is reassuring Casca that this plan is safe. Although this is literally about of the murder of Caesar and Cassius’s power hunger, it hides the message of the plan to murder Queen Elizabeth (which was what was happening while Shakespeare was writing this play). This adds to the tone of the scene, along with the setting of a thunderstorm. The dual monologues show how passionate Cassius is about killing Caesar and gaining power that a sense of anger and slight desperation takes hold. Casca’s anxiety also adds to the uneasiness of the entire situation. Therefore, in entirety, the tone of the scene is stressed anger with hints of irony (as Cassius is trying to get Casca and Brutus on his side through angry monologues. The irony is in the fact that Casca is right to be worried, while Cassius dismisses
1 Scene 1 63-65). The tone in The Tragedy of Julius Caesar is mainly an angry and unjustified tone because the the writer makes it seem like Julius Caesar is a good person but does not justify some of his actions. So it creates the idea that Julius Caesar could unjustly commit any crime and the people would be ok with it just because he has
In Cassius’s eloquent speech against Caesar, he primarily utilizes persuasion through tools such as pathos, rhetorical questions, and compare and contrast. Cassius uses pathos to begin his monologue when he claims, “I know that virtue be in you, Brutus, / As well as I do know your outward favor” (Shakespeare 1.2.95-96). By expressing that Brutus has “virtue” and “outward favor”, Cassius appeals to Brutus’s emotions, but not to an exaggerated extent. This emotional appeal is a persuasion technique because it is used in moderation and in pertinent locations. The context is appropriate since rather than using it as a tool to feed on Brutus’s emotions, Cassius only uses it to get Brutus’s attention as an appropriate hook.
In William Shakespeare's play Julius Caesar, Cassius is a foil to Marcus Brutus, for Brutus is consistently described as honorable and kind, contrasting the always clever and self-centered, Cassius. Cassius acts as a character who goes against the virtues and weaknesses of the main character. Brutus announces, “Why man, he doth bestride the narrow World like a Colossus, and we pretty men Walk under his huge legs and peep about To find ourselves dishonorable graves” (Shakespeare I. 2. 142-145). By appealing to Brutus' feeling of honor and loyalty to Rome, Cassius hopes to persuade him to join the conspiracy against Caesar.
Most of this play centers around the conspirators in the plot to assassinate Julius Caesar, and the main conspirator was Cassius. During the first half of the play Cassius’ main goal was to convince Brutus to betray his best friend Caesar and join the conspiracy. Cassius’ best skill in speaking skill was manipulation; in order to get Brutus on his side Cassius lies and manipulates Brutus by telling stories about Caesars weaknesses and praising Brutus on his honor. Cassius boosts Brutus’ on many occasions, starting his story about Caesar stating, “I know that virtue to be in you, Brutus,/ As well as I do know your outward favor./ Well, honor is the subject of my story” (1.2.92-94).
While Brutus maintains noble intentions, Cassius goes into this scheme with every intention of leaving everyone else behind to claim the power for himself, as he has been compelled by their society to do. Cassius tells Brutus that Caesar “doth bestride the narrow world like a Colossus” while convincing him that Caesar is accumulating too much power for one man, despite harboring the belief that all of that power should be his (JC I.ii.142-143). To further prove his point to Brutus, Cassius gives Brutus fake letters telling him that the common people would rather have Brutus in charge than Caesar. While this is just Cassius himself manipulating Brutus, Cassius is motivated by the pressures of their society and Brutus, motivated by the belief that his society wants him to, joins the conspirators in their plot to kill Caesar and take power for themselves. Caught in a vicious cycle of societal pressure, these men continue to fight for power even after they achieve their original goal as evidenced by the civil war that breaks out following the assassination of Julius
The stage directions say that ”CASCA first, then the other Conspirators and BRUTUS stab CAESAR” (Shakespeare). All of the conspirators were responsible for the death of Julius Caesar. Each conspirators stabbed him many times, including Cassius, ultimately making partially him responsible for his death. After the stabbing, Cassius says “Some to the common pulpits, and cry out Liberty, freedom, and enfranchisement! '’ (III,I, 88-89).
