Noah’s Ark is an oil on masonite painting done by Aaron Douglas in 1927. The 48 by 36 inches painting is currently on display at The Carl Van Techten Gallery of Fine Arts at Fisk University in Nashville, Tennessee. The representational portrait painting shows an outdoors scene. There is a source of light coming from the top right corner. Following down the painting, there is a man at the front of a large boat, pointing to the left. Behind him, another man is holding some instruments. In the background, there are waves of blue. At the left side of the painting, there are lightening bolts. At the bottom left of the painting, there is a board connecting the ground to the boats, allowing some animals to enter. Behind that, there is a person on a ladder, carrying an item on their back. …show more content…
Finally, a man’s portraits in the bottom right of the painting. This painting is supposed to represent the bible story, Noah’s Ark.
There are four prominent art and design elements that were utilized in this painting: lines, shapes, light and value, and color. The first element is directional lines. Directional lines are used to guide the viewers eye to the main piece of the painting. In this case, the lines starting from the top right of the painting are directional. They lead your eyes to the large boat, onward to the bottom, where there are animals boarding it. The lines are also very sharp. They outline the shapes in the painting, giving the shapes a clear border. The next element is shape. The shapes are at very sharp angles. The animals tail is not curvy, but a sequence of hard lines, making the illusion of a curve. The eyes of the men are sharp lines. This painting, by definition, uses geometric shapes. Geometric shapes are lines connecting the points in a closed chain. There are no variance of shapes. All the figures can be split into differing
The five elements used are line, shape, colour, texture and tone. Preston uses both types of lines in this piece, both organic which are the soft, curved and flowing lines in the mountains, and inorganic, structural lines, being the tree stumps. The most significant line direction that is used is diagonal, where the lines lead your eyes over the composition from the foreground and through the mountain ranges to the clouds in the far background. Both vertical and horizontal lines are also used for the trees and the horizon line. Preston has used both naturalistic and curvilinear shapes to give the landscape a realistic appearance, however, her shapes are also a little stylised and simplified to their essential character.
Most of his lines were contour lines which suggested volume. Each of the four walls are symmetrically balanced. In addition the mural shows texture because the lines and shades of light and dark paint makes it look like one could touch whatever is being displayed in the
Shapes are used in James Lechay’s painting Sky, Sea and Samos and Jim Dine’s painting Dexter’s Four Robes. The Sky, Sea and Samos include organic shapes, whereas Dexter’s Four Robes includes geometric shapes. In Sky, Sea and Samos organic shapes are used to simulate natural forms, such as the sea and the clouds used in this painting. Dexter’s Four Robes geometric shapes, such as triangles, polygons, pentagons, rectangles, and squares are used in this painting.
The main element of Art in this photograph is Line. From the grass leading up to the front of the church to the boards along the church wall a line forms it all. The line upon the church boards
The line is wrapping around the lion’s tail making a swirl to make the tail darker. The line outlines the rocks on the side of the painting. Every line in the painting goes in different direction to make a new object in the artwork and draws the viewers attention to the piece. Background of
Over in the middle of the painting, there is a more pronounced aperture looking over a waterway and rocks. The outline of the aperture makes up the shape of the face, the woman sitting down looking over the other way forms the mouth and nose of the face and the rocks at the distance form the eyes. All these objects clearly form the face of adolescence. Over on the right side there is a smaller aperture looking over the shore and what seems to be a woman on her knees. The figure of
This painting was commissioned by the Congress in 1836 and installed in Rotunda in 1847. In this painting John Vandelyn was trying to show one of the accomplishments of Christopher Columbus have done. In the painting you can clearly see Columbus claiming the land that him and his sailors landed on. In spite of the natives that is there observing fearfully in the background. With the support of King Ferdinand and Queen Isabella their banner waved with gratitude.
The first art element that I feel is one of the most important to the artist pertaining to this painting is the use of line. There is an undefined, invisible vertical line that goes from left to right where the mountains meet the
All three artists uses the lines in weird directions such as crisscrossing and diagonal placements in both artworks. In the Blue (Crest), used different tints of blue and Vertigo, used different tints of orange giving two different views of the artwork. The blue used in In the Blue (Crest) helped with portraying the feel of water and the orange just seems as a color placed in the painting of Vertigo, even though with the lines it helps represents the chaos in the picture. They both were similar besides the dimensions, In the Blue (Crest) did give a different feel since it was three dimensional than the two dimensional
Reflections, shadows, and earthly objects can be portrayed in this painting as well. Although they are both telling stories about
Even the woman’s frame and posture seem to follow the lines created by the railings of the viewing box. The railings are also implied lines, the first thing our eyes go to is the woman, and then we follow the railings to the man who has his gaze set on the woman. The man’s gaze gives us implied lines that lead us back to the main focus of the painting, the woman. The artist also uses light and dark to guide our eyes to the important parts of the artwork. Most of the artwork is dark, while the woman and the man looking at her are in the light.
In search of the Ark. Explorer Vendyl Jones, among others, believes that an artifact found among the Dead Sea Scrolls, “Copper Scroll” of Qumran Cave 3, is actually a treasure map of sorts detailing the location of a number of precious treasures taken from the temple before the Babylonians arrived, among them the lost Ark of the Covenant. Whether or not this is true remains to be seen. http://andnowyouknowmore.blogspot.com April 1999 Popular Mechanic article about the Scroll. It was their opinion that the Ark was in one of the Qumran caves, and had sponsored a search for it.
Kahlo used very thin lines to define both the Fridas and aortic valve. This paing had a strong use of implied lines, Frida used implied lines to define the movement and blood flow between the two hearts. She also used them to put influence on the clothing to give them a realistic feel. I didn't see as many shapes as I did line composition. The few shapes I came across throughout the image was an oval and rectangle.
This also found on some parts of the chair. Theses conflicting uses of lines give the audience a sense of chaos and confusion in the world around the man. Van Gogh, predominantly known for his color usage also
The line quality in the man’s shirt behind his left arm shows that he is bending his elbow holding something. Another example of line quality would include the woman’s right arm showing that she is bending her elbow as well. Carl Bloch uses value in the painting considering he darkens the outside of the picture and the individuals behind them to show some emphasis on the three individuals sitting at the table. The shapes included in this picture would consist of the “normal” shape of a human and the shape of the cat behind the woman at the table; although, it does