Any fan of the medieval and Victorian eras knows that there are many stories centered around the rectification of lost or sullied honor through varying means of revenge. Edgar Allen Poe’s “The Cask of Amontillado” is no exception. The story’s protagonist, Montresor, feels that his friend, Fortunato, has insulted his family’s honor and decides to take revenge during a nighttime carnival by luring Fortunato into the Montresor family crypt and sealing him inside to die a slow death. Through the use of irony and symbolism, Poe reveals to readers an intense theme of revenge.
Poe’s theme of revenge is illuminated through his application of the three different types of irony: dramatic, verbal, and situational. He starts off the story strong with dramatic
…show more content…
His total obliviousness to the situation allows Montresor to take his revenge by easily manipulating Fortunato, starting when they meet at the carnival and lasting until Montresor chains Fortunato to the enclave’s wall (432). Poe introduces verbal irony through Montresor’s manipulative words, as the entire time Montresor is leading Fortunato down into the catacombs, he continuously badgers his drunken companion about the environment being bad for Fortunato’s health, even saying, “Your health is precious” (429). The voiced “concerns” qualify as verbal irony because the audience is already well aware that Montresor does not give a damn about Fortunato’s health and is only luring him into the catacombs to exact revenge. The third type of irony, situational, is not used by Poe until the end of the story when Montresor has almost completely sealed away Fortunato in the Montresor family tomb. When Fortunato stops yelling and making noise, Montresor immediately wants to know if he is still alive, so he drops “a torch through the remaining aperture….There came forth only in return a jingling of the bells” (432). This last jingling of Fortunato’s …show more content…
The first symbol, Montresor’s family seal/crest, is described by Montresor as “[a] huge human foot [of gold] in a field of azure; the foot crushes a serpent rampant whose fangs are imbedded in the heel” (429). The foot symbolizes Fortunato and the insult Montresor believes Fortunato has brought upon the Montresor family honor. The snake represents Montresor as he “bites back” at Fortunato with his planned demise. A little while after, the next symbol is revealed following Fortunato making a gesture that is signature of the Order of the Free Masons with the wine bottle Montresor gave him at the beginning of their descent (429). Montresor decides to “prove” he is a mason too by “producing a trowel from beneath the folds of [his] roquelaire,” but instead of representing his status a member of the Free Masons, the trowel literally represents Montresor’s intent to use masonry to wall in Fortunato and guarantee his eventual death and Montresor’s successful revenge (430). The Montresor’s final symbol is the catacombs themselves, as they are integral as to how Montresor plans to avenge his family’s tarnished honor. The catacombs Montresor takes Fortunato down into are not only a cellar for Montresor’s wines, they also double as the Montresor family crypt. By trapping Fortunato among Montresor family ancestors, Montresor is making the implied statement, “If you insult my
Finally, meeting eyes with Fortunato himself. “Fortunato is that really you?” “Yes, Montresor it is me alive and well as you can see.” “But how? You have been buried here well over a year.”
Montresor tortures Fortunato, both physiologically and physically. Montresor clearly gives Fortunato “multiple chances to escape his fate” (Delany 34), as he gives Fortunato obvious clues to his true intensions. These include leading Fortunato into a place for the dead, telling Fortunato not to go due to his severe cough that made it “impossible to reply” (Poe 5) at times, reminding Fortunato of his family arms, mentioning Luchesi, and showing Fortunato a trowel. Montresor seems to receive morbid joy out of the fact that Fortunato is so intoxicated that, just like the foot on Montresor’s coat of arms, he is unintentionally “stepping into his own destruction” (Cervo
Revenge is a popular theme explored in most facets of literature and other forms of entertainment. The popularity of the use of revenge in stories stems from people’s natural habit of reciprocation and the ordinary person’s lack of power in the real world. This kind of retribution is a main pillar of both Edgar Allan Poe’s “The Cask Of Amontillado” and Ha Jin’s “Saboteur”. While these stories may contrast from one another in their execution of the revenge, the themes behind said revenge have some pivotal similarities. Both stories are based around a character that has been pushed to his limits and seeks nothing short of death for vengeance.
Retaliation establishes a feeling of completeness for many people because they feel as if they have re-established an equilibrium in terms of justice. This act of retaliation can be found throughout many short stories written by Edgar Allan Poe. In particular, Poe begins his short story, “The Cask of Amontillado,” explaining the background of the two main characters, Montresor and Fortunato. Montresor is the narrator of the story and is ultimately planning gruesome revenge on a conceited man named Fortunato. The story takes place in Italy during carnival, a festival before the fasting period of Lent.
