The Great Cat Massacre is a historical book written by Robert Darnton in 1939. Robert Darnton is an American cultural historian, academic librarian and a historian with a special interest in the eighteenth-century French History. The book is a highly authentic perspective on French social motives and practices that took place between 1697 and 1784. The book has six chapters which Darnton referred to as episodes, each dealing with a specific case study that draws to its anthropological conclusion. This paper is a critical review of this book “The Great Cat Massacre” by Robert Darnton, specifically focusing on the author’s main arguments, primary sources and persuasiveness of his arguments.
From reading all the six chapters of the book, the thesis
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The incipient chapter titled mainly draws relationship from Charles Perrault’s eighteenth century literature material. This chapter looks at how on how different European societies such as the British, French and German uses folktales different to create their specific identities. From the chapter we can identify unique aspects of folktales of the different societies, for example, the German tales are mainly characterized by bloody violence. According to Denton, the French folktales were characterized by trickery which he explains reflected the poor French people’s attempts to the 18th-century Malthusian misery. The second chapter which gives the book its title is known as “Cat Massacre.” The chapter focuses on the 18th century mass killing of cats in a printing shop in France by the apprentice. Darnton argues that this killing was a metaphor for workers revolt against capitalism that ruined their life. The capitalism in the 18th century France was tough for the normal worker in that it put a glass ceiling on upward mobility and general poor employment terms compared to the rich. This chapter reflects the popular 18th-century European tradition of torturing animal especially the cats for sport. The third chapter titled is an incredibly detailed description of the city of Montpellier by a resident of the city. The Manuscript from which Darnton wrote the essay from narrates various aspects of changing city and efforts by the residents to adapt to the changes. This chapter advances Darnton’s objective of helping the reader picture the changes in social, culture and religious organization of the society at the onset of Enlightenment era in Europe. In the fourth chapter, Darnton focuses on dossiers and letters a police inspector wrote addressing himself about famous 18th-century writers. The inspector
Greer makes it apparent that the lives of the French and Natives were interwoven and it unloads the cultures of both and how they interlaced with one another. The dual biography gives insight to the live of a Native and the lives of the French. Catherine’s biography exemplifies the struggles the Natives went through. “Death is a prominent theme in the history of the Jesuit mission to the Indians of New France,” this is why the Jesuits believed it was necessary from them to save the savages from their sins (6). Greer displays this through the examples of the priest baptizing the ill in secret in order for them to be saved.
The reader is about to encounter life-saving and brave individuals during a shocking period of history. The structure of a 1907 novel that describes Englishmen rescuing members of the French aristocracy during the Reign of Terror after the French Revolution can be examined. For example, the author uses diction and a strong choice of words to appeal to the reader’s feelings and emotions. Moreover, the author also uses pathos, ethos, and logos and supporting quotes to enhance the story. The author’s diction and use of pathos, ethos, and logos help to form a theme that pertains to the bravery of the characters in the story.
Robert Darnton’s Great Cat Massacre took place in the 1730s, and shows the angst the local journeymen had against the social system they lived in. The cat massacre was awful in its own right, but represented the disenfranchisement between the journeymen and the entrenched masters. The Cat Massacre was a sign of the changing times as the guild system of the late medieval and early, Early Modern Period when the journeymen would advance to become their own master was replaced with a monopoly system where few a masters were in control and most journeymen had no hope of advancement in society. In the Medieval period and part of the Early Modern period, workers in a trade would enter a guild as an apprentice, rise to journeymen, and finally to master to start their own workshop.
We now know that St. Bartholomew’s Massacre was the fulcrum. The tolling of the bell at Saint-Germain-l’Auxerrois on the morning of August 24th, 1572 signalled the culmination of simmering tensions that both irreparably shattered protestant-catholic relations forever, and revived lastingly effective biases and hatred on both sides of the Christian spectrum. In the aftermath of the massacre, thousands of dead Huguenots polluted the Seine, while thousands more littered the Parisian streets. Death counts ranged in estimates from 3,000 to an apocryphal 70,000. Founding itself on the antithesis of all christian values, this vile massacre was allegedly perpetrated to ensure Catholic superiority, while crippling the Huguenot Protestant party.
In Natalie Z. Davis' reconstruction of the famous case of identity theft in sixteenth-century France, following the eight-year absence Martin Guerre, for three years, Arnaud is accepted by family and friends as the authentic Martin Guerre, that is, until his dispute with his uncle and father in law Pierre Guerre over the family inheritance, essentially questioning their Basque customs. Consequently, Pierre Guerre accuses Arnaud of being an impostor, ultimately leading to a second trial in which the court condemns Arnaud to death upon the arrival of the real Martin Guerre. Concluding the case, the court declared Bertrande (Martin’s wife) and the Guerre family victims in the trial. Yet, unlike the participants of the case, Davis does not conform to the idea of Bertrande as a mere victim in the case, but rather, an accomplice motivated by love, social standing, and religion. In framing her book on The Return of Martin Guerre, Davis not only provides a chronological account of events, but also a psychological analysis and interpretation of this isolated case as a representation of the lives of the French peasantry.
