Joseph Campbell’s, The Hero’s Journey, appears in the foundation of modern hero tales, such as drama, storytelling, myth, and religious rituals. The first step in The Hero’s Journey is the Departure phase, it’s where the hero has an unusual birth or early childhood and is forced to leave their everyday life to face the challenges that await them. Next, is the initiation phase, it’s where the real challenges and trials occur. The hero has a mentor or guide who gives them a special weapon or advice so that when the hero faces the darkest part, the temptation to give up or quit, they will transform and achieve their goal. Lastly, the return phase is when the hero returns home and is able to recognize the experiences the hero had in the other world. The Wizard of OZ follows the hero’s journey by showing the …show more content…
Dorothy Gale is a young girl who lives in Kansas and when a tornado hits her house gets flown through the air and is teleported into OZ. Dorothy needs to get back home to her family and needs help. Her mentor, the Good Witch of the East, tells her to go to Emerald city to talk to the wizard. On Dorothy’s adventure through the woods she meets new friends, the lion, the tin man, and the scarecrow. They all head the Emerald City together for each of their necessary needs. Secondly, In Joseph Campbell’s monomyth, the initiation phase shows in The Wizard of OZ. Dorothy needs help to get back but in her luck the Good Witch of the East shows and helps her know what to do and where to go. On her journey she comes upon the wicked witch of the west when she takes Dorothy’s dog for revenge. Dorothy has a temptation to do everything in her power to save her dog, when she finds her dog she rescues it and kills the witch. Dorothy starts back on her journey to get back home and finds a special pair of shoes she does not know are the shoes she needs to use to get
Starting off with Campbell’s first stage “The Call to Adventure”, Orwell, Allende, and Kafka illustrate this stage in their literary works. The call to adventure focuses on the beginning of the hero’s journey. The character receives some form of information which initiates the instinct to act upon what they hear. For example, the novel Nineteen Eighty-Four occurs in a time period of where the state-government and Big Brother become the only things that really matter. The protagonist Winston Smith believes against the ideology of Big Brother but fears to display his honest opinion and considers himself like no other.
In her 2005 essay, “Mary Rowlandson and the Foundational Mythology of the American Frontier Hero,” Denise MacNeil contends that Mary Rowlandson is one of the original heroes in American Literature. This claim is particularly interesting because the typical “American hero” is most often associated with a masculine character, but MacNeil suggests that one of the earliest heroes was female. She uses Joseph Campbell’s universal “heroic cycle” as evidence that Rowlandson does in fact go through the necessary stages to be qualified as a hero. MacNeil notes that in the first step of the cycle, the “hero” must be summoned from everyday life to take part in a special quest.
In our own journeys, we have come across difficult moments where we just felt like stopping simply because of reasons like afraid of failing and the anxieties of not being well prepared. At times like that, it is where we get help from people around us to prepare ourselves for what is about to come. In the 3 stories we had read and watched in this past month, The Alchemist, The Count of Monte Cristo and The Odyssey, they all contained a similarity; a cycle of a hero’s journey. The hero’s journey is a cycle where the initiate travels into the unknown, going through a similar yet different cycle that every hero goes through, accomplishing their journey. Throughout their journeys, the 3 heroes had stumbled and fallen along the way, however, due
In the story “” the author is describing the different journeys the hero has to take in order to be successful. To begin with, the author starts the story off with how the hero lives in the “Original World” and then the hero receives the “Call to action.” “The Call to Action” is a way of demonstrating the new challenge that the hero will soon face or has been asked to face. However, like any other individual the hero deals with fears that are difficult for he/she to be able to face or feel like the challenge is too big. Therefore, the hero feels that they can not handle the challenge they are faced.
I would say that Stardust is a romance and adventure story that is made in a way that captures the audience’s attention. Most love stories can bore and seem cliche, but the way that Stardust was structured made it stand out amongst the norm. The story of the film Stardust adheres to“The Hero’s Journey” and can still be considered to be a post-modern work as well. One way that supports Stardust to actually be a “Hero’s Journey” is that it uses all of the steps throughout the film. Knowing “The Hero’s Journey”, it was easy to point out the key elements while watching Stardust.
The first step from the “Departure” is “The Call to Adventure”. It’s a mistake or accident that reveals an unsuspected world to the future hero. In the text, Campbell uses a well-known fairy tale as an example of this calling. A little princess lost her beloved golden ball by accident, and then a frog suddenly appeared and offered to help her get the ball back. According to Campbell, this frog is the signal of the beginning of an adventure.
