In America in the 1940’s society viewed men as the superior gender, despite women slowly gaining more rights. They possessed superiority in job wages, political positions, marriages, and education. Women faced continuous discrimination and inferiority. In Jean Paul-Sartre’s No Exit which takes place in the during this time, different power dynamics are implemented throughout the play. Garcin, a male protagonist, experiences this patriarchal superiority on earth. However, in hell the Estelle and Inez shift the power dynamics, disrupting the typical power balance Garcin experienced on earth. This changes how he acts. Instead of possessing superiority and abusing women, he transitions into a “peacekeeper” in hell. However, his real insecurities eventually come to the surface. Thus, while Garcin seemingly redeems himself in hell of his emotionally abusive behavior on earth, he ends up revealing his true, insecure nature.
In hell, Garcin initially functions as a peacekeeper amongst
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He mistreats his wife and was aware of it. He takes advantage of his superiority. Garcin openly admits that he believes that "[He 's] here because [he] treated [his] wife abominably... for five years" (Sartre 24). He expands on this further, claiming that "night after night [he] came home blind drunk, stinking of wine and women" (Sartre 25). Instead of lightening tension in this relationship, like in hell, he creates it. He is aware that he mistreats her and creates this tension, but, nevertheless continues it. Furthermore, he describes this treatment as "so easy. A word was enough to make her flinch... I 'm fond of teasing" (Sartre 25). Not only was Garcin aware of his treatment but he was fond of it. He enjoyed it. He joyfully instigated the conflict in this relationship instead of serving as a peacekeeper. Thus, his relationship with his wife establishes a disconnect between his time on earth and in
The prisoners receive a thematically equivalent punishment to their actions in their previous lives. As the deeper circles of hell are populated by the worst inmates, the concept of contrapasso elicits exceedingly jarring punishments the further Dante travels. The nine total circles of hell are large enough to populate a lifetime 's worth of the world’s sins. When Dante is introduced to the first circle of hell, reserved for pagans, it is clear that the inmates are bound eternally to live in the Inferno, for even those who did not conciously commit sin, are forced to stay in this realm. In his real life, Alighieri was highly vocal about political stances.
In C. S. Lewis’ The Great Divorce, Lewis is arguing that Hell is not necessarily a place where wicked people who detest God end up; Hell is a place that offers people exactly what they want. The Great Divorce presents “the reason for Hell,” which is people choosing their own wishes over God (Gibson 110). This novel reveals that the self-imprisonment of one’s greatest dreams can lead to infernal results (Gibson 113). In The Great Divorce, Lewis uses Dantean structure, the nature of Grey Town, and the various Ghosts’ interviews to prove that to live in Hell is to receive and accept everything except God and his will.
Patriarchy presents the roles of men and women in a distinct form. Men are expected to be the dominant leader, strong, protector and sole provider where as women are subverted to the role of domestic duties, raring of children and fulfilling her man’s every desire without question or comment. In Lynn Nottage ’s play Poof! , she brilliantly portrays the roles of men and women, and experiments with the concept of changing gender roles that are characteristic of our society.
Are we, women, just a mere prop to strengthen men’s power and pride? Are women only existing in this world to serve and satisfy men? Back in the day when men are dominating the government and our society, women are just left in their houses. Society sees them as a puppet, a person who is only capable of doing household chores or even a mere baby maker. Freedom is non-existent to a woman’s life and they are treated like criminals who are sentenced to life imprisonment or like a bird whose wings are broken and trapped inside a cage.
This can be seen through the significant way that gender roles are portrayed in the play “Fences” by August Wilson. The play was written in 1983 but it takes place during the 1950s, which was a crucial time for
In what ways are women abused and discriminated against inside literature and throughout history? In many patriarchal societies, men have held authority over women due to gender. This power imbalance between men and women sometimes led to unjust treatment of women; men exert their authority over many women in the play, The Crucible. In The Crucible¸ male characters intimidate women to achieve specific outcomes and mark their superiority. Elizabeth Proctor, the protagonist’s wife, shows the standard for Salem women as she is submissive and does not defy her husband or the traditional role as a housekeeper.