In Margaret Atwood’s poem “There Was Once”, Atwood uses irony to point out the societal problems within the genre of fairy tales. Charles Perrault, the author of the short story “The Sleeping Beauty in the Wood”, writes about fantastic creatures, magic, and love, following the generic conventions of fairy tales. When compared to Perrault’s short story “The Sleeping Beauty in the Wood”, Atwood’s poem both compliments and contrasts Perrault’s. These two texts, although similar, offer different views on the genre of fairy tales. Margaret Atwood’s satirical poem, “There Was Once”, aims to disrupt the generic conventions of a traditional fairy tale.
In Montaigne’s essays, Of Cannibals and Of Coaches, he examines the way of life and culture of those in the New World, and compares them to that of Europe. Through his examination of the people of the New World, Montaigne gains a unique perspective compared to many Europeans around him at the time, in which he seems to favor the culture and people of the New World over that of Europe. Although Montaigne starts these essays with seemingly unrelated topics such as motion sickness, this is his way of preparing the reader for what he really wants to say, which is a criticism of his own culture and people of Europe. In Montaigne’s Of Cannibals, he shares information about the strange way of life of the “noble savages”.
Throughout the novel the author expresses his personal view on the French Revolution through the personification of the guillotine, a tone of uncertainty, and use of violence through oppression. The novel illustrates the story of a people able to overcome an oppressive government through the use of violence. The personification of the guillotine characterizes the chaotic nature of the revolution, by portraying a need of power often seen in the peasants. By using a tone of uncertainty the speaker warns the audience of the danger of using violent methods to overcome violence. If the peasants are not able to make peace with the aristocracy, France cannot be
In The Family Romance of the French Revolution, Lynn Hunt examines the significance of the family and politics in relation to the French Revolution. Looking at ideas of romance that transferred over into family life, Hunt is able to investigate a shift in ideology that played a part in precipitating the French Revolution. Lynn Hunt attempts to make an intervention in the historical literature of the cultural history of the French Revolution. Lynn Hunt is a historian of the French Revolution and Professor of History at University of California at Los Angeles. More broadly, Hunt is interested in the changing of ideas and political spheres in 18th century Europe.
In 18th-Century Paris, St. Andre des Art was a neighborhood situated between Rue St. Jacques and “les rues du petit Pont,” its eastern borders, and Rue Dauphine, its western border. To the south, “les rues nerve des losses S. Germain des Pres, des bosses de M. le Prince, des Franc-Bourgeois, la Place Saint Michel, [and] rue S. Hyacinthe” enclose the neighborhood (218). As religious organizations played a predominate role in shaping the culture of this neighborhood in the medieval times, its legacy has lived on and continued to influence the common people in this area in the 18th Century. Churches and convents — les Chanoines Réguliers Premontres, l’Eglise des Corderliers, couvent des Grands Augustins, la chapelle de S. Sevrein— distribute across the neighborhood and were frequented by politicians, the kings, and artists. Some churches also actively engaged in the life of the locals.
Edgar Allan Poe addresses the dark and gruesome side of human nature in his writing “The Black Cat”, which during that time and even now are perceived as radical ideas. This dark human nature is displayed in Poe’s writing as the narrator recalls the happenings of a most erratic event. The narrator, a pet lover with a sweet disposition, in this story succumbs to the most challenging aspects of human nature including that of addiction, anger, and perverseness. To the Christian believer, human’s sinful flesh leads people to do wrong because that is their natural tendency.
This essay will examine the historical accuracy of the film Les Miserables in terms of the social, economic and political conditions in French society post French Revolution. The film Les Miserables depicts an extremely interesting time in French history (from about 1815-1832.) Even though the story line does not depict every detail and event that occurred during the time period as well as the fact that some aspects are dramatized for entertainment purposes, the film effectively spans thirty years of economic, political and social aspects of French Society. However it also manages to bring in references to the past, the French Revolution (1789-1799) and the impact it had on the society portrayed in the film.
It was dominated by social antagonism between the bourgeoisie and the aristocracy. The paper aims at providing an insight into the factors that caused the French revolution and the themes that emerged during the revolution. It further explores the significance of the revolution and its significance to date towards our system of thinking and interaction. This literature also examines the French revolution and how human nature was viewed. It elaborates on how human beings can be self-interested, savage and yet socially conscious or kind.
The reading reinstates a concrete point, not to be taken frivolously. Most of the material prior to the nineteenth century is written by man of aristocratic status; cautiousness
The Song of Roland contains themes which the author uses to show the ideals of feudal society. The focus of this paper will be on loyalty, 2 of the seven deadly sins: pride and wrath and religion. All three are intricately intertwined in such a way that it shows some of the ideals in Medieval feudal society. A lord gains the loyalty and service of his knights by an oath.