1 Articulation of Scottish Identity in Saltire In the comic book Saltire’s preface, writer John Ferguson stresses upon Scotland’s richness of “myth and legend”, its “history and achievement”, as well as its “unique identity” (Ferguson 2013, 2). He writes “[i]t is remarkable that this ancient realm has had no champion within the modern comic book genre” (ibid). He then labels his main protagonist as “Scotland’s first superhero” (ibid). This essay will analyse the comic’s strategies of seizing upon Scottish identity. On a visual level, Scottish identity is constructed by the use of Scottish iconography. First, the superhero Saltire, as well as several Highlanders, are depicted as red-haired, thus perpetuating the stereotype of the redheaded …show more content…
In fact, there is an item of the same name linked to Scottish history. The Stone of Destiny, also known as the Stone of Scone, was used in the coronation of the Scottish kings until it was captured and brought to England by Edward I. Thus, the stone that legitimises the royal sovereign of Scotland is also the source of Scotland’s protecting superhero. The summoning ritual of Saltire furthermore requires “the balance of light and shadow” (ibid). This is symbolised by the union of the “valleys of light” and the “highlands of shadow” (ibid, 12). Consequently, in order to summon Saltire and save Scotland, the Highlanders and Lowlanders have to work together. This can also be seen as a means of constructing identity and …show more content…
First, the book entails Scottish iconography, such as the Flag of Scotland carried out by the character design of Saltire and the Stone of Destiny which is needed to summon the superhero. Additionally, red hair as a feature of Saltire and several other Scottish characters can also be seen as an icon of Scottishness. Next, the narrative is presented as a mixture of history and mythology. For instance, the entailed map of Scotland features fictional places and fantastical creatures and magic are key elements of the story. Thus, Scotland is presented as a place rich of myth and legend. The summoning ritual of Saltire, which requires the cooperation of the Highlands of Shadow and the Valleys of the Light, represents the need for a unity between the Highlands and the Lowlands in order to form a Scottish identity. Furthermore, myths such as the Loch Ness monster or the disappearance of the Ninth Legion as well as historic events such as the construction of Hadrian’s Wall are depicted in the narrative. Finally, the crucial element of the story is Scotland’s desire for freedom and independence, which is a prominent motive concerning Scotland throughout literary, film, and theatre history. In conclusion, Saltire corresponds to literary patterns and extensively articulates Scottish
Young Siward was brave to confront and risk his own life to be able to accomplish his ambition of bringing back Scotland to its original ways. All of Malcolm´s ambition was for Scotland and if he did not do what is right for Scotland he failed his country and family, “Oh, I could play the woman with mine eyes/ And braggart with my tongue! But, gentle heavens, /Cut short all intermission. Front to front/Bring thou this fiend of Scotland and myself./Within my sword’s length set him; if he ’scape,/ Heaven forgive him too” (IV.iii. 237-242).
Macbeth clearly distinguished himself as a great warrior, but his battlefield heroics did not carry over into heroic behavior off the battlefield. It is ironic that he, who had defended Duncan from traitors colluding with Irish and Norwegian armies, himself harbored traitorous thoughts. As he was contemplating assassinating Duncan, Macbeth was having trouble in justifying what he was about to do. “I am his kinsman and his subject, / Strong both against the
Macbeth come across the three witches, there they state, “All hail, Macbeth! Hail to thee, Thane of Cawdor” (Act 1, Scene 3). In reply to the three witches, Macbeth demanded “stay you imperfect speakers! Tell me more”. With just these few statements announced, Macbeth’s thirst for power and glory arises and is clearly seen.
In Scene 2, the captain labels Macbeth as “brave”. This is a venerated and respected quality on the battlefield. King Duncan later refers to
Malcolm explains how Scotland is falling when “It weeps, it bleeds, and each new day a gash / is added to her wounds”(4.3.50-51). Everyday Macbeth is damaging Scotland. The gash is referring to an assassination ordered by Macbeth to kill Macduff's family. Because of all of the murders that have occurred, the country is crumbling. Furthermore, there are many people who have a strong desire for a new king.
(1.2.24). His courage in war is a thing of “honor” (1.3.104), and so he is presented with the tittle thane of Cawdor. Macbeth is repeatedly being painted with the strokes of these heroic lines of honor.
Even though it may be just a stereotype, the Scottish people are not generally known for their joyful nature and friendliness. No wonder, considering the geographical location of the country, the weather and the scarce population in the wild landscape. Kilts, mysterious countryside full of lochs and ruined castles, back pipes, whiskey and Brave Heart is what usually comes to people’s minds when Scotland is mentioned, but legends and nature are not exactly what the contemporary Scottish films usually focus on. Once a person gets himself into the modern Scottish cinematography, what they encounter are not huge historical and probably not even real battles taking place in the romanticised landscape of Sir Walter Scott. The movies focus rather
The fact that Macbeth believes the witches’ prophecies are not evil nor good foreshadows how he will go on to kill any other person standing in his way to more power. His ambition blinds his mind to make him even think about ruthlessly committing a murder. This forceful way of gaining power will only lead Macbeth to become a “tyrant” in Scotland and his “fantastical” desires of killing Duncan and receiving the crown will lead Scotland to failure. Under Macbeth’s rule, Scotland seems to be in a terrible condition. With distrust among the people, there is tension all within the country, as Macbeth’s totalitarian regime had rendered the prosperity of Scotland.
The overcast skies forewarned of the storm to come. The grey clouds rumbled treason and the wild wolves howled their distress. Rough winds wreaked havoc on the brittle branches of the oak trees in Birnam Wood, but not even this could compare to the turmoil in the new queen’s mind. In her chambers, Lady Macbeth’s frantic, bloodshot eyes darted across the shadowed room like a wild animal.
Whereas in the text of Macbeth, the setting is first presented as evil, stated by Macbeth “no foul and fair a day I have not seen“. On the contrary Macbeth is presented as ‘brave’ and ‘courageous’, ‘the savior of the day’, this implies that the writers chose the great difference in setting and character for the reader to
Throughout William Shakespeare’s Macbeth light and darkness are used to contrast key ideas through many of the central themes. The disruption in the order of nature is shown as evil overpowers good through contrast of day and night. The power of corruption
Their goodness or lack thereof affected not only their own lives but also those of every other Scotsmen from that time
On the seemingly quiet eve of the 15th of August, King Duncan of Scotland was assassinated in his sleep. King Duncan was celebrating the death of the vulgar rebel MacDonald at the Thane of Cawdor’s Castle briefly before he was killed. MacDonald was killed by the newly appointed Thane of Cawdor, Macbeth, during combat against the Norwegians. Our sources suggest that as King Duncan was sleeping soundly in his room his ‘ professional’ guards were in an alcohol induced slumber.
The Language of Literature. The Tragedy of Macbeth. Ed. Arthur N. Applebee. Andrea B. Bermudez.
LANGUAGE TECHNIQUE USED IN JOSEPH CONRAD’S HEART OF DARKNESS ABSTRACT The nineteenth century has been called "the age of the novel", as the last of the major forms of literature to appear. The novel was one of the most fluent, diverse, and unpredictable of literary forms. It was the dominant literary form which reached its apotheosis in the Last century. The novel may seem modern but is historically related to other literary forms such as drama and the epic.