Numerous screenwriters and directors have often dealt in their films with the theme of borders, whether literal and officially recognised, like military ranks or state frontiers, or abstract and metaphorical, like those of morality, justice, race, and gender, along with several others. As a consequence, as John Gibbs points out, one could assemble these movies, especially those taking place on the confines between Mexico and United States, under the label of ‘border films’ (2002: 27); thus contextualising them in a very specific tradition, which includes pictures such as Touch of Evil (Orson Welles 1958) or The Three Burials of Melquiades Estrada (Tommy Lee Jones 2005). Accordingly, another notable movie belonging to the ‘border film tradition’ is Lone Star: an acclaimed 1996 hybrid of western and mystery film conventions, directed and written by independent filmmaker John Sayles. The picture recounts the story of a murder investigation, which leads the main character, Sheriff Sam …show more content…
This label is particularly fitting to the context of Lone Star, in fact, as anticipated, history emerging and permeating the present is a major theme in the picture, being also introduced first and foremost in the very opening sequence of the movie, which emblematically shows the chance finding of a human skeleton, that of Charlie Wade, former Sheriff of Frontera. This event serves to establish and initiate the narrative as an investigation into an archaeological yesterday, which is literally and metaphorically being dug up and analysed thoroughly, as the line of demarcation separating it from the present weakens and languishes. This process is particularly exemplified by the many flashbacks that punctuate the narrative, and by John Sayles’ distinctive directorial
Chinque Thompson Professor Rai WRT 102.75 14 April 2016 The Past’s effect on the Present Lone Star directed by John Sayles is a film which follows a man’s journey trying to search for the truth in his mysterious town. Through the movie, Sayles intertwines many different backstories of various character’s lives, each of whom are dealing with their own issues of history.
Jamestown In the film The New World directed by Terrence Malick, three ships are approaching Virginia from London to establish a colony in the New World. The three ships carried 105 passengers and 39 crew members, one passenger being Captain John Smith. However, Captain John Smith was below deck in chains due to being sentenced to death once arriving at land. Luckily, Smith was forgiven by the leader of the expedition, Christopher Newport.
The southwest border towns located in the southwest United States influence a dark topical narrative of human-trafficking, narco-trafficking, and femicide geographically specific to this area and the post-NAFTA time period. By a dark topical narrative, I mean the stark vulnerability and hopeful healing within a border town. According to one interpretation of border towns, drug dealing and kidnapping emerge as factors causing the disappearance of Rafa and Crucita. The Guardians by Ana Castillo clearly broadens this interpretation, characterizing four narrators, whose voices proclaim the reworking of border violence as the “murders continue” (185). Furthermore, as the novel broadens, the intense brutality along the U.S- Mexican border resulted
The influence of Hollywood can be seen increasing or decreasing the public’s perception of a person, group, or cause in the matter of moments. John Wayne is one that can be argued to have had am extremely large impact on the creation/influence of war films through personal views. In Allan Dwan’s film Sands of Iwo Jima, the most expensive film to date, he we give John Wayne the nod for the lead role of Sergeant Srkyer, whose job was to lead a group of inexperienced Marines into Iwo Jima. This would be Wayne’s first Academy Award nomination, thus solidifying his emerging influence in Hollywood. Though John Wayne had no military experience whatsoever, his political beliefs, and his portrayal of an American within his films helped him gain support from high national figures.
A film and a story with two distinct plots may have their differences, but what about their similarities? In the film, High Noon, the main antagonist Frank Miller and his gang returns to town for revenge on Will Kane, the town marshal, for sending him to jail. Unfortunately for Will, no one volunteers to help him out; therefore, he has to fight them alone. “The Most Dangerous Game” is about Sanger Rainsford, a hunter who gets stranded on an island where a suspicious man resides. This man by the name of General Zaroff also hunts, but instead of animals, he hunts men.
Mise-en-scéne is crucial to classical Hollywood as it defined an era ‘that in its primary sense and effect, shows us something; it is a means of display. ' (Martin 2014, p.XV). Billy Wilder 's Sunset Boulevard (Wilder 1950) will be analysed and explored with its techniques and styles of mise-en-scéne and how this aspect of filmmaking establishes together as a cohesive whole with the narrative themes as classical Hollywood storytelling. Features of the film 's sense of space and time, setting, motifs, characters, and character goals will be explored and how they affect the characterisation, structure, and three-act organisation.
