It is well known that for a large portion of history, society viewed women as inferior creatures, their only value found in housework and child-rearing. It is almost ironic that in a time when only men and boys were allowed to participate in theater, Shakespeare wrote one of the most influential and powerful female characters of all time. In contrast to his society’s view of a woman as submissive, quiet, and subservient, Shakespeare’s Macbeth features a headstrong, power-hungry, cunning wife who serves as the driving force behind the story. There would be no Macbeth without the pivotal character of Lady Macbeth. Without her drive for power, her crafty manipulation, and her confident demeanor, it is quite possible that Macbeth would not have …show more content…
This saying has gained popularity in the last several years, used to describe women who break the traditional gender role stereotypes in a toxic way. Lady Macbeth certainly does this, using manipulation and abuse to climb her way to the top of the food chain, ever seeking to fulfill her megalomanic desires, stopping at nothing to get what she wants. Lady Macbeth is quite literally the original definition of gaslight, girlboss, gatekeep.
Throughout the play, Lady Macbeth is shown to be a master at manipulation. Quite honestly she had no other choice. For a woman to gain so much power in a time where women were powerless had to have required some foul play. Lady Macbeth knew this and used it against those closest to her in order to climb the hierarchy. The Merriam-Webster Dictionary defines gaslighting as, “psychological manipulation of a person usually over an extended period of time that causes the victim to
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Here Lady Macbeth is using what is commonly know as the “warm-cold behavior”, characterized by moments of positive reinforcement and love within spans of abusive and cold behavior (Petric). While in this moment, Lady Macbeth is acting incredibly cruel towards her husband, a few scenes earlier she was showering him in affection at his return. (Shakespeare 1.5.45-49) Of course, this was only when she found out Macbeth would be titled the Thane of Cawdor, putting the possibility of being queen into motion for Lady Macbeth. She only shows her husband affection when she will benefit from it. She then proceeds to call Macbeth a coward for not following through with the plan, further belittling him. Macbeth defends himself here, begging Lady Macbeth to stop and claiming he is doing what is right for a man to do (1.7.45-47). At the time, the ideal man was someone who had integrity and honesty, their personal honor being of great importance (Mohammed). Macbeth while following his own moral code, was also going along with the social norms of the time, which perhaps makes what Lady Macbeth says next so jarring. Lady Macbeth infamously takes on a more masculine role, but here she goes to the extent of discrediting her husband’s manhood. “What beast was ‘t then, that made you break this enterprise to me? When you durst do
She challenges Macbeth’s masculinity and prays that Macbeth has enough strength in him to do this, but if he doesn’t then she will. This is clearly stated in this soliloquy by Lady
In Act 1 Scene 7, Lady Macbeth labels Macbeth a coward and makes fun of his manhood by claiming he is too kind to do the job. After Macbeth objects, Lady Macbeth exclaims “When you durst do it, then you were a man” (I.vii.49-51). Using these words, Lady Macbeth brings out the competitive and sexist nature in Macbeth. Macbeth refuses to be underestimated and appear weak in front of others. Furthermore, Macbeth’s initial objection suggests his free will.
Lady Macbeth believes that being kind, loyal and worried about the outcome of actions are all acts that are questionable in terms of one’s masculinity. She very cunningly uses masculinity to manipulate him and get her
Lady Macbeth presents herself as a strong, driven, and ambitious woman who is ready to do what it takes to gain power and influence. This is shown when she instructs Macbeth to “Leave all the rest to me.” (1.5.71) as she takes the leadership of a gruesome action from her husband. Lady Macbeth even feels these masculine-presenting traits enough to question the masculinity of others, which is seen when she tells Macbeth that he was acting like a child by saying “the sleeping and the dead are but as pictures; ‘tis the eye of childhood that fears a painted devil.” (2.2.53-55) after he expressed his guilt.
With this in mind, if a man couldn’t do something a woman can, he was a disgrace; Lady Macbeth is taunting Macbeth with the gender gap, which makes him want to prove he’s more masculine and can keep it together. Even though, Lady Macbeth is viewed as a manipulative character, towards the end, she changes and shows signs of remorse/regret, which is not like her character. Lady Macbeth begins to feel remorseful because she has made an outright killing machine out of Macbeth. Lady Macbeth starts to ask herself “The thane of Fife had a wife. Where is she now?
