Orual’s selfish actions in ‘Till We Have Faces by C. S. Lewis makes her seem like an immoral person. She is extremely reliant on those she cares about to provide joy in her life, and she selfishly tears others away from their personal happiness to fuel her own. Though she claims she does so for the benefit of the others, she only causes more pain. However, in ‘Till We Have Faces by C. S. Lewis, Orual’s selfishness and possessiveness stems from the love she holds for those in her life, therefore readers can sympathize with her and the consequences of her actions are mitigated. The person Orual undeniably loves the most is her sister, Psyche. When Orual discovers that she is alive and living in the valley, her goal is to bring her sister home. …show more content…
Aside from Psyche, another important person in Orual’s life who she hurts is Bardia. When Orual visits his wife, Ansit, after he is deceased, she is enlightened on how she has worked Bardia to death. Her constant reliance on him has made him too weak to fight off sickness, resulting in his loss of life. Orual selfishly keeps him at work longer than necessary. “Orual even shows a perverted, possessive love in her relationship with Bardia” (Saunders 6). She never considers how the stress she puts on him wears his life away; she only cares about spending time with him for her own enjoyment. She withholds him from going home to Ansit while dreaming about scenarios where she herself is his wife. This again goes back to the idea of Orual’s intense jealousy and possessiveness. However, these fantasies and dreams that she entertains herself with serve to prove how Orual cares about Bardia. She loves him, causing her to try and keep him for herself. This confession of love permits readers to empathize with Orual, and the intensity at which she mourns brings her pity. After taking into consideration all of Orual’s losses, readers become sympathetic and overlook her
Orleanna, herself, is an intelligent woman, but because of her husband’s
Odysseus, just like the woman, has to live with the losses and the suffering of the war, while his dead comrades, like the widow’s husband, do not. In this instance, the woman is representative of all the women in the Trojan War who lost their husbands due to Odysseus’ wrath. He does not cry for his own glory, but rather he empathizes with the widow, and therefore, identifies with all of his victims. Alcinous, through this similarity between Odysseus’ tears and the tears of the female victims of war, is able to see that Odysseus’ connection to the Trojan War is one filled with the pain of losses and guilt, but also the pain of having to carry these memories. These two aspects of pain can only coexist in a person if his identity is the Odysseus being portrayed in these songs.
This leaves the audience intrigued and in a position where they can relate, since people all over the world encounter this frequent theme of love between a boy and girl. Following this undetailed introduction, Ovid introduces each of the characters separately, emphasizing how they are not one but two. The man is introduced as the son of an amazon, since status and birth are defining elements of men in this time; meanwhile, the girl was introduced as a maiden. Since her lack of marriage made her a candidate for courtship. Not only is Phaedra a maiden, but a maiden who “lacks good fortune, unless he gives it to her”.
Shakespeare’s Othello, an early 17th century play, is a widely renowned work that is still studied in a psychological aspect worldwide today. The eponym of the play had ambivalent feelings for Desdemona, his wife, that were prevalent in the sense that he’d gone to extreme lengths, such as; abusing her, mistreating her, and ultimately murdering her. This was all due to his inner conflict of his love, yet intense hatred for Desdemona. All of his unsureness about Desdemona, though, was due to his true flaw- insecurity in himself. He had internal feuds about whether he, a black man in 16th century Venice, was a satisfactory husband for a noble white woman.
As Psyche’s and Liesel’s stories progresses, like any other human, they experience small joys and sorrows. However, when facing one of their greatest hardships yet, their character similarities clearly show through. Psyche’s husband- Cupid- leaves Psyche after he warns her, that if she is to take her sisters advice upon trying to discover his true identity, she would lose him forever, but curiosity got the best of her. She disobeys her faithful husband and discovers that he is the god of love.
“The Odyssey,” written by Greek poet Homer is an epic tale depicting the brutally enduring quest home of the Greek hero, Odysseus. Within this heroic story, women play a very large and pivotal role in Odysseus’s trip home from the Trojan War. In his attempt to get back to his wife, Penelope, Odysseus’s progress is constantly hindered by the intervention of women who will do anything in order to either convince the heroic figure to stay with them or have him killed. The intentions of the women in the epic are all very different but one of the most prominent roles lies in the seductresses and the alluring women who will deeply influence Odysseus. Most importantly, Penelope plays a large role in portraying the importance of women’s roles in the story.
