Javier Guardia
Dr. Michael Johnmann
Cultures of America
May 28th 2015 “The Godfather, I and II”: Patterns of corruption By Anthony Ambrogio There is a case to be stated that the first two Godfathers films form the “Great American Movie” of the twentieth century. The Godfather part one was first released in 1972. On the other hand, The Godfather part two was released in 1974 to great critical acclaim. Francis Ford Coppola’s The Godfather is among one of the best films ever produced. It was consistently ranked as one of the top three films by the American film institute. In Anthony Ambrogio’s article “The godfather, I and II patterns of corruption” he talks about the
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He mentioned that the first one began with an outdoor celebration, most specifically the wedding of Vito Corleone’s daughter. Ambrogio also mentioned that while the celebration was taking place, Vito Corleone was holding a court inside taking care of personal business as he states, “ Undertaker Bonasera’s request that the Godfather avenge his daughter; godson Johnny Fontane’s request for a part in the movie.” (Ambrogio36). On the other hand, the Godfather II begins almost the same way. The new Godfather throws a gala party outdoors honoring his son first communion. Ambrogio stated that like the first movie, the godfather is also attending personal business matters. In each movie we can see that both initial scenes are almost repeated. Ambrogio also mentioned in his article that early in the first movie there is an unsuccessful attempt on the Godfather’s life and even on the II there is an attempt on the new Godfather’s life. Ambrogio stated, “Both films proceed from these points to tell tales of gang warfare and betrayal within the organization and the family”. (Ambrogio36). He clearly wants to show the reader that both films features repetition and parallels. The godfather II’s repetition of key incidents and on the other hand, Godfather I shows the longevity of crime and criminal empire in the second Corleones …show more content…
He states for example that on the second movie the attempt on Michael’s life came much earlier than Don Vito attempt on the first movie. He also mentioned that although Michaels is able to escape from his injure, Don Vito does not. In Ambrogio’s article, he explains the different levels of corruption in each of the two films as she states;” The attack on Michael is just one example of how much more corrupt everything is in The Godfather II”. (Ambrogio38). He describes Godfather less extensive and Godfather part two as more brutal as he stated. “ Godfather part one murders are all necessary as in Godfather part two murders are gratuitous”. (Ambrogio38). He later explains that the murders in part two represent an extreme from of motivation by desire on Michael’s
At the start, Bonasera is seen weeping as he recounts the story of the harm done to his daughter by the men who took advantage of her. He is frustrated and angry, as the American court system he had come to rely upon completely failed him. The men committed horrendous acts against his daughter and yet were able to walk free, which shocked him. It was because of his trust in the court system that Bonasera had not gone to the Godfather in the past for help or assistance – Bonasera wanted to live a ‘normal’ American life free of crime and risk to his family.
“Never rat on your friends, and always keep your mouth shut” (Quotes from Goodfellas, n.d.). This quote from the 1990 critically acclaimed film Goodfellas encompasses some of the main foundations the American Mafia is built upon. And although this film was a major motion picture created in Hollywood, it was based on a true story and kept most of the key aspects of the Mafia’s culture. The role that family played in each individual sect across the country was unified in the sense that it was, by far, the most important to every member of the American Mafia. In the Mafia’s prime (approximately 1920-1985), it shared enough values with the dominant American culture, while maintaining a good amount of differences, to be considered a U.S. co-culture.
The Godfather The concept of Verisimilitude seemed to fail for the most part with this movie. In numerous scenes, such as where someone or something died, the viewer watches an incredible dramatic and exaggerated performance play out before them, which is especially tough to imagine happening in their own life. Specifically, in the incident where the godfather is shot at the market, he dramatically falls onto the car, stops due to gravity, then flops over a few extra times before hitting the ground and moving again once more. I suppose the intention of the actions here are to convince the audience that he is truly and surely dead. Another example would be the famous scene with Jack Woltz, who awakened with a severed head of a horse at the
Al wanted to be the boss of the mafia so badly that he spent 4 years working up to become the boss. His goal was achieved in 1918. When Capone became the boss, he went out to celebrate in a club. Al became very drunk and of course, instigated a brawl. The two
How is the subject of death used to aid the morals of the tales in selected stories by the brothers Grimm ? It is very hard to pinpoint the origins of fairy tales, but most fairy tales and folklore are credited to the Brothers Grimm. Jacob and Wilhelm Grimm collaborated in the 19th century to right some of the most well known stories even to this day. They were responsible for the tales of Cinderella, Little Red Riding Hood, the Princess and the Frog and Sleeping beauty, only to name a few. Although, what the Grimm Brothers wrote and the stories most people know are very different.
The Godfather is a mob film focuses on the Corleone Family, with its head Vito Corleone (Marlon Brando) trying to find a suitable heir
John Gotti: The Godfather There he goes again, racketeering and committing other horrible crimes. All of John Gotti’s life, since age twelve he has done bad actions. He was working for one of the most notorious mob families in The Big Apple.
History Vs. Hollywood: The Untouchables The Untouchables is an action packed movie, set in Chicago, 1920s. Crime controls the city, the system has gone corrupt, and people are dying.
The 1920’s were a decade of success, both for the United States and its citizens. The stock market was booming, and people were becoming millionaires overnight. Buying on credit, citizens’ homes were being upgraded with new appliances such as refrigerators and radios. Anybody could own a brand new car by taking out loans and making monthly payments. The quality of everyday life was higher than it ever has been for people in the United States.
Snyder gives the example of the movie, The Godfather where the character
Goodfellas versus Casino The gangster genre of films was made popular early on in American film history with the development of sound (White 35). Some of them stick out in cinema history such as Goodfellas and Casino, both directed by Martin Scorsese. The audience discovers how greed for the ultimate American dream can tear apart the things that truly matter in life. In terms of quality, there is a lot of debate of which movie is the better view.
In both stories, the tone is different one is more of an old time tone while the other is more of a modern tone. In Godfather Death, they are in the 1800s so the way that things were done then are more of a mid-evil kind of way things happened. In this story, there was a man who had twelve children and
What Scorsese did differently was that he made male protagonists vulnerable again, just like they were in the old mobster movie days, but in a bit more realistic way Scorsese produces movies in a way that, according to Kolker, he „Determines our point of view and our emotional and intellectual attachment to the film. We are therefore, scarcely allowed any separation from what the central character is seeing. “ (218). He even does this directly by breaking the fourth wall twice in Goodfellas, and therefore making us feel as though we are the acomplices in all the things that were happening in the film. And we all know that it is very hard to judge ourselves effectively.
The Godfather (1972) is said to be one of the greatest films ever made. When this movie was released in 1972, it was nominated for Ten Academy Awards and it won three: Best Picture, Best Actor and Best Adapted Screenplay. The film was adapted from the book with the same name written by award winning author of mafia fiction, Mario Puzo. This film takes place in a span of ten years following the life of Don Corleone, the head of the Corleone Crime Family. It was a film that changed the history of cinema, introducing a very talented filmmaker and several acting legends in the telling of a story of a Sicilian Crime Family.
As a result, The Godfather ends up becoming a successful blockbuster, but it’s also artistic, and reflective of our society. The Godfather caters to both casual and critical audiences. Coppola uses graphic violence to draw in casual viewers, but he draws in critical viewers by having the film become a social critique of society. Auteur films are meant to give us a view of the world. In addition, the film draws parallels between the mafia and the police, by essentially stating that our society is corrupt.