Those Who Don’t “Those Who Don’t” is a short vignette in Sandra Cisneros's novella, The House on Mango Street, although short, it carries an important theme that allows a more thorough understanding of others - Don’t judge something or someone based on the current info, things can be surprisingly different than you imagined. Esperanza lives in a neighborhood where people see them as dangerous people because of the area. Cisnero develops this theme by using a family who, accidentally, stumbles into Esperanza’s neighborhood. She reinforces the theme by using descriptive words and Esperanza’s own perspective. Esperanza’s neighborhood is not the richest and cleanest neighborhood around, in fact it could be counted as run down with a gloomy atmosphere. Esperanza’s house can be described as “small and red with tight steps in front.” With the description of this house we can assume that all the other houses will be similar and with that picture in mind, “those who don’t know any better comes into our neighborhood scared” because the setting is seen as a run down neighborhood. In a run down neighborhood you assume the worse because it's not like a clean …show more content…
The people that Esperanza see have thoughts such as “they think we will attack them with shiny knives” because of their brown skin color. Then according to Esperanza, “watch us drive into a neighborhood of another color and our knees go shakity-shake” she experiences the same thing because of the setting and their fear of what people will do to them because of their skin color. Esperanza describes it as “ that is how it goes and goes” because they realize that people have experienced the feeling of going into the unknown where they feel like they don’t belong and can relate that everyone goes through it. As a result Esperanza understands the feeling they get, she understands the people who are in her
In the chapter, Bums in the Attic, Esperanza states, “One day I’ll own my own house, but I won’t forget who I am or where I came from. Passing bums will ask, Can I come in? I’ll offer them the attic, ask them to stay, because I know how it is to be without a house.” (Cisneros, p. 87), this captures her empathy and willingness to help those in need by offering them the attic of her future home. Esperanza later says, “Some days after dinner, guests and I will sit in front of a fire.
Societal expectations are a part of everyone’s life, male or female. From the day people are born, there are roles they are expected to assume-- wife, homemaker, father, provider, mother and many others. While these aren’t necessarily negative, the stigma of not fulfilling these roles can be unpleasant. While the roles we are supposed to choose aren’t always clearly defined, the judgement that comes from choosing to take certain actions in life, like settling down or becoming a mother is palpable. Throughout The House on Mango Street, Esperanza’s view of the world is largely shaped by the people around her, which are her neighbors, family, and friends.
But still feels lonely. Also, throughout the story Esperanza gets negative attention from boys because of her culture. For some men she comes across in the story they see her as a toy for her ethnicity and not being from America. This also embarrasses her as she is still trying to find out what love is but can’t because if the negative attention. Therefore, even though she struggles pushing through with her ethnicity, others have it just as hard as well, showing how different ethnicities can clash.
The House on Mango Street is a touching and timeless tale told in short vignettes. It tells the story of a young Latina girl growing up in Chicago. Her life, and the lives of the people around her, are laid bare to the readers in this touching novella. In the beginning, Esperanza is not accepting of herself. Her family’s poor financial situation, the sadness of the people around her, and the problems she faces in her daily life make her very cynical.
As a child, Esperanza wants only escape from mango Street. Her dream of independents and "self-definition" also means leaving her family behind without any responsibilities to her family. Throughout the book, her has also faced some situation where is feels ashamed to be part of the Mango Street community and in some instances refuses to admit she has anything to do with mango street. At the beginning of the book near the earlier chapters, Esperanza feels very insecure about herself in general along with the house that she lives in. As mentioned before, she doesn’t want to discuss her name nor where she lives.
“In the meantime they’ll just have to move a little farther north from Mango Street, a little farther away every time people like us keep moving in (Cisneros 13).” This quote is a significant part of the story because it shows how Esperanza truly feels about herself and her family. She thinks that because she is poor and lives and a bad neighborhood people move away from her family. Esperanza doesn’t think very much of her or her family at all. She thinks that it is because of their race that people do not want to be near them.
Esperanza is often humiliated not only by where she lives, but also by her physical appearance, hence causing a restriction in her climb to a higher social class. Esperanza is frequently ashamed of her family’s broken-down house in an urban, poor
She knows she is lucky to have a less problematic family to support and her during good choices or bad decisions. Esperanza talks about the relationships of each family on Mango Street until she leaves and finds a better place. The other families on Mango Street also have it hard, but they don’t have the bond of the Esperanza’s
Esperanza and her family are always moving because they do not have much money, but they finally moved into a house on Mango Street where they “Don’t have to pay rent to anybody, or share the yard with the people downstairs, or be careful not to make too much noise” (703). Although it sounded like a nice place, when a nun from her school saw where Esperanza lived, she said, “You live there?” (703). That made Esperanza feel like nothing and made her realize she needs a real house, one that is really nice. Esperanza wants to change her life and make the best of what she has.
The male-dominated society that Esperanza grows up in forces the idea that women are weak and should stay locked in their houses while men go off to work. The men are immoral and seedy, as expressed in the chapter in which a homeless man leers and asks for a kiss from the little girls. Esperanza experiences the evil of her community when she is sexually assaulted, causing her to lose her previous desire to explore her sexuality. Before being assaulted, she wanted to be “beautiful and cruel” like her friend Sally, because Sally was what she understood to be a perfect woman. However, after her rape she decides that she needs to discover her own identity for herself.
Esperanza, the narrator many times expresses how she wished she lived better. Either in a different community or had different people living around her. Esperanza said "Those who don't know any better come into our neighborhood scared. “They think we’re dangerous. They think we will attack them with shiny knives.
Esperanza the protagonist of the novel. In the neighborhood where she lives, many people that does not know the place are afraid to get there. The fact that they would think it is a neighborhood full of criminals. "They think we are dangerous. They think they will attack them with shiny knives.
Esperanza’s interest is writing poem, appears in many of the chapters where it explains a way of bonding with her community by sharing poems with one another. Because Esperanza has become a writer her observations strengthen throughout the novel. One example of how she matures through writing is in the beginning of the book she told stories that were obviously meant for a younger audiences but through the middle of the book she started to use more observation based upon what she saw which helped develop the story more for the reader. This change shows that she is becoming an artist, and also that she is starting to distance herself from her community, since she focuses more on capturing experiences than living through them, she starts to further her self from interaction and focuses more on observation of the people around her. By the end of The House on Mango Street, she knows that she underwent a huge transformation and her relationship with mango st is starting to weaken.
“Not a flat, not an apartment in the back. Not a man’s house. Not daddy’s house. A house all my own”(108). Esperanza no longer strives to be popular, pretty or to be with boys.
Esperanza’s house on Mango Street is not the house she dreamed on when she lived on Loomis Street, not the kind of house her parent’s talked about, not the house she wanted. Her house on Mango Street is a small, red house with even smaller stairs leading to the door. The brick are falling out of place and to get inside, one must shove the door, swollen like Esperanza’s feet in later vignettes, open. Once inside, where you are never very far from someone else, there are small hallway stairs that lead to the only one shared bedroom and bathroom. This house is just, “For the time being,”[5] Esperanza claims, for this is nothing like the house she longs for.