Tg beneath the surface” (Weakland). Jerome Robbins fully integrated all of the elements of musical theater including music, lyrics, book, and dance to produce something entirely unique. Jerome Robbins was changing the face of musical theater entirely. West Side Story also broke the rules in a thematic way. West Side Story was the first show to portray that musicals could be based on painful stories. Painful stories that “force people to confront their most dangerous internalized philosophies” (Weakland). Without the production of West Side Story, other shows like Urinetown and Assassins probably wouldn’t have been produced. Because of Jerome Robbins and West Side Story, musicals could show the ugly side of human nature and plots could be …show more content…
His pieces are branded by “the intensity and compactness of their expression and wide variety of mood” ranging from reflective and emotional to upbeat and comical. “He had the ability to make the most complex movement appear effortless, and totally reflective of the musical score, as if it were created spontaneously for that exact moment in time” (New York City Ballet). One of Jerome Robbins biggest impacts on the world of musical theater was that he redefined theater dance “as an integrated, dramatic element of musicals, setting out to demonstrate that artists like himself need not divide their artistic works from their commercial works, but could create at their highest level for the Broadway stage” (Smith). Robbins had a curious mind and wanted to “explore new influences and ideas” …show more content…
The CAT scan showed that the entire right side of his brain had filled with large amounts of blood (Vaill). His doctors had come to the conclusion that there was nothing else they could do for him. He was sent home and brought back so that his loved ones could say their good-byes. Four days later, at the age of 79, Jerome Robbins passed away. Jerome Robbins “left behind a legacy that to this day continues to be performed and honored” (Vaill). He was a key component in some of Broadways most famous productions that have embodied a golden age. The “lights on Broadway’s theaters would be dimmed for a moment and the flags at Lincoln Center lowered to half-mast” (Vaill). The world will always remember the man who provided an “indelible stamp” (Vaill) on musical theater and
Composers have the ability to influence how we the audience views and responds to characters and issues. Through viewing and analysing ‘The Shoe Horn Sonata’ by John Misto and ‘Saving Private Ryan’ directed by Steven Spielberg, it is obvious that composers have the ability to impact and influence our views on characters and issues that occur. Shoe Horn Sonata and Saving Private Ryan were set in the same context of World War 2. John Misto’s Shoe Horn Sonata takes place during the war against Japan, the play focus on the lives of two women Bridie and Sheila who have been captured by the Japanese to become (POW) prisoners of war. John Misto’s play was based on real accounts from POWs, the play was to commemorate the female POWS who story was unheard of and to give an insight to the audience into what the POWs had to endure while under the japanese rule.
A lot of developments were being made in the 1942-1945 time period. The US started to really get involved with World War ll, and race wars were breaking out in a number of major cities. Even with all of this madness going on Richard Rodgers & Oscar Hammerstein ll were able to create two beautiful shows, Oklahoma! and Carousel. These two amazing pieces of theatre have some dynamic characters that shed light on the rural American economic, social, and sexual complexities of that time.
Andrew Lloyd Webber has become a household name throughout the entire world. Not only do people flock to see his shows, but the pure fact that people outside of the theatre world know the composer of certain musicals is an accomplishment in itself. He has changed the musical theatre world. Some call him a “Broadway master” because his musical Phantom of the Opera surpassed his own record for the musical Cats to now hold the record for the longest running musical on Broadway as well as London’s West End ( Snelson 1).
Blood Brothers was one of the most popular British musicals of all time. Written by playwright Willy Russell, it was presented on the stage of London in 1988, reviewers consistently praised the musical. Blood Brothers is one of the most successful and well known musical plays in history, making its audience plummet into mixed feelings of happiness and humour, and then into melancholy and sorrow. The play is an unbeaten piece of work that is still recognized by many critics and thrives in the hearts of its audiences around the world. The success of Blood Brothers over the three decades since it premiered, is not so much down to the score or even the final scene, but to the strength of the book and what it has to say about the apparent theme
“Legacy. What is a legacy? It’s planting seeds in a garden you never get to see.” - Alexander Hamilton, The World Was Wide Enough.
