Tim O’Brien discusses the characteristics of a true war story and how to distinguish a true story from the fake or made-up one in his essay, “How to Tell a True War Story.” He criticizes many aspects of storytelling and mentions the behavior of a true story. In addition to O’Brien’s theory on how to distinguish true vs false, Malcolm Gladwell also helps in differentiating the two by discussing the story about Bernie Goetz in his essay “The Power of Context.” Both the authors point out the main characteristics that needs to be noted in order to understand the difference between fact/ truth and belief/ cooked up story. Though O’Brien is very open about his arguments, Gladwell’s arguments are invisible to audience because he does not openly state …show more content…
Facts and beliefs are often misunderstood by people because sometimes facts can be seen as beliefs and vice versa. However, there is an easy way to differentiate between them. In order to determine whether a statement or a story is based upon facts, derive the true meaning in the story because facts tend on not to teach anything as they are just statements that describe what actually happened. So if it does teaches one how to act, encourages one, discourages one, or sets examples on how to live, it is probably a belief. Beliefs are different from one person to another and therefore if a statement or a story teaches and emphasizes instructions it is probably a belief. Like O’Brien states, “a true war story is never moral. It does not instruct, nor encourage virtue, nor suggest models of proper human behavior, nor restrain men form doing the things men have always done” (O’Brien 316). He explains the different characteristics to look out for when differentiating between fact and lie. Understanding the difference between fact and lie can make a huge difference because it can save someone’s life. Like in Gladwell’s essay, if one was to believe that Goetz is the …show more content…
Though there can be beliefs in facts, having facts in beliefs is a little imaginary, because beliefs differ from people to people and has to consistency while facts are clear and solid statements that are made after gathering enough evidence and extensive research on that subject. According to O’Brien’s theory of a true or factious story, if a story or statement has several points that can be argued and do not teach something it can be considered as a fact otherwise as a mere belief. So since Gladwell’s story about Goetz and the four teenage boys fulfills all three requirements of O’Brien’s theory it can be concluded that Gladwell’s story is true and factious however, at some points the story within, Goetz’s story, has beliefs. Therefore proving that facts can have few beliefs that enhance the story. Having facts in beliefs is imaginary because since beliefs change from a person to person, it depends on a person on what aspect of story they want to believe on. Such as the people who gathered around for Goetz did not want to believe that he is a criminal even though that was a fact. They wanted to believe that he is a hero,
In the story of Giovanni and Lusanna Love and Marriage in Renaissance Florence written and researched by Gene Brucker, Lusanna di Benneto a widow of the artisanal class, has taken her alleged husband Giovanni to court, due to their marriage’s circumstance. The story starts out with Lusanna being married to another man named Andrea Nucci who eventually grew interest in the wealthy young Giovanni who came from a noble social class. As time wore on they eventually fell in love with one another and enjoyed all of its pleasures for a couple of years. It was later claimed by Lusanna that Giovanni had promised to marry her in the event of her husband’s death.
Dealing with the historical record can be challenging at times, especially for scholars and historians. Most information about past events have either been lost or have been tampered with over the years. Some information has also been exaggerated or some have been too vague. The chapter, “The Indiens Was Upon Us!” from Paul E. Kopperman’s book, “Braddock at the Monongahela,” is any example of how challenging it is for scholars to deal with the historical record.
Reality and Truth What is reality? Different people might have different answers to this question. Everyone has his own way to see things happen in a particular situation. Alexie’s text entitled “Because My Father Always Said That He Was the Only Indian Who Saw Jimi
Vietnam War The Vietnam War is considered one of the most controversial wars in our nation’s history for many reasons. It is also called the media war because it was the first war broadcasted and shown to the American people. This war was the longest War in the United States history and also one of the most controversial wars in history. For the brave people who served in this war, many of them did not get the respect they deserved from the nation and also many of them didn’t even want to fight in the war.