In an epic poem, The Odyssey, by Homer, Odysseus struggles to come back home while his wife, Penelope, faces barbarous suitors who plague her house to court her for the marriage in order to claim the kingship of Ithaca. With an absence of the man of the household and a son who is not old enough to rule over the country and handle the domestic complications, Penelope endeavors to keep the household orderly and civilized. In order to prevent further chaos in the household, Penelope maintains her role as the Queen of Ithaca and Odysseus’s wife through her loyalty and cunning. For a woman who does not know when her man will return home, Penelope is extremely strong to keep hope and wait for her husband; thus, her unwavering loyalty to her husband
Literary Analysis of Incantation Alice Hoffman 's powerful story takes place during such a hard time; the Spanish Inquisition in which our protagonist, Estrella de Madrigal faces an arduous decision between her best friend and the Spaniards. “Estrella de Madrigal thought she knew herself: daughter, granddaughter, dearest friend. But the truth is rare in this cruel, unforgiving century in Spain.” In the novel “Incantation,” Alice Hoffman has developed a meaningful yet a ubiquitous theme of how the infamous jealousy can destroy a person in many forms uses the literary devices such as simile and personification. Hoffman 's use of simile develops the theme that jealousy can destroy a person in many forms.
In Kate Chopin’s “The Story of an Hour” demonstrates the personal growth of the dynamic protagonist Louise Mallard, after hearing news of her husband’s death. The third-person narrator telling the story uses deep insight into Mrs. Mallard’s thoughts and emotions as she sorts through her feelings after her sister informs her of her husband’s death. During a Character analysis of Louise Mallard, a reader will understand that the delicate Mrs. Mallard transforms her grief into excitement over her newly discovered freedom that leads to her death. As Mrs. Mallard sorts through her grief she realizes the importance of this freedom and the strength that she will be able to do it alone.
The author of the novel, Everyday, Mr. David Levithan, gives the readers a genderless, faceless, and virtually nameless protagonist who still manages to be endearing and emotionally resonant. Leaving a question—can a love between a bodiless soul and a real human possibly work—captivates on its own, the novel’s greatest strength lies in its ability to capture many different experiences of young adults. From stress to depression, the daily struggles of A’s bodies transform this love story into a brilliant mediation on teen life. The novel is called as wise, widely unique love story of a teen. The story began with a confusing jump start that bridges me to confusion.
In this play, he has created a marriage that promotes respect towards women. Traditionally, women are not treated as equals in their society, but Sophocles believes otherwise and expresses his opinion through his plays. Sophocles presents that the marriage between Oedipus and Jocasta is respectable and equal. When Oedipus was going through a difficult time, Jocasta became aware of this and wanted nothing else but to help Oedipus find what he was looking for. Oedipus, who is in search of the truth regarding his birth, is questioning Jocasta, looking for answers.
To accomplish this analyzation I have structured this paper into an intro paragraph, four body paragraphs, and a conclusion paragraph. The first body paragraph explains how Penelope’s forced marriage with Odysseus supports the patriarchy. The second paragraph analyzes Penelope’s character, and how the story diminishes her character to make men seem more powerful. The third paragraph dives into the relationship with the suitors and Penelope. I analyze how Penelope uses her situation to her advantage, and how that undermines the patriarchy.
The natural attraction between the young couple seems too good to be true at first. Full of love and joy, the two live a happy life only for a moment of their lives. Had it not been for differences in us human beings, the two would have been a match made in heaven. While most of the blame can be put onto Armand, we must take note that the unjust hierarchy set in time weighs down upon her husband, almost forcing him to make such a rash and irresponsibly decision. A love story set and ripped down by fate ending in three if not many more broken hearts.
As he states that all lovers are, “Unstaid and skittish in all motions else / Save in the constant image of the creature / That is beloved.” (2.4, 20-22). This demonstrates Orsino’s misunderstanding of the concept of love, as it seems that true love means fickle and erratic according to his definition. Furthermore, in disguise as Cesario, Viola also unintentionally exposes the passionate nature beneath the courtly manner and mourning veil of the “virtuous maid” (1.2, 32), as she causes Olivia to fall in desperate love with Cesario.
The first instance which supports the notion that a lapse of communication is responsible for the unsuccessful nature of heterosexual relationships is the case of Duke Orsino and Countess Olivia’s relationship. Both start the play preoccupied with their own concerns, Orsino is worried about finding love, specifically with Olivia, meanwhile she is busy mourning the death of her brother by refusing to marry anyone for seven years. However, it is Orsino’s obsession with seeking love and how he goes about pursuing Olivia that best exemplifies the problematic nature of a male and female’s relationship. Orsino opened the play by saying of love, “Give me excess of it, that, surfeiting, / The appetite may sicken and so die” (1.1.1-3), essentially saying that he so badly craves the feeling being in love gives him, that he would like in so great a quantity that it would end his life.