Missing the thrill
Can deaf people enjoy horror films?
Introduction
Renowned film critic Roger Ebert describes “Scream” as self-deconstructing; “it 's like one of those cans that heats its own soup”. He goes on to say "As a film critic, I liked it. I liked the in-jokes and the self-aware characters. At the same time, I was aware of the incredible level of gore in this film. It is really violent”(Riley 94). Since I have never been a fan of horror films, this was never going to be an assignment that I would relish. But having watched many parts of the film and read reviews about it, I concluded that the film represents a major milestone in the horror film industry. Any one attempting to subtitle this film, myself included, for the deaf and hard
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He has said that "Music in horror films is probably more powerful than in any other genre, so it’s good for a composer to do them because he can be very influential on the action"(Thorley 2012).Because the key objective of horror films is to frighten its audience, it seems very difficult, perhaps impossible to achieve this emotional affect only through the images, even with written subtitles that may describe to a limited degree the intensity of the situation. In his book “Why we watch, the attraction of violent entertainment”, Geffrey Goldstein carried out an experiment in which three violent documentaries were shown to three test groups. In all cases, the viewers lost interest and stopped watching at different durations of viewing. He says: “One striking difference between our films (the documentaries) and a commercial horror film is the quality of the sound track. Our films had the kind of sound typical of inexpensive documentary productions: No music, no special effects, and dialogue and voice over without the vibrancy and diction that trained actors produce with the help of a good sound lab. It seems possible that unappealing sound track made our films unappealing” (Goldstein …show more content…
In her article titled Music to my eyes: Neves quotes Petit (2003) “of the two main elements of music, melody and rhythm, they [deaf children] could perfectly understand the second, in other words, they could have access to 50% of music and, if we consider that in some cultures rhythm in itself is an artistic expression, there is a large field for doing music work with deaf students” (Neves 124). Neves sees the translator as an important factor in helping the deaf make sense of the audio material included in the film, not only the dialogue: “In SDH this balance is hard to achieve. Translating contextually occurring sound and music into written language will demand transcoding expertise that will pull the translator between the intended meaning of the acoustic messages, their function in the text and the effect any rendering may produce on the deaf viewer” (125). This means we can safely say that deaf viewers gather at least 50% of the music and sound effects of films if they are properly translated by a professional SDH
Children laughing showing the happiness that is supposed to occur in youth. Even the lack of sound in the movie theatre gives you the impression of contentedness as the crowd watches a film. All these sounds add emotional depth to the scene that cinematography
It makes the overall work more dark and robust.” Avery said that the variety and doctoring of the sounds made her feel disassociated from her surroundings and engaged in the new occurrences within the video. There is not one specific fear or theme to focus on, but rather a
In a hearing culture, a person undoubtedly thinks of the word literature as meaning a written form of storytelling. However, in Deaf culture the word “literature” may also refer to Deaf literature or ASL literature. Although both Deaf and ASL literature use similar structure they are different from one another. Deaf literature is written stories, poems or songs that include Deaf characters or Deaf experiences utilizing a Deaf perspective, ASL literature involves visual movement and just like when a person reads a book compared to seeing the movie it may be similar yet, it is different. Unlike just signing a word to convey its meaning, ASL literature becomes more akin to an actor performing in a play.
The use of ultra-violence in films is a common thing in modern films and it is mostly used as an attraction to make a film action packed. In neo-noir films, however, the use of ultra-violence signifies a deeper meaning. It is used to portray a very surreal environment in which we live in. The violence in films such as Kill Bill by Quentin Tarantino might seem excessive to most, but it only serves to illustrate just how horrifying the reality can be in patriarchal hierarchical societies ruled by a single “god”. In this essay, I will discuss how the attempted murder of The Bride by Bill, the rape of The Bride by the male nurse in the hospital, and the rape and murder of O-Ren Ishii’s mother by Boss Tanaka shows how Tarantino wants us to understand how women are treated by men in the traditional realist world.
These all brought a lot of new to the audiences, it is a big different part with other Hollywood films. Due to the focus of instrumental music in the sound performance, like people can hear a lot of tiny knock sound. sometimes it is loud either quiet, there are rich in music language in the Matrix, but the Matrix did not have a specific or high melody theme, and therefore it is not easy for the general music fans to accept the differences. But if we only listen the theme several times, we can find the similar sound effect from these music, like the main Character Neo, there is a main theme when he shows up, sometimes it is different, mostly it is same music. Thus, the film makes extensive use of modern music techniques in the language of music, have such as a luxuriant sound compact sound experiments in the science fiction movie, in order to set a unique style.