(Shakespeare ii.ii.64-65). Lady Macbeth has been conditioned to see any sign of vulnerability or insecurity as unmanly. When she sees her husband acting in fear, she immediately calls him weak. After all, if Macbeth is acting in a way that is not manly, then he is no man at all, and he is weak. Macbeth reacts as any man would when his wife calls him less than a man; he is driven to action, and he allows himself to act in whatever his wife’s interest
Lady Macbeth uses demeaning language to assert dominance over her husband. Lady Macbeth is a willful woman that takes on the role of a male character in the beginning scenes in order to instigate the ambition in her husband. She exploits Macbeth's masculinity when she says, “Glamis thou art, and Cawdor, and shalt be What thou art promised. Yet do I fear thy nature; It is too full o' th' milk of human kindness To catch the nearest way. Thou wouldst be great, Art not without ambition, but without The illness should attend it”(Macbeth, 1.5, 15-20).
Lady Macbeth is calling to the spirits to assist her murderous ideations and to do that make her less of a women and more like man which will then fill her with deadly cruelty. This supports how she feels, about needing to be manly to commit these horrible
Shakespeare presents Lady Macbeth as a power hungry and vindictive women, whose character is against the stereotypes of a Jacobean woman. Shakespeare presents Lady Macbeth as a deceptive woman, who uses the fact that she is a woman as a weapon. ‘Why, worthy thane, you do unbend your noble strength to think.’ Lady Macbeth is talking to Macbeth.
In our world, manipulation takes place in everyday life as a natural impulse for both men and women. In Macbeth, manipulation is centralized around the mask of ambition displaying dominance over humanity. Certainly the witch’s, Lady Macbeth, and our fallen hero Macbeth become puppets of Manipulation it self. Consequently the witch’s power to influence decision-making causes the initial deterioration of Macbeth, along with Lady Macbeth’s influential desire for the throne, and thus Macbeth use of manipulation to create a new embodiment of a mask suffused in ambition for his own cruel deeds.
“Come, you spirits, That tend on mortal thoughts,/unsex me here, And fill me from the crown to the toe top-full/ Of dire cruelty” (1.5.41-44). Lady Macbeth is the personification of male dominance, ruthlessness and violence. She hopes that she could take control of all action. She yearns to be a man and her implication is that she is more masculine than Macbeth. Her drive and violent nature is more akin to men and their masculinity.
Lady Macbeth takes on a “manly” role, which is surprising because of how patriarchal the society is. However, she “gradually falls apart, consumed by guilt, and eventually commits suicide”. (Klett) Lady Macbeth does not conform to medieval Scotland’s female stereotype of being a domestic wife.
While Kimbrough believes this to be evil, Shakespeare uses Macbeth’s love for his wife and her love for her husband to show that Macbeth and his wife were victims of their society’s strict views of manliness; manliness is desirable, but femininity is not. The love for masculinity is undermined by Shakespeare as both Macbeth and his wife become mere shells of their former selves by the end of their story by becoming more masculine. Lady Macbeth goes so far as to take her own life, the ultimate display of her femininity. Finally, Kimbrough states throughout his article that Shakespeare wishes to have audiences take a second look at themselves and perhaps judge what is masculine and what is not a little
In the play Macbeth, William Shakespeare uses the subversion of gender roles to reinforce Elizabethan notions of female and male behavior through the characters of Lady Macbeth, the three witches, and Macbeth. The ideal woman in Shakespearean times was submissive and docile. She is expected to be a mother and hostess, and little else. However, Lady Macbeth is the exact opposite of this notion. She constantly challenges and manipulates her husband to feed her ever-growing ambition.
She wanted the title of being queen and King Duncan was in her way of that, so she got into Macbeth’s head. Macbeth was reluctant at first, which also shows that he is not wholly evil. A true wholly evil person wouldn’t be reluctant about killing someone. Throughout the play, it is evidence that Macbeth is not wholly