Edgar Allan Poe is most famous for the gothic themes he presents in his writings, this was no exception for Poe’s “The Cask of Amontillado”. Several important ideas are brought up about the story’s central theme of revenge. These ideas can be broken down into 3 parts: the incentive, the extent, and the reaction of the person partaking in revenge. It is essential to consider these ideas while reading Poe’s story, in order to comprehend his views on revenge. It also provides the reader the ability to question their own views on revenge as well as compare it with Poe’s.
Verbal irony involves a character saying one thing, and meaning another. Situational irony consists of what is expected to happen, and what actually happens. Three types of irony found in Edgar Allan Poe’s, “The Cask of Amontillado”, are dramatic, verbal, and situational irony. A good example of dramatic irony occurs when Montresor explains to Fortunato that he is also a mason. Then, Fortunato asks for a sign.
Poe carries verbal irony throughout the rest of the story, as well; Montresor refers to Fortunato as “my friend” in many instances, however, the reader knows
In the short story by Edgar Allen Poe, there are countless examples of irony to convey Montresor’s unlawful act, while applying an additional layer of irony to sabotage his revenge. An example of situational irony Poe uses in the story is simply the name Fortunato. Fortunato is an Italian name that means good fortune or luck. This is an example of situational irony because his name means the complete opposite of what he actually was.
In Edgar Allan Poe’s “The Cask of Amontillado,” irony is applied throughout to help foreshadow future and give more of an insight to the readers, all while adding some humor. Irony is divided into three main types: dramatic, situational, and verbal. Poe uses dramatic irony when he has Fortunato dress as a jester, “a tight-fitting parti-striped dress and his was surmounted by the conical cap and bells” (Poe). The get-up makes Fortunato looks foolish and foreshadows his actions of following Montresor into the catacombs to taste some wine. Montresor even compliments the outfit and says “My dear Fortunato, you are luckily met” (Poe), but it was not Fortunato who was in luck, but Montresor who would gain profit of their meeting.
In the short story ,”Cask of Amontillado,” there are many examples of irony used by Poe throughout the story. In the story, the Narrator’s biggest challenge is to get revenge on Fortunato for “one thousand injuries,” but he has to plan how he’s going to do it successfully without getting caught. When the Narrator randomly runs into Fortunato, the author states that, “My dear Fortunato, you are luckily met.” (Poe 59). This is an example of verbal irony because the Narrator didn’t mean it was lucky for Fortunato because he was just telling us how he vowed revenge on him.
He got Fortunato drunk, (Montresor states this when he says "Drink," I said, presenting him the wine”), then lured him into the catacombs to where he was going to trap him, leaving him there to starve. In conclusion, Montresor should be sentenced to death because he committed a severe crime that hurt a family and friends. There is no other ruly way to punish him rather than killing him. He should receive capital punishment and he should not be allowed to live, because then there is no for sure way to tell if he will murder another person or
The fictional short story “The Cask of Amontillado” by Edgar Allan Poe takes place in the catacombs of Montresor’s palace, during the carnival’s climax. The story begins when Montresor, the villain of the story, vows revenge on Fortunato. Throughout the story, the author doesn't tell us what the revenge will be, but his choice of words in the details creates a mood in the reader. The author’s detailed description in the short story creates different moods in the reader like anger, satisfaction, curiosity, and victory because the chosen words connect with the audience.
“The Use of Irony in "The Cask of Amontillado" Edgar Allan Poe is a phenomenal writer and makes many points in his writings. There are three different ways in Poe 's writing of "The Cask of Amontillado" that irony is used: verbal, situational and dramatic. Verbal irony can be seen when Montresor first sees Fortunato at the carnival. Situational irony is also used and can be seen between the meaning of Fortunato 's name and his destiny, as well as Montresor 's response to his own. The last way irony is used is dramatic irony, this can be seen by any reader, this occurs when Montresor tells Fortunato he is also a mason.
Montresor told Fortunato that he is a “rich, respected, admired, beloved” (86) man. He does not actually think that. When he says he “must not only punish” (83) Fortunato, but he must “punish [him] with impunity” (83), which he does. The first step in Montresor's plan is to get Fortunato to go in the catacombs. He says to Fortunato, “Come, we will go back, your health is precious” (86).
Have you ever been insulted or judged by someone for something you did or the way you represent yourself to society? In the short story “The Cask of Amontillado” by Edgar Allan Poe, it talks about two friends Montresor and Fortunato, whose fates are determined by murder and revenge. Montresor planned to seek revenge on his friend for the insults he has committed despite Fortunato who isn’t aware of Montresor anger. The author of “The Cask of Amontillado” used symbolism and imagery to describe the theme of revenge.