Seeing is believing, especially when it comes to the supernatural. Throughout Dracula, by Bram Stoker, the clash between science and the supernatural is a recurring theme. At the time, London, England, was in the middle of modernizing society and the science behind it. This included the invention of the phonograph, typewriter, and the way people were thinking. Because of this new era, the English began to discharge the ideas of superstitions. The group struggles to realize the matter of Dracula’s powers because they were being clouded by the era of science. It is only until Van Helsing brings together the ideology of the scientific West and the supernatural East that the group is able to overcome Dracula’s powers and defeat him, which portrays …show more content…
Within Dracula, Van Helsing discovers new material about vampires by witnessing them in the flesh. During one of these instances, Van Helsing says to Mina, “‘Will you not come over to the fire?’ for I wished to make a test of what she could. She rose obedient, but when she have made a step she stopped” (Stoker 325). Van Helsing is testing Mina through an experiment with a ring of holy wafer around her. Mina is unable to break that ring of holy wafer due to the superstition of holy objects against vampires. Van Helsing is applying his supernatural knowledge with the scientific ways, by testing Mina to learn weaknesses for vampires. Without testing his theories before using them against Dracula, he would have had no idea if they would actually work. The ability to understand Dracula’s powers is key when fighting him. If the group were to take on Dracula without the knowledge they have gathered from the mini experiments they have witnessed, they would end up fighting an immune monster. Towards the end, Van Helsing tells Dr. Seward that, “to rid the earth of this terrible monster we must have all the knowledge and all the help which we can get” (Stoker 202). By “all knowledge” he really means every bit he can get. By discovering new ideas from the superstitions, the group is finally able to grip what has been happening the past months. This
What would it be like to be a vampire? What would it be like to have a vampire in one’s life? What were the vampires of folklore like? These topics will be reviewed throughout this essay by comparing four of the vampire books and movies. All the vampire movies have some similarities and differences but four literature pieces in particular will be gone through in this comparison.
The topic I have chosen for my essay is how Dracula is meant to remind society of the importance of religion, specifically Christianity, in Stoker’s time. I intend to do this through analyzing symbols in Dracula, drawing connections between these symbols and Christianity, and analyzing the implications Stoker attempts to make. I chose this topic because vampires and their sacrilegious implications, such as burning when touching a cross, have always been of interest to me, hence why I chose to study Dracula in the first place. My thesis is: Stoker uses Count Dracula as symbol to represent what society may become if they abandon religious beliefs.
The good believe that they can fight off the evil by believing that faith can win. They defeat Dracula by using a number of holy items. They use communion wafers, holy water, a crucifix, and more. Everyone has a conflict with the evil characters in the story. Dracula gets defeated in the end, we all knew this in the beginning because this is an obvious good versus evil kind of
Also, when traveling to Transylvania, Van Helsing creates defenses for Mina Harker by forming a “Holy circle” consisting of the men in the novel, which he believes will “[ward] away Dracula’s [followers]” (Gray). Van Helsing is also described to rely heavily on Christian ritual when he places the “piece of Sacred Wafer” upon Mina Harker’s forehead, a method believed to protect her from Dracula’s attacks (Stoker
The fact that there were some role reversals in the novel, especially among the female characters, made most characters all the more dynamic. All the same, the novel was very obviously influenced by gender roles and when Stoker was writing Dracula there was an obvious dividing line between male and female characters that he would not cross. Stoker’s preoccupation with female sexuality in Dracula “is attested to by the fact that [gender roles] actually come to dominate the story, with the vampire hunters mainly concerned not with Dracula himself but with his effect on their beloved companions” (Dixon) While Mina, who represented the ideal Victorian woman, acted as a support system and assistant to the heroic group of men. While things have changed significantly for men and women alike in the modern age, Dracula will likely remain in place as one of the most famous and telling critiques of Victorian gender
Dracula is an example of the clash between the modernity and tradition. Stoker puts an emphasis on the newest technology of Britain and combines them with traditional and folkloric traits. He described through Doctor Seward and Doctor Van Helsing two main attitudes towards science. Doctor Seward stands for modern science and reasoning and Doctor Van Helsing represents the superstitious beliefs. Doctor John Seward is a British man who represents an objective and scientific approach.
