The seventeenth century in which Shakespeare wrote Macbeth has one very important societal factor which has heavy influence in his tragedy. The idea of “manhood” in a patriarchal society and what it means to be a man is one of the contributing factors to Macbeth's eventual murder of his King. For Macbeth’s wife to manipulate him would be unheard of in this sort of society. Yet when trying to uncover who is truly at fault for Duncan’s death it becomes evident that it is in fact a woman, Lady Macbeth, who controls and manipulates her husband into murdering his king and the eventual turmoil that ensues.
Lady Macbeth plays a very important role in every decision that Macbeth makes which directly supports her culpability. In the beginning when
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She was the one who made Macbeth kill Duncan, and it is especially evident right after the murder when she says, “My hands are of your colour, but shame to wear a heart so white” (II ii 61). These lines indicate her mental state once the guilt has somewhat set in for the death she caused. The reference to the colour of her and her husband's’ hands, which are red with blood, are figurative of the blame she shares in Duncan’s murder. The shame of having a white heart highlights her inability to have a clear conscience. Similar language resurfaces when her mental state deteriorates even further, and she finally succumbs to the guilt of her actions. One of the maids catches Lady Macbeth sleepwalking, “I have seen her rise from her bed” (V i 4.) talking to herself. Akin to Macbeth’s words about the guilty not being able to sleep. When Macbeth kills Duncan he says that only “the innocent sleep” and he “hath murdered sleep”. Macbeth feels that he is the true murderer but as seen in Lady Macbeth's tortured state after, it presents compelling evidence for her role in it all. She questions her inability to not get the “blood” of her hands, “What, will these hands never be clean?” (5.1.37) and goes on to exclaim that no matter what, no amount of “all the perfumes of Arabia will not sweeten (her) hand” (5.1. 43). Lady Macbeth’s sleepwalking and need to get rid of the blood by washing her hands is ironic considering what she said to Macbeth right after the murder, “Go get some water, And wash this filthy witness from your hands” (2.2. 49-50). In the end, Lady Macbeth is oblivious to the switched roles and the revelation of who is truly to blame as her drives her to
In Act 2, scene 2, 18-19, it states, “(looking at his bloody hands) This is a sorry sight. That’s a stupid thing to say...” says Lady Macbeth. We can infer that Macbeth feels remorse and sorrow after seeing the sight of his hands covered with the blood of King Duncan, whom he has just murdered. Meanwhile, Lady Macbeth finds it foolish to get all emotional about such a manly deed of courage.
This study will focus on the way in which Shakespeare crafts his play and uses dramatic devices in his portrayal of Lady Macbeth in order to confront the gender stereotypes of the time, femininity and the natural order of society. During the early 17th century there was a substantial fear that if women were liberated from their domestic, maternal roles, the historically patriarchal society would unravel. With prevailing challenges of gender such as “When you durst do it, then you were a man” Shakespeare uses the character of Lady Macbeth to transgress the natural limits concomitant with her sex. In order to be able to answer the research question, it is vital to concretely establish the contemporary gender roles and the context of the play.
Lady (of) Macbeth In Shakespeare’s Macbeth, the presence of power declares a condition where gender holds a superior position to that of political status. Overcome with murderous rage, Lady Macbeth’s refusal of her gender identity, “Unsex me here,/ and fill me...
Shakespeare, like any other man in the 16th and 17th century, saw ambitious and dominant women as evil and even disturbing or disturbed. From Macbeth, we can see Shakespeare feels women should be challenged and punished because they are trying to change society. Nowadays these ambitious and dominant women are regarded as brave and respected because of their ambition, such as Lady Macbeth’s ambition to become Queen. Shakespeare presents Lady Macbeth as mentally disturbed.
However, the sleepwalking and Lady Macbeth believing her hands still have blood on them signifies that they will be forever punished for the crime they committed. She feels disillusionment and is unable to cope with the guilt that haunts her which ultimately results in Lady Macbeth killing
She mentions the night of Duncan’s murder when she says, “will these hands ne’er be clean [of blood]” (5.1.39). Her heart contains the guilt of all the evil deeds she has done, and her body is paying by not letting her sleep properly. The doctor says “Unnatural deeds do breed unnatural troubles” (5.1.65-65) referring to the trouble of sleeplessness Lady Macbeth faces from the unnatural deed of murdering many people. She is damned due to the feeling of guilt, which eats her up inside and causes her to lose sleep. This guilt is caused by all of the evil she does, and sees her husband do; ultimately, her sleeplessness is caused by the evil inside of her and around her.