The most successful artists often employ tropes during the creative process. Tropes are the devices and conventions that a writer can reasonably rely on as being present in the viewer's minds and expectations. The famed director Steven Spielberg utilizes multiple common tropes in his 1981 film Raiders of the Lost Ark. The most pertinent tropes Spielberg included that most viewers will recognize are The Quest for Lost Treasure, The Evil Empire, and Paranormal Prophecy. The usage of such tropes may be primarily fact-based, but how meticulous the director is about purely relaying facts in the film is a question open for debate.
By definition, truth is “a verified or indisputable fact,” and knowledge is, “acquaintance or familiarity gained by sight, experience, or report.” The short story, “By the Waters of Babylon,” by Stephen Vincent Benét, is about a novice priest who travels to the “forbidden” east of his village and discovers the truth about the world he lives in. He has dreams and visions, of exploring the east throughout his incipient priesthood, which included the Place of Gods, which was full of spirits and demons from the Great Burning. In the climax of the story, the protagonist, John, discovers the truth behind the Place of Gods, and that the Great Burning was nuclear holocaust which destroyed their technology and advancements. The author’s purpose and
At first as Wright claimed that stories have authority I was not convinced, but as he continued the more I started to understand what he meant. When we are engaged in a story, we are captivated and drawn into it. Wright’s example of the officer telling a story to some troops really captured my attention. Soldiers have a difficult and dangerous task, and if they are just told to do something they will carry it out but not in a deeply passionate way. however, if they hear a story about what is happening and how they can help or solve the problem they will go and fulfill the orders with a greater desire.
(page 68). This is why Tim O’Brien writes the way he does. He wants the reader to believe his story and get a sense of what war is truly
Strength and Weakness I believe that there is no perfect work. That is to say, every work has its own flaws; Davis’s book is not an exception. It is not an obscure that Davis’s work has few flaws. First, there is an exaggeration of using conjecture; while reading the book, I have noticed that Davis says words, such as “almost certainly,” "clearly," or "must have.”
Telling a true war story can be hard to do, because soldiers are tempted to change some traumatic aspects to make the story easier to comprehend, and not so traumatic for the listener. For the readers who prefer the brutal and gruesome stories,
O’Brien differentiates between happening and seeming truths. The truth that Lemon exploded on a detonator is a happening truth. The actual reality. But the story Lemon would tell is a seeming truth. This real truth, the happening one can never reject Lemon’s seeming truth.
William K. Clifford’s “The Ethics of Belief” is an essay about justification and how we are morally required to prove our beliefs. Clifford’s theory throughout the essay was “It is wrong always, everywhere, and for anyone, to believe anything upon insufficient evidence.” Clifford thinks that it is a moral obligation for you to confirm each of your beliefs with sufficient proof, no matter how questionable or insignificant the beliefs may be. I believe he thinks this because beliefs have serious effects and consequences on others.
The three films shown to us during the module – Rashomon, Gone Girl and Memento - presents us with situations where the context of the facts changes the perception of the truth entirely. In Rashomon, we see multiple interpretations of a single event – the death of the samurai. The samurai’s death is the only event that is maintained as true, but the events surrounding his death turned out to be extremely pliable, with each character involved in it having a different version of the truth. Each character, depending on his or her background, personality, motivations or self-interest – in essence, their ‘context’, either distorts or omits facts to give their version of the truth.
The story of the shit field keeps on being told, O'Brien does not stop talking about it in the book. O'Brien says that if a story keeps on coming back, it might show that it is a true war story, "You can tell a true war story by the way it never seems to end," (72). PTSD, the effects of the story do not lessen. So it's always replaying in the mind. Like the person would never forget that one story, because he knows that it was his fault and it haunts him.
The three films, Rashomon, Gone Girl and Memento are successfully in illustrating how “History relies on facts and their context to interpret events”. I will be examining how facts alone can result in more than a single truth, and the importance of facts and its context in the interpretations of the events. Urry (1996) said that “There is no evidence that sites are uniformly read and passively accepted by visitors”, as facts could be interpreted differently based on individual perspectives. In this case, both sites and facts can refer to physical objects or actions that had taken place as both can be seen as evidence.