Critical Response “Border Wars” The film "Border Wars" is part of a series produced by National Geographic Channel in which illegal immigration and Border Patrol are the main characters with a setting between the border of U.S. and Mexico. Although, video was intended to expose how members of a drug cartel attempt to smuggle illicit substances to the U.S., the majority of content was really about illegal immigration. Throughout the film, the greater part of individuals apprehended by border patrol agents were people pursuing a better quality of life "the American dream". However, the film fails to describe illegal immigration by taking a judgmental perspective about the individuals trying to cross the border simply by using the title "Border
During the course of the movie, La Mission, by Peter Bratt, it was very intriguing that the director of the movie is a brother of the leading man David Bratt. That in my perspective, was very interesting because, you have one of your relatives being part of your craftsmanship. All in all, I thought the movie was a great understanding of acceptance, to accept others no matter what flaws they have. I would recommend this movie to someone that is having a hard time of accepting someones fault in life to have a better understanding about the other person’s situation than rejecting their errors of a prototypical life. It’s painful to not know what they're going through by not putting yourself in their shoes.
From our previous film showing, High Noon, we got a taste of how the Western genre portrayed Chicano/a characters. The late 1970’s saw a decline of the western, and “with the decline of the filmic western came the rise of the urban violence film” (Cortés 134). The 1980’s and 90’s saw film after film released portraying gang violence, and the Latino gang film was a “natural crossroads for sex, violence, and ethnicity” (Cortés 135). Some see these Latino gang members “as updated, modern variants of the Mexican bandit type” (Treviño). 1993 brought us the film Mi Vida Loca, which shows us the life of teenage Chicano/a gang members living in Echo Park, focused on the character known as Sad Girl.
Mexican-Americans play a huge role in that of the criminal justice system and the many problems they endure. The film, End of Watch, shows the significance of the Mexican-American culture as they face issues in gangs, the drug cartel, and justice. It emphasizes the relevancy of respect in such a diverse setting and shows how this ties in real-life situations. In the film, Los Angeles Police Department partners, Brian Taylor, who is Caucasian, and Miguel Zavala, who is Mexican-American, are assigned to patrol the South Central area of Los Angeles, California, which is known to have some of the most dangerous neighborhoods in the city.
She praises her complexity and how Pegler-Gordon addressed double and contradictory meanings of photographic documentation in history. Moon provides a clear layout of the books main themes and a summary of her interpretation of those sections. Closing her review, Moon states that the book is a positive source for immigration history and is a part of a growing movement to incorporate
The Skyjacker’s Tale Synopsis Documentarian Jamie Kastner put together a film that depicts the circumstances relating to the hijacking of American Airline Flight in 1984 by Ishmael Muslim Ali, a.k.a. Ishmael LaBeet. Using interviews, reenactments, and news coverage, the documentary covers events preceding and proceeding the highjacking including the Fountain Valley Massacre and Ishmael LaBeet’s current situation in Cuba.
In her novel Borderlands, Gloria Anzaldua explores the nuances and complications that come with being a member of the Mexican-American community. Her physical home is the border between Mexico and the United States, but she acknowledges that the “psychological borderlands, the sexual borderlands and the spiritual borderlands are not particular to the Southwest” (Anzaldua 19). “In fact,” she continues, “the Borderlands are physically present wherever two or more cultures edge each other…”(Anzaldua 19). Such is the focus of her text, the frequently uncomfortable meeting space between mainstream white culture in the United States and the indigenous culture of Mexico. The clashing of these two civilizations is personified in the mestizas, people
The movie Spotlight, recounts the true events that occurred in Boston and were brought to light back in 2002. The movie talks about the massive cover-up scheme by the catholic church to conceals the fact that several priests were abusing and had abused hundreds of kids without any action from the Archdiocese. In this paper I will summarize the movie, discuss the type of victims shown in the movie, asses the risk level of the victims, and lastly relate the different theories of victimization and how each relates to the movie. The movie follows a group of journalists working at the Boston Globe, who are known as the spotlight team.
Set in the near future, the sci-fi/romance film Her, directed by Spike Jonze, tells a story about a recent divorcee named Theodore who writes personal letters for other people. After being heartbroken over his last relationship, which the audience catches pieces of through flashbacks, Theodore becomes interested in the idea of an intuitive and self-aware advanced operating system who gives herself the name Samantha. His relationship with Samantha grows into a romantic one and they grow together throughout the film. Their relationship, and it’s eventual end, is a statement on the risk of intimacy in a world where people are constantly evolving and growing. There are certain characteristics that are specific to solely sci-fi films.