Grendel feels like his existence truly does not matter to anyone not even his mother, which adds on to his existential nihilistic crisis. Grendel comes off as self-centered because he mentions how he “[creates] the whole universe”. This trait is said to be common amongst people associated with Taurus, exemplified with Grendel’s Solipsist beliefs about his lack of understanding of the world around him. When Grendel says “The world resists me, and I resist the world” it is proof of his inertia (Grendel pg). Which is another characteristic of the Taurus pertaining to the fact that he does not do anything positive to improve his relations with the humans and his mother.
In Dante’s Inferno, Dante Alighieri's depiction of Satan at the bottom of hell reveals the theme that in Hell the punishment is always befitting of the due to the fact that the lower you go, the farther that person is from god. The picture of Satan satisfies the reader because he shows that he is the opposite of god and that he is full of evil. Lucifer is the demon in the circles of hell which he has three faces, and bat like wings in which he creates the cold wind where the sinners suffer. “The face in the middle was red, the color of anger. The face on the right was white blended with yellow, the color of impotence.
In her 1975 article, “Feminism in the French Revolution,” Jane Abray provides a dismissive view of women’s movements during the Revolution. In the article, Abray emphasizes the failures of revolutionary feminism. In her opinion, the most compelling reason for revolutionary feminism’s failure was that it was a minority interest that remained inaccessible to the majority of French women who accepted their inferior status to men. Abray suggests additional reasons for the movement’s “abject failure,” including its inability to garner support from the male leaders of the Revolution, the disreputable characters of the feminist leaders, the strategic errors made by the movement’s leaders, and a “spirit of the times” that emphasized the nuclear family
The devil is the supreme being of all evil. The villain, once called Lucifer and was the greatest of all angels l, rebelled against God over his jealousy of man. Turning evil and fighting the Almighty, he was destined to lose and thrown out of heaven, along with his army. In Dante’s Inferno, he resides in the deepest bowels of hell, where he tortures the three worst traitors in human history: Judas Iscariot, betrayer of Jesus of Nazareth, Cassius and Brutus, slayers Julius Caesar. In hell, contrapasso rules, and the appearances of the fallen angel Lucifer agrees with it.
But, as the poem continues to progress, it becomes quite clear the there is a perfect balance within God’s justice as the degree of each sinner’s punishment perfectly reflects upon the gravity of the sin. Furthermore, the inscription on the gates of Hell explicitly states that Hell exists as a result of divine justice; “ll. “ Justice moved my great maker; God eternal / Wrought me: the power and the unsearchably / High wisdom, and the primal love supernal (III.4-6).” Prior to delving into the structure of Hell and how it displays God’s divine justice, one must first familiarize themselves with both the historical context of Dante’s life, along with the beliefs of the medieval church.
Dante’s Inferno is an epic poem by Durante “Dante” degli Alighieri, written in the 1300s. He wrote a trilogy, known as the Divine Comedy, consisting of Inferno, Purgatory, and Paradise. Dante was inspired by many events and issues happening at that time, such as the war between Guelphs and Ghibellines, the Battle of Montaperti, and Christian religious beliefs. In this paper, I will explore the first book, Inferno, on the topic of Hell and how the sinners had a significant impact on Dante’s journey through Hell. In Circle 5: Styx, Canto VIII, Filippo Argenti, a sinner of Wrathful, helped Dante to symbolize to readers his anger towards Black Guelphs, political enemies of the White Guelphs.
With Dante’s journey through hell he examines the sins of others, these supposed wrongdoings, such as murder are overall worse for the population, causing, over time, a
This impacted Machiavelli and his standing in Florentine society because of his connection to the Medici family and because he was not a religious leader in the city. The religious and political turmoil Dante lived amongst also shaped his views on violence. The Guelf-Ghibelline conflict resulted in Dante’s exile, and his Inferno shows how that conflict and his exile shaped his views of violence. Since a conflict that affects an entire city-state is often violent, placing violent people deep into hell shows how Dante felt about violence and the negative affect it had on
Throughout ‘Inferno’, sins and their punishments are structured from the least morally corrupt and