The Matrix, a movie produced by Andy Wachowski and Lana Wachowski, was released in 1999 and utilized phenomenal late “twentieth century” computer graphics. It was a sci-fi movie that forced the viewer to ponder where the plot was headed and proposed a technological world that could be related to the very world mankind live in today. As scientifically advanced and graphically remarkable as it was, there is no mistaking Joseph Campbell’s “Heroic Cycle” rooted deeply in the main character Neo. The heroic cycle is able to be used to correlate modern “Hero’s” actions to that of ancient mythology spoken and later written thousands of years ago. Resembling a flow chart, the cycle is a step by step progression of major key plot elements that guide the Hero of a story through troubling times to utmost glory. Small variations to the cycle can be seen across the evolution of literature but at the core of every great heroic story the heroic cycle can be seen. The first step of the Heroic cycle is the introduction into the seemingly ordinary world of the Hero and the call to action of a strange quest. In …show more content…
Morpheus sets him through challenges of jumps and mobility schemes that will help Neo for the final destiny that lies before him. Neo needs to be very careful in the Matrix because if a person dies in the Matrix they die in real life too. Morpheus meets the Oracle during his training to beg for advice so that he can better accomplish his goals. The Oracle in the matrix is actually meant to represent the mythological Oracle of Delphi, however this Oracle is not characteristically known for her beauty. With the knowledge and wisdom that Neo received from the Oracle he is now ready to take on Agent Smith, who is the core enemy machine in the
The archetypes of the Hero and Hero’s Journey are repeated across many works of literature which involve the development and maturation of a previously immature character. In Homer’s The Odyssey, the characterization of Odysseus fits the hero archetype. Like a typical hero, he faces many tests and challenges on his journey, but unlike a typical hero his greatest challenge is not to defeat a monster but to reunite with his wife. He is cunning and a good strategist, making him similar to but also very different from Bilbo Baggins, from J.R.R. Tolkien’s The Hobbit.
Many people have a journey getting to a place where they would like to be but that 's with everyone else as well as heroes. A hero goes through 12 stages in their journey of becoming a hero and when returning back home. The first stage is the ordinary world. That is where the hero starts to become unaware of what is about to occur. Stage number two is the call to adventure and that is where the hero starts to realize that their life is changing as well as themselves.
Then here comes Cypher who was part of the crew that betrayed Morpheus. Morpheus was considered by the authorities to be the most dangerous man because he knows the codes to Zion. By the near end of the movie, everything that I can’t understand slowly unfolds and the answers were there all along the scene where Neo talked to the oracle; the things she said came true. I experienced my “aha” moment when I connect the prophecy of the oracle to Neo especially the moment when he know that he was the One without anyone to tell him
In the time of the ancients, heroes roamed the earth, fighting monsters and gods, and having epic journeys. The ancients, though many fictional, can always be personified by Joseph Campbell 's, Twelve Steps of a Hero 's Journey, just as current real-life people. All stories both old and new share similar structural elements with one another, the Vogler 's compose the hero 's journey. The Hero 's Journey is a narrative pattern, shown by Joseph Campbell, this pattern can be applied to all stories around the world. In fact, many of the world most famous writers and producers owe their fame to this time-tested method of writing.
When we think of heroes, often the first image that comes to mind is that of strength or power. However, most heroes also have another thing in common – they often act as intermediary figures between the human realm and the divine realm. In some cases, the hero is very close to the heavens, while in others he or she is completely mortal. However, that link almost always defines the hero in terms of what he or she wants to achieve and how he or she meets these goals. There is no better way to analyze this relationship than looking at heroes from different styles of literature – particularly the mythical hero in Prometheus, the tragic hero in Antigone and the epic heroes in Gilgamesh and Enkidu.
Throughout the entirety of The Matrix, there are a multitude of attributes that lead to the enticing plot of the movie. The Matrix demonstrates how one must accept their reality and learn to accept themselves for who they are meant to be, especially in terms of the hero 's journey. Neo struggles to cope with his introduction into his new world, which makes him question himself and his quest. Intertwined within the movie are various elements that all work together to exemplify Neo 's journey with himself as the movie progresses. The numerous attributes within The Matrix including perception, Biblical references, and fairy tales will be explored to convey how they work to build the hero 's journey in the film.
Abstract: In recent young adult urban fantasy literature, the heroic character and the heroic journey have become one of the most important elements, as supernatural and futuristic elements allow exploration of all kinds of traits and decisions that create the idealized state which heroes represent. Frequently, the protagonist is unwilling to be a champion, or is of low or timid origin. Though events are mostly beyond their control, the protagonists are thrust into points of huge importance where their caliber is proved in a number of divine and physical challenges. The several tasks presented throughout the hero’s journey transform the characters into heroes.
Traditional epic literature tells stories of legendary heroes and their journeys both physical and psychological. Homer’s ‘Iliad’ and the Anglo-Saxon ‘Beowulf’ both contain heroes who follow the hero’s journey. The Iliad is set in Bronze Age Greece and is commonly attributed to the blind poet Homer. In this period, Gods and