In the Novel The Things They Carried, the author, Tim Obrien recalls multiple stories during one of the most devastating wars in United States history. Through storytelling, Obrien casts light upon the horrifying reality of the Vietnam war and the struggles that Obrien’s men encounter, as well as all the other soldiers. Obrien uses the novel to represent the paradox that war is both horrible and beautiful. Obrien displays this through Ted Lavenders death, Curt lemons death, and the killing of the baby water buffalo.
Obrien portrays the paradox that war is both horrible and beautiful through the death of Ted Lavender. Lee Strunk drew number seventeen which required Strunk to clear out the enemy tunnel, disliked due to the dangerous nature of
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While marching west into the mountains, Obrien and the rest of the men took a break along a trail junction. Almost immediately Rat Kiley and Kurt Lemon started goofing off. Despite the seriousness of the situation the two continued to goof off and went off into the shade of giant trees. The men played a game which involved pulling the pin off a smoke grenade and passing it back and forth. Obrien then recalls Kurt Lemon stepping from the shade until the sunlight stating “His face was suddenly brown and shining. A handsome kid really. Sharp grey eyes, lean, and narrow waisted, and when he died it was almost beautiful, the way the sunlight came around him and lifted him up and sucked him high into a tree full of moss and vines and white blossoms” (67). Obrien chooses to focus on the beauty involved with the death instead of the graphic details and the horrible reality of death. Using the phrase “his face was suddenly brown and shining” and focusing on how handsome shows that even in traumatic events Obrien turns the situation into something beautiful. However, the death of Kurt Lemon shows the horrific nature of war as a young man with his whole life ahead, gets killed over a silly game with a smoke …show more content…
High in the mountains O’Brien and his men come across a baby water buffalo. Rat Kiley offers some of his C rations to the buffalo, but the buffalo doesn’t eat them. Rat Kiley Shrugged and shoots the buffalo multiple times. Despite the multiple gunshot wounds the water buffalo barely stays alive. The men then dump the buffalo in the local well. Rat Kiley weeps after these events unfold. After witnessing this O’Brien describes war as “hell, but that’s not the half of it, because war is also mystery and terror and adventure and courage and discovery and holiness and pity and despair and longing and love. War is nasty; war is fun. War is thrilling; war is drudgery. War makes you a man; war makes you dead.” Obrien perfectly describes the duality of war saying, “war is nasty; war is fun” and “war makes you a man; war makes you dead” (76). War has many positives for some men, and it gives them a chance to honor their country. War is also horrible and leads to the death of countless young men with bright futures ahead. O’Brien uses the story of the water buffalo to describe all the emotions described in the description of war. The shooting of the water buffalo shows how desensitized soldiers become due to the mindless killing of Vietnam. The story also shows humanity that Rat Kiley still holds onto as he cries walking away. The story of the water
Rat Kiley, Norman Bowker, and Tim O’Brien are not the only three characters but the ones whose experience with the war will be touched on and show how they dealt with the war after leaving and the reasons some of them left. Looking at the first soldier, Bob, AKA “Rat” Kiley, was a war medic during the Vietnam war who had a trusting relationship with the narrator, Tim O’Brien. O’Brien
Tim O’Brien deals with hardship during the war and after the war. He has trouble coping with it, he uses writing as a way to heal himself. Tim O’Brien writes about the man he supposedly killed. “His jaw was in his throat, his upper lip and teeth were gone, his one eye was a star-shaped hole – “Think it over” Kiowa said. Then later he said, “Tim, it’s a war” – Then he said, “Maybe you better lie down a minute” ”
Most of the time soldiers are sent to war and are expected to return to their families and lives unchanged, expected to pick up where they left off. War, however, has a different lasting effect. Experiences of war leave soldiers scared for their life and change who they are as a person. War and death change a person both physically and mentally, Tim O’Brien shows this when Rat Kiley loses Kurt Lemon at war. Rat Kiley sees unimaginable events over and over again and it changes who he is as a person, “ ‘These pictures in my head, they won’t quit’…
This scene introduced the concept of humane imagination to me as it provides immense emotional detail and personal exposure. Although I have never experienced taking a life or witnessing the taking of a life, I gained appreciation for the toughness and struggle that the character Tim O’Brien undergoes in the taking of a life. Typically, I would argue that the war experience would take away the emotional value of a solider and deprive him of empathy for a fallen victim. However, through this scene I can witness the emotional taxation and gain empathy for the character. This scene provides insight into a hushed moment of war that I would never experience myself, but can provide me with emotional information that empathizes me to the
War is thrilling; war is drudgery. War makes you a man; war makes you dead” (O’Brien 51). Now you can tell that O’Brien likes war or at least tolerates it more than he did. He wouldn’t say that war is love, fun, and thrilling if he hated everything about war. He knows the difference between a slingshot and a gun now.