Dracula learns that the group are plotting against him and feeds Mina his own blood to control her. In the final fight, humanity wins over the creature as they can kill him and Mina’s mind from his “spell.” The premise
His novel, Dracula, tells the tale of five people who encounter and have to deal with the evil undead vampire Count Dracula, who terrorizes them and even causes two out of the five to become undead like himself. Thankfully, the group eventually discovers a way to eventually vanquish Dracula once and for all, and by the end of the book they destroy him, preventing him from terrorizing the people of Europe once and for all. Stoker explores several significant themes in this book, including the theme of deception. In Dracula, Stoker uses the theme of deception with the characterization of Dracula,
Gothic horror novel Dracula, the title character makes only several relatively short appearances, some of which are while in disguise. Throughout the novel, Stoker keeps Count Dracula in the shadows, both literally and figuratively. This essay will describe these appearances and analyze Stoker’s use of them to determine what effect they might have on the impression of the character and the novel overall. It will be claimed that by keeping his title character hidden for much of the novel, Stoker’s Dracula is made much more frightening to the reader. Human beings tend to fear the unknown, and by leaving Dracula to the imagination,
The presentation of Good vs. Evil is one of the main themes in the novel, Dracula. The portrayal of good and evil is seen in each character throughout the book. The characters considered “evil” in the novel are Dracula and his vampire brides. Dracula converts humans into vampires and has immense power over certain individuals. Everything he does demonstrates that there is no good in him at all.
In Bram Stoker’s gothic novel, Dracula, the overall and fundamental theme of the book is given away the further you read, expressing Stoker’s view of religion. The novel is an account of the paths taken by many different characters such as Count Dracula, Van Helsing, Jonathan Harker, Mina Murray and Lucy Westenra. Since this poem was written with ideas focused primarily on the concepts of evil, as it was viewed during an appearingly-conservative nineteenth and twentieth century society, the book can be seen as a parallel to Eliot’s and others’ own religious quests. While Bram Stoker attempts to acquaint the reader with a frightening tale on the accounts of a dreadful vampire named Count Dracula, he also expresses the goal of strengthening
A battle between good and evil is a common plot to Dracula. The forces of evil, Count Dracula and other vampires (the un-dead), try to take over Britain. The novel heroes Dr. Van Helsing, Dr. John Seward, Johnathan Haker, Quincy Morris, and Arthur Holmwood are the first responders for this evil invasion of the British Empire. In the novel the characters Dracula and Van Helsing play a major role for being the leaders of their respective groups, therefore they controlled the actions of their groups. Dracula’s actions in the novel have the purpose to flourish the rise of the un-dead, while Van Helsing’s actions aim to preserve and protect the human race.
Dracula’s castle was just the beginning of what was to come. Jonathan 's meeting of the three female vampires it was a catalyst for what he believed was right and wrong. With the 3 women being polar opposites of what was expected from a 19th-century Victorian woman compared to the pure and proper Mina the 3 vampires are straight forward and dominant. Something that he had never experienced before and he can 't help that he is both attracted and repulsed by them. “ There was something about them that made me uneasy, some longing and at the same time some deadly fear.
For instance, the religious and scientific objects used by the protagonists are put on an equal level and shown working together when Seward states “We each held ready to use our various armaments—the spiritual in the left hand, the mortal in the right.” (Stoker 324). Likewise, Mina’s aforementioned rationalist deduction of Dracula’s escape route is notably said to be made “under God’s providence” (Stoker 373), again suggesting faith and reason working together in harmony. This reconciliation of religion and rationalism is best shown in the character of Van Helsing, who embodies both extremes of the debate. He is described by Seward as “one of the most advanced scientists of his day” (Stoker 122).
Indeed, the work condemns the expression of sexuality, particularly deviant sexuality, as in the case of Lucy, who is eventually destroyed and transformed into a voluptuous vampire. Dracula is the immoral foreigner; he contains and conveys a sexually transmittable disease, perhaps akin to syphilis in its internal and external transformation of the afflicted. In this novel, Stoker stands by the ideal woman, Mina, who resists temptation and becomes a submissive and dedicated wife and mother. Finally, Abraham Van Helsing and his group of men defend the patriarchal pillars of society and try to contain, at all costs, the sexually dominant behavior that attempts to contaminate society. The anxieties surrounding and permeated by the characters of the novel emulate a literary culture inspired by Gothic literature.