Her feelings of shame and weakness have made her crazy to the point where she has herself doing these things. Not only was she sleepwalking after realizing her mistakes of pushing Macbeth about his manliness too far, she “appears to be washing imagined blood from her hands. Her actions and confused speech greatly concern the doctor.” (5.1.Exposition). After manipulating Macbeth to kill King Duncan and to solve his guilt by washing his hands, she is found compulsively “washing” the “blood” off her hands to rid her own guilt.
Lady Macbeth is a powerful character who brings great conflict to the play. Even though her dominance seems like her main characteristic for her masculinity, her ambition to become queen is also compelling. It is obvious in the play that she manipulates Macbeth and finds devious techniques to reach her goal. She quotes: And chastise with the valour of my tongue. (1.5, 28-33)
In William Shakespeare’s tragedy, Macbeth, the protagonist desperately tries to live up to the image of a man that his society portrays. The search for his manhood leads him to violent acts that inevitably get him killed. In this tragedy, male and female roles are constantly discussed and defined. Both Macbeth and Lady Macbeth equate masculinity to violence and aggression. They both believe that in order to be a real man, then a man must perform violent acts when necessary.
William Shakespeare’s play, Macbeth, takes place in 11th century Scotland, and has its own portrayal of society. Although it may not be entirely accurate, the society that Shakespeare develops has distinctive roles and societal expectations for each gender. In this society lives Macbeth, a military nobleman trusted by the king who eventually becomes king himself, but through a murder encouraged by his wife, Lady Macbeth. His reign is tainted with inhumane acts such as hiring assassins to kill one of his friends, and ordering the massacre of another friend’s family. At the conclusion of the play, Lady Macbeth dies from unknown causes, Macbeth is murdered by Macduff, another nobleman, and Scotland rejoices because Macbeth’s reign of terror has come to an end.
Lady Macbeth: Victim or Monster Lady Macbeth is an extremely unusual character as she is by far, the most complex and domineering female role in all of Shakespeare’s plays. She first appears in the play, plotting the king’s murder but the audience last sees her sleepwalking and drowned in guilt. This suggests that Shakespeare portrays her as a character who cannot be classified as any of the two categories (as a victim or as a monster), but rather as an ambitious woman prepared to go any lengths to achieve what- she believes- she and her husband deserve, but could not handle the consequences of her actions in the end. Lady Macbeth is depicted by Shakespeare as a lady filled with her dangerous desires, in Act 1 Scene 5; after reading Macbeth’s
Paul Vu Dr. Elizabeth C. Ramírez THTR 475A.03 2 May 2017 Macbeth and Medea: Breaking Expectations Macbeth by William Shakespeare and Medea by Euripides are known for their powerful critiques on the social expectations of women. Women during the time of Elizabethan and Greek theatre were often stereotyped and considered the weaker sex. Men were depicted as strong individuals who supported and protected women. However, both Shakespeare and Euripides broke expectations by portraying strong and iconic female characters in their respective plays. The idea of a strong female character was often unheard of during the time of Elizabethan and Greek Theatre.
Lady Macbeth takes on a “manly” role, which is surprising because of how patriarchal the society is. However, she “gradually falls apart, consumed by guilt, and eventually commits suicide”. (Klett) Lady Macbeth does not conform to medieval Scotland’s female stereotype of being a domestic wife.
It is clear that men and women have two different cultures in Shakespeare’s time, and the relationship between the two was hierarchical. Throughout Shakespeare’s play, it is obvious that the feminine emotions are far less desirable than the masculine. When Lady Macbeth plots to kill Duncan in order for Macbeth to become king, she is aware that he must suppress his natural “love, compassion, pity, [and] remorse” in order to kill Duncan, and she will need to ignore the same emotions, “which she clearly thinks of as feminine” (180). Macbeth, of course, eventually gives in to the gender definitions of his wife and society and kills Duncan. “He is on his way literally and figuratively to becoming the kind of man his wife has urged” (183).
When Macbeth displays uncertainty regarding the murder of Duncan, Lady Macbeth uses his fear of not adhering to the masculine gender role of being cold-hearted and ambitious and only “when [Macbeth] durst do it, then [he was] a man”. (1.7.56) Upon first glance, it would seem as though Lady Macbeth is strong and powerful. However, Shakespeare uses the downfall of both Macbeth and Lady Macbeth to display that women in power are dangerous and corrupt. Due to Lady Macbeth’s coercion into the murder of Duncan, she allows and essentially encourages Macbeth to ravage all of Scotland.