Published in 2007, The Brief Wondrous Life of Oscar Wao by Junot Díaz is about an unconvincing protagonist named Oscar de León. Even though Oscar is supposedly the main character of the novel, Díaz made a very clear choice of giving other characters the spotlight to change how the book should be read by his audience. Rather than having a clear start to finish plot of Oscar Wao, Díaz chose to weave in the stories of other characters throughout the novel to give his audience a better picture and understanding of Oscar as a person. Oscar’s lack of presence may be daunting to some readers as they attempt to figure out his purpose within the book. The choice that Díaz makes when writing this novel, ultimately paints Oscar de León as the protagonist …show more content…
It is not until later in the chapter that the audience is made aware that the narrator was Lola. This shift in voice is undoubtedly a choice made by Díaz to cause confusion amongst his audience. In doing so, Díaz makes the reader think about how Lola’s perspective could give insight on the true protagonist,
Oscar. As the chapter continues, the audience begins to see Lola’s own development as a child and how it deeply contrasted Oscar’s growth. She, unlike Oscar, is often under the critique of her own mother as she grew up. It was through her mother’s discipline where she learned to go under the guise of a perfect Dominican daughter, one who would be “the one cooking, cleaning doing the wash, buying groceries, writing letters to the bank to explain why a house payment was going to be late, translating” (Díaz 56). With all the attention that Belicia Cabral was giving to Lola, she never had the time to attend to Oscar and see what he was up to.
Another way Lola de León was different was that she is extremely rebellious. As she grew older, she became tired of putting up a façade that she was the perfect child and
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She wasn’t una pendeja” (59). She had known that her mother was going to fight until her dying breath to maintain dominance over the relationship between the two. Yet, Lola would not give in because she knew that she could no longer just be the daughter of Belicia Cabral. It was important that she found her own voice.
This would be something that Oscar could never accomplish, as the reader discovers after reading the book.
Whenever the audience learns more about Lola, they are also indirectly learning about
Oscar. Díaz has masterfully created a dichotomy between the two characters as he represents one as almost an opposite of the other. While Lola is smart, responsible, hard-working, and more importantly rebellious, Oscar is lazy, unambitious, and an extremely timid person.
Although these character traits were highlighted in the first chapter of the novel, Díaz reinforces every single one of them by showing his audience the other end of the spectrum in
Lola. Even as it seems to draw the audience’s attention away from Oscar, he is still ever present in the words that are written.
In the following chapter, Díaz employs a similar method to give further
Oscar Casares created a very believable character in “Mrs. Perez” by writing about Lolas passion, bowling, and including flash backs about her younger life and family. He used these flash backs and incorporated her family to go into depth about her past, and let the readers infer why she is the way she is. The bowling ball that is repeatedly mentioned throughout the story contrast her past life. By giving her a hobby, and showing the struggles she has experienced in her past, she becomes like a real person readers empathize with. To begin with, Casares often went back in time to show her seemingly unhappy life with her now deceased husband.
Anne Dudley Bradstreet was born on March 20, 1612 in Northampton England to Mr and Mrs Thomas Dudley. At the age of sixteen, she married Simon Bradstreet and began their family. In 1630, she and her family, including her parents sailed to america on the ship Arbella.
During the movie in each run some actions that Lola makes are identical or can be seen as pre-determined while she
In Diaz’s Narration, the use of Spanish has a purpose, it shows or reveals in certain degree hints of the traditions of Latin America and the Caribbean. Taking as an example “Fiesta 1980”, Diaz uses a lot the expression “Dios mio”, “Bendición”, “Que Dios te bendiga” (Meyer 172) reflecting the religiosity of the Dominicans since 68.9 percent of the population declare to have Roman Catholic as their religion (Buffington). This shows that most of the population is devoted to a Christian religion and that represents a big part of their beliefs and traditions and even though the narration is in English these words are in Spanish to emphasize the meaning that they had for them. This is a clear example of a mix of cultures through the language. Other words that are not translated into English are “Pastelito”, “Tostones”, “Chicharrones”, “Sancocho”, “Pernil” (Meyer 175-77), these are traditional foods of Dominican people and since they have a big meaning for their culture they remain in Spanish.
Of all the characters that Diaz writes about, Lola is on the one with the most good luck, even though Lola has some bad luck moments in her life, Lola life turns out alright, it’s the people in her life that have the bad luck or fukú, so the fukú that surrounds her doesn’t attack Lola as bad as it attacks the people she loves, so Lola is more fukú adjacent. Lola early life does begin badly, Lola is sexually molested at age eight, and when she tells her mother Beli about the rape, her mother tells Lola to “shut her mouth and stop crying”. (53) But the most bad luck Lola has is her contentious relationship with her mother. Beli is the Dominican’s version of Joan Crawford, “Beli Dearest”. Beli is physically and mentally abusive to Lola.