In the short story, “The Man I Killed,” O’Brien focuses on this to show that everyone fighting in a war has a story. He spends the story describing the man he killed and searching for justification of his actions. He carries around guilt with him because of it, and his fellow soldiers try to help him justify and come to terms with his action by saying things like, “You want to trade places with him? Turn it all upside down= you want that? I mean, be honest,” (126) and “Tim, it’s a war.
(O’Brien 128.) With the tone being used in this quote, readers already know that the actions you commit in war have the ability to stick with you for the rest of your life, but they also learn that although a significant amount of time has passed, that doesn’t necessarily mean that becoming comfortable with the situation will become easier, because O’Brien and his other platoon members are the perfect examples of this. Dealing with situations like these can even become harder as you progress throughout life because every time you think of a resolution, more and more questions arise about what you should and shouldn’t have done. Readers recognize that the things they do, or don’t do in life can make them feel the same way as the war
O’Briens intended audience is people who have an interest in war, and uses mortality and death, along with morality to help the audience get a deeper understanding of what could possibly occur at war. First, O’Brien discusses how mortality and death greatly affected many of the men around him. In the chapter ” In the Field” Kiowa is gone and there is nothing they could do to save him. The
He goes on to produce this story of the boy’s life had he not killed him. He would have gone to University for mathematics, and he would avoid politics. He probably met a girl before the war and they exchanged gold rings, and she liked that he was thin and frail. The author uses repetition in this short story by repeating the details of the wounds. He mentions “his jaw in his throat” and the “star shaped hole in his eye” several times.
War was so much more than just war to O’Brien and he able to share this through his writing. " But this is true: stories can save us. ... in a story, which is a kind of dreaming, the dead sometimes smile and sit up and return to the world." (page
The person had to deal with death and the reality of war under the worst case scenario. Bob “Rat” Kiley was that soldier and one of the many soldiers that left something in the war. He had lost his friend Curt Lemon and that’s the first sign that the war has been turning to be painful for him. This coping mechanism for the death was to write letters to lemon’s sister and he shot a baby Water Buffalo. This coping mechanism is seen in the chapter “How to tell a true war story”, shows how he has been affected and explained the toll the war had taken on him.
O’Brien goes into great depth in this small quote on how loss of innocence and war can affect people in the war. The quote “Often the crazy stuff is true and the normal stuff isn’t” shows how war is so different from what any human experiences at home. After that small quote he follows it up by bringing up how you have to use normal stuff to show how crazy these things are and how much of a pole it can have on somebody during a war. The way that war is treated for many is mostly the mental part that is struggling. But for many "War is hell, but that's not half of it, because war is also mystery and terror and adventure and courage and discovery and holiness and pity and despair and longing and love.
In the chapter when he describes the man he kills, he talks about the state of the dead body by saying, “His jaw was in his throat, his upper lip and teeth were gone, his one eye was shut, his other eye was a star-shaped hole…the skin at his left cheek was peeled back in three ragged strips, his right cheek was smooth and hairless, there was a butterfly on his chin, his neck was open to the spinal cord and the blood there was thick and shiny and it was this wound that had killed him” (O’Brien Chapter 11). This brutal and horrifying imagery displays an irrefutable element of truth to O’Brien’s writing. Not only does this imagery highlight the truth to his writing, but it also sheds light on the brutal truth about the war in Vietnam. By using imagery as such a strong rhetorical device in his writing, he gives the average person a taste of just how barbaric and cruel Vietnam felt for the people who experience the war first hand on either side of the fighting. Tim O’Brien gives a very detailed and intense description of his time fighting in Vietnam during their war with America.
Although the soldier he killed was an enemy soldier, instead of vilifying him he was able to humanize the man. O’Brien was able to describe the physical appearance of the soldier and imagine her life before war. The author was able to portray an emotional connection and made the line between friend and enemy almost vanish. This was able to reveal the natural beauty of shared humanity even in the context of war’s horror. O’Brien is able to find the beauty in the midst of this tragic and horrible event.
Even after all these years, O’Brien is still unable to get the images of Vietnam out of him head, specifically of the man he killed. In the novel, he repeats the description of the man numerous times, almost to the point of excess, saying,“he was a slim, dead, almost dainty young man of about twenty. He lay with one leg bent beneath him, his jaw in his throat, his face neither expressive nor inexpressive. One eye was shut. The other was a star-shaped hole” (124).