This essay will discuss the uses, strategies and the meanings that are generated by editing in cinema. The films that this essay will be focusing on are Psycho and Singin’ in the Rain. Both of these films are very different to each other and therefore use editing in varying ways in order to give the audience a different perception of the characters as well as the setting that these characters are involved in. Psycho focuses on building suspense for the audience throughout the film using editing, camera work and sound. This essay will be primarily focusing on editing with the discussion of camerawork where relevant.
In the articles of “Why Do We Crave Horror Movies” by Stephen King and “My Zombie, Myself: Why Modern Life Feels Rather Undead by Chuck Klosterman, both author argues have similar ideas to why the human being crave horror movies because of the emotions we get from them. In the articles of “Why Do We Crave Horror Movies” by King and “My Zombie, Myself: Why Modern Life Feels Rather Undead by Klosterman, both argue that horror in life is in need to bring the sense of humanity. Both King and Klosterman agree that horror is there to test people’s fear and their emotions.
Humans tend are entertained by the most iniquitous things. Stephen King makes many significant points, one point being “the horror film has become the modern version of the public lynching” (paragraph 6). This is agreeable because all humans have some type of psychological problem, an evil and a good side, emotions that need satisfaction, and the similarities between horror films and public lynching. People may not recognize these things, but it does exist in everyday life. Stephen King’s article helps point these things out to readers.
It is officially credited with bridging the gap between musical theatre and pop culture. Rent is a contemporary musical revolving around a group of poor, struggling, young artists, or “Bohemians.” It is set in East Side New York City in the height of the 1990s HIV/AIDS epidemic. Despite obstacles of sickness, financial difficulties, and death, the characters locate the ability to remain optimistic and positive. Rent has proceeded to become extremely successful and iconic in modern day musical theatre.
There are multiple people who are intrigue and love horror movies without knowing the reason. In Stephan Kings essay, “Why We Crave Horror Movies” he does his best to find an answer to the question “why do people crave horror movies?” Throughout his essay he came up with certain key points to answer the question. At the beginning of his essay, he makes a bold statement that “we are all mentally ill.” He motions that people just watch horror movies to portray their fearlessness while suppressing their true emotions.
In a castle high on top of a hill lives an inventor's greatest creation, he was a near-complete person. The creator died before he could finish his hands. Instead, he is left with metal scissors for hands. Furthermore, he has lived alone, until a kind lady discovers him and welcomes him into her home. A well as he shows his true talent by cutting hair, grooming pets and making beautiful ice and topiary sculptures.
I read the review of a kid’s film, “The Lego Movie” by Christy Lemire. The author seemed to be very surprised by the way she reacted to the film. She felt that it went beyond the traditional genre for children and provided a response in her review. What she felt astounding her, so much that she stated how the old cliché saying “I laughed, I cried” was very much true for her. The common expectations about the genre of the film that she points out in her review is catchy theme songs, predictable scenes, hacky punchlines, and an exhausting simple message.
Using methods such as these as well additional tactics like a dark background and quiet music enhance the response of the viewer or audience. All of these aspects contribute to the style which is central to successful
Introduction Roger’s and Hammerstein’s The Sound of Music is arguably one of the most well known films that many can admit to watching at least once in their lifetime. People all around the world have found this musical inspiring, as it documents growth and hope amidst the horrors of World War II. This incredibly well written film is based on the story of the Von Trapp family who escaped Austria when the Nazis invaded it during the war. Part of what made this movie so interesting on so many different accounts was the music that accompanied the vivid and exciting scenes. Without music, many could agree that our world would be a sad, quiet, dull and depressing place.
One of the best usage of sound design as a tool of storytelling has to be in the first sequence of The Exorcist. As a horror movie, which as a genre builds itself on the vicarious experience it provides, uses more complex patterns of sound design templates to enhance the adventure of watching the movie. Throughout the first scene, Ken Nagle lays what the audience will be the experiencing through the duration of the movie with sound design; the duel between good and evil. The Exorcist’s first sequence, the audience can hear the digging sound of the workers, which resembles the heart pounding.