Lola takes advantage of her deteriorating mother whose illness represents the declining hold of the norms over Lola. Since her mom “will have trouble lifting her arms over her head for the rest of her life,” Lola is no longer afraid of the “hitting” and grabbing “by the throat” (415,419). As a child of a “Old World Dominican Mother” Lola must be surrounded by traditional values and beliefs that she does not want to claim, so “as soon as she became sick” Lola says, “I saw my chance and I’m not going to pretend or apologize; I saw my chance and I eventually took it” (416). When taking the opportunity to distinguish herself from the typical “Dominican daughter” or ‘Dominican slave,” she takes a cultural norm like long hair and decides to impulsively change it (416). Lola enjoyed the “feeling in [her] blood, the rattle” that she got when she told Karen to “cut my hair” (418).
Alvarez and her family have a lot of trauma considering there lives in the dominican republic and living under the dictator,through it all alvarez's parents raised a daughter who would share their story in a fashionable matter that told the story how it was.
Mr. Junot Díaz’s paper titled “The Money” is a paper about the struggles of growing up as a Dominican, or less specifically an immigrant, in America. The paper offers a brief gimps into Mr. Díaz’s life as a young man, it shows his family structure and his neighborhood structure. It shows the type of people he had to deal with growing up and how he handled the way these people acted. The point of the text is to show how Mr. Díaz lived as a young man though one specific life experience.
Growing up, she has a strong connection with her grandfather, which slowly starts to crumble as she meets her lover, Miguel- who works against the patron. Knowing that Miguel despises her grandfather and Esteban despising Miguels “kind”, she continues to see her lover by hiding her true identity. Furthermore, she attends a university where she and Miguel share their political beliefs, going against what her grandfather believes as well. When she finally stood up to him, “Blanca, who had never had the courage to oppose her father, did not attempt to hide her smile” (371). Allende portrays Alba’s character growth through going against Esteban’s wishes, knowing that it would severely hurt him.
Esperanza’s environment shifts her identity from being an insecure child to a confident, mature young adult who realizes the decisions that adults must make. Esperanza’s response to her environment reveals an insecurity about herself early in the story. In one of Esperanza’s experiences, she finds herself ashamed
The Brief Wondrous Life of Oscar Wao ends, in what I would say, a tragic ending; Oscar Wao dies by getting shot. This would be considered as a tragic ending because the reason why he was shot was for being in love with an older prostitute by the name of Ybón Pimentel. Throughout Oscar’s life he was unfortunate with love until he finds Ybón, who is the love you his life. She is sadly not accepted but Oscar’s family and friends. They force him to end the relationship and this makes Oscar aggravated with them.
Describe the Structural and Subjective Frame of 4 scenes in Run Lola Run Tom Tykwer’s ‘Run Lola Run’ uses various filming techniques to maximise the effect on audiences. To analyse these filmic techniques, structural elements such as signs, symbols, camera angles and editing techniques will be discussed. These structural foundations are enhanced by subjective elements such as lighting to create mood, music to heighten emotion, imaginative scenes and other types of shots that will also be discussed. Through these techniques mood and emotion is created. Time controls every movement, decision and consequence in our life.
I find it great that she a has a good relationship with Oscar and that she treats him very well. Lola’s my favorite character because I also love the idea of escape. She has the desire to escape her small town and she wants to see the world. But when family problems strike, she still loves her family no matter what and she would pull
Life is a miracle; it’s a thing that can be difficult to understand. You are the one who has a responsibility to create your life, and your decisions will decide how your life will turn out. It might be hard for some people to fulfill this responsibility. Thomas Ziehe is a theorist of the postmodern society; his theory is about the individuals’ choices of life is considered by the improved reflection. Everyone has an enormous possibility trying to live and accomplish the best version of life.
Kasikhan concludes that nature is expressing double Oskar Matzerath is a parody on the concept of Goethe 's two souls (two souls) who use the same forces of nature and reason, Because a single soul, the evil spirit is observed under the domination of the national at the time. Unlike the flight and irresponsibility of the narrator towards the outside world, his responsibility is to respond to words of absences and voiceless speech in and out of the presence of websites. Then Oskar shows considerable insight into his narrative, by thoroughly searching his identity in the text, a dialogical hétérogélèse of the narrative level, where the existence of the other is not reducible. Due to such dialogism, respect for someone else 's “I”