Marcus Brutus and Cassius are both strong characters in William Shakespeare 's Julius Caesar; but Brutus is the only character who experiences a crucial change towards the end of the drama, which makes him the dynamic character. Brutus can be considered the dynamic character in William Shakespeare 's Julius Caesar. Brutus ' role changes from the beginning of the play to the end while Cassius remains fairly constant. At first he is known as Caesar 's dear friend. He then joins a conspiracy to kill Caesar.
Unfortunately, Cassius uses Brutus’ altruistic characteristic and devout loyalty against him by sending fake letters with concerns regarding the crowning of Caesar for Brutus to read and be persuaded to join the conspirators. Cassius’ manipulation of Brutus serves as an example of how Shakespeare
Cassius saves the life of Caesar, sees him beg for water, and witnesses his epileptic seizure. From these weaknesses, Cassius finds himself to be just as worthy of the crown as is Caesar. His reasons are emotionally tied to getting rid of Caesar, Brutus chooses to become a conspirator for the good of Rome. He does not know how Caesar will use his power.
Cassius wants Brutus to believe that their futures need to be changed because Caesar is leading them into tyranny. Cassius then uses flattery to show Brutus that he is equal in power to Caesar. “Brutus and Caesar… Write them together, yours is a fair a name”. Cassius explains this to Brutus that he is just as capable of reaching the height of power Caesar possesses. Following this conversation Cassius develops a plan to further manipulate Brutus.
Cassius influenced Brutus to conspire against Caesar by stating, Caesar “is now become a god… and his name has been sounded more than [Brutus’s]” (Act 1, Scene 2, Line 118-145-6). Cassius’s arguments convinced Brutus in proving Caesar's murder would be just, but Caesar’s death is unjust because he is being murdered out of Brutus and Cassius’s jealousy. Both of the individuals are envious of the power that Caesar is being given by the people of Rome and want to end his life before they will lose their own power in the senate after Caesar becomes king. Brutus’ naive mind was easily convinced by Cassius that Caesar was not the best choice to assume the Roman throne because he would not listen to their political thoughts.
First of all he was motivated by envy over Caesar’s power. Cassius felt that Caesar did not deserve to rule Rome. Secondly, Cassius was upset because he had saved Caesar from drowning in the Tiber River. “But ere we could arrive the point proposed, Caesar cried, “Help me, Cassius, or I sink!” (Shakespeare 1.2.110-111).
In Act 1, Scene 2, Caesar expresses to Antony the uneasiness he feels about Cassius. Yet, he says “I rather tell thee what is to be fear’d than what I fear; for always I am Caesar” (1.2.223-224). Despite the warnings and omens and even his own feelings, Caesar fails to eliminate the dangerous figures such as Cassius because he believes that acting upon
Flattery in Julius Caesar In Julius Caesar, many themes arise in the book, but one theme that seems consistent is the theme of flattery. Many scenes in Julius Caesar have many accounts of flattery shared between characters. Three scenes however, show of flattery very well and these three scenes will be the examples of flattery in the story. These scenes show that flattery is an important theme in the story of Julius Caesar. Flattery is an important theme in Julius Caesar.
Cassius has proven physical superiority over Caesar but he once more uses the Metaphor of his weakness in power as a wretched creature to represent Caesar as a dictator to Brutus. When Cassius speaks to Casca to convince him to be a conspirator he states “Now could I, Casca, name to thee a man most like this dreadful night that thunders, lightens, opens graves, and roars as doth the lion in the Capitol.” (Shakespeare 1.3.73-76) Cassius uses metaphorical language to compare Caesar to a god, he uses the metaphor of a lion whose roar disrupts the entire capitol to show Casca that Caesar’s political might has risen to a Godly state has Rome has fallen into his hands. Lastly, in convincing Casca Cassius utters “And why should Caesar be a tyrant then? Poor man!