Lin-Manuel Miranda Lin-Manuel Miranda revolutionized American culture, but specifically theater, music, and entertainment. Lin-Manuel was born January 16th, 1980 in Manhattan, New York. In the 1980’s, musicals and theater were very popular, but the idea of hip-hop music in them was not even thought about. However, Lin-Manuel Miranda changed that dramatically, and as a result, we have some very great works like Hamilton, and In The Heights that Lin-Manuel Miranda wrote. Some of the reasons Lin-Manuel Miranda revolutionized American Culture are because he was very brave, because he revolutionized the way Americans thought about American history with one of his most famous works Hamilton, and because he brought people closer together by combining
Lin-Manuel Miranda and His Influence on Modern Musical Theatre Many people would consider Tony Award winning composer, lyricist, and actor Lin-Manuel Miranda a genius. With his musicals In the Heights and Hamilton, Miranda has been able to relate to modern audiences. His innovative uses of hip-hop, diverse casts, and commentary about race and immigration in his musicals allow his works to stand out amongst other modern Broadway shows.
Very few entertainments of the past decade have earned the term cultural phenomenon more than the Broadway show Hamilton: An American Musical. Lin-Manuel Miranda, creator of Hamilton, captivates audiences through enthralling lyrics and imagery while also telling the multiperspective story of Alexander Hamilton and his role in building America. In order to do so, Miranda draws on Ron Chernow’s Alexander Hamilton throughout the musical especially in his songs “Non-Stop” and “The World Was Wide Enough”. Miranda’s method of portraying history to his audience is directly affected by his choice to include and omit certain information from the musical.
Lin-Manuel Miranda's musical "Hamilton," inspired by Alexander Hamilton - one of America's founding fathers - has had a lasting effect on American culture and politics. Combining hip-hop, R&B music and other elements, the show tells Hamilton's tale through vibrant imagery. Lin-Manuel Miranda was deeply affected by his social and cultural environment, creating a musical that captures the aesthetic, political values of its time while reflecting those same cultural traits. Musicals fall within the genres of historical fiction and musical theater, each having their own distinct stylistic, dramatic, and formal characteristics. This analysis will explore the cultural and aesthetic values, as well as the historical background, of the musical "Hamilton," to gain a more in-depth appreciation for its impact. "
The introduction is about Duke Ellington’s role in his musical career: composer, bandleader, and pianist. However, due to massive works that Ellington was involving such as compose music for orchestra, ballet, film, radio,
In 1918 Rodgers was thrilled to be accepted into Colombia University, where he would write for the school’s famous Varsity Show, an annual production. His eldest brother, Mortimer, with whom he had rivaled as a child, ended up being the conduit for the famed partnerships of Richard to Oscar Hammerstein ll, and in the winter of 1918-19, a friend of
William Shakespeare’s Romeo and Juliet and Arthur Laurent’s West Side Story were both tragic, romantic, works. West Side Story was a close variation of the play Romeo and Juliet, but the author of West Side Story changed characteristics of Tony to differ from his Romeo and Juliet equivalent, Romeo. Tony became more of an introverted, optimistic, and innocent character. On the other hand, Romeo was outgoing, seemingly bipolar, and violent. These changes in character between Tony and Romeo altered the themes from societal expectations, fate over free will, and complicated families to societal expectations in the 1950’s, inevitability of fate, and gang rivalry due to racism.
The Wizard of Oz and Wicked are both very successful and well-known broadway musicals. Both of these musicals are based off of the same story, but each give a slightly different meaning to it. While they are both based on a similar tale, these two broadway musicals have many characteristics that are similar and differ from each other. This paper will compare and contrast the characters, theme, and plot.
Two songs that I would argue stood out to me the most within the musical A Chorus Line were “I Can Do That” and “Dance Ten, Looks Three”. “I Can Do That” to me describes how anyone that is in the industry of theatre essentially got their start. Without trying to generalize, it often seems that there was a pivotal moment that showed to a person or a character
Numerous traditional and modern versions of the Cinderella story have been recreated. These stories depict people of different race and ethnicities from all over the world. Rodger’s and Hammerstein’s Cinderella can be best described as a traditional version of the story with a cultural