The wizard of Oz tells the tale of an orphaned teenager named Dorothy. After a horrible encounter with her neighbor Miss Gulch, who tortures her dog, Dorothy begins to dream of life what her life might be like over the rainbow. Miss Gulch displeased with how the situation turned out, showed up with an order the following day to take Toto to the sheriff and kill him. However, Toto escapes from Miss Gulch’s confinement and returns to Dorothy where the two decide to run away from home without Miss Gulch’s knowing. In the midst of their escape, a cyclone appears and carries the two to another land known as the land of Oz.
The hero represents a person’s unconscious self, one that eventually manifests into their identity. Furthermore, each hero undergoes a journey, one that takes them through the three rites of passage: separation, initiation, and return. The ideas of Joseph Campbell and psychiatrist Carl Jung combine to create a series of alluring archetypes that have been historically accurate throughout numerous books and movies. The idea of the hero’s journey is present in The Great Gatsby, To Kill a Mockingbird, and Of Mice and Men. Each of these novels communicates the physical journey in a different way, but the psychology behind each step remains relatively consistent.
The story told in The Wonderful Wizard of Oz by L. Frank Baum became widely popularized through the 1939 film adaptation. A children’s classic , Baum says in the preface that he tried to offer a modernized fairy tale. Though now old-fashioned, the book does still present a relatively progressive view, portraying gender in an unconventional and curious way. The gender roles and character relationships throughout the novel differ from the typical gender stereotypes seen in traditional children’s stories and can be viewed by the reader in different ways.
The story started off at the farm, which the main character Dorothy lives, when it was raided by the tornado. When everybody else had the tornado carried Dorothy, her beloved dog Toto, and her house to the place where the mountains live, the kingdom called Oz. Because
Attributes of a hero have remained the same over time, which is shown through Greek heroes like Hercules demonstrating the same traits as modern heroes like Batman, Superman, or Wonder Woman. One of the traits Hercules and Batman share is their passion for becoming a hero. The audience can see this characteristic during the “I Can Go The Distance” song when Hercules proclaims, “Somehow I'll be strong, I know every mile will be worth my while, I would go most anywhere to find where I belong.” Similarly, the audience can see Batman's passion each time he drops whatever he is doing, changes into his elaborate costume, and risks his life to save the city of Gotham from villains like The Joker and Bane. Another trait that Hercules shares with a
This movie can be processed just like a book can with protagonist, antagonist, type of conflict, actual problem, supported by correct initial incident, climax, and denouement. The protagonist of the story is dorothy because during the plot she encounters many problems that she has to face many which involve the witch in them. The antagonist is the witch who tries to rid of dorothy because she killed the witches sister and claimed the ruby slippers and at any chance she gets interferes with dorothy's progress toward Oz. The type of conflict in the story is person versus person because the witch constantly attacks dorothy with fire, minions, and spells to halt her path to Oz. The actual main problem is dorothy must reach Oz to wake up from her
During the 1890’s the powerful businessmen lived in either the east (New York) or the west. Dorothy meets a ‘party’ of people on her journey including a scarecrow, lion, and tin man. The scarecrow represented the farmers, the tin man represented industrial workers and the cowardly lion was said to represent the American military. The most interesting symbolism to me was the Wizard of Oz himself. In the story the wizard was only a man who tricked people into believing he was a powerful man who could grant them their wishes.
The Wonderful Wizard of Oz is an American children's novel written by author L. Frank Baum which was later turned into a movie. The novel is one of the best-known stories in American literature and has been widely translated. Although the film is especially targeted for juvenile, The Wonderful Wizard of Oz can be appreciated and enjoyed by all audience. because its is a classic, a legend, and a children’s story that will never grow old. while watching this movie, I noticed the story had a well written plot, wonderful characters development, and overall it had a wonderful message behind it.
L. Frank Baum’s The Wonderful Wizard of Oz is a light-hearted narrative commonly referred to as the “first American fairytale” (Lecture). Fairytales developed from the folktale, which began as oral literature that was passed down from one generation to the next. That being said, the stories were often acted out. It is very plausible that Baum, who was an actor and playwright himself, saw in his mind’s eye the story of Oz being acted out as he wrote it. As such, many of the scenes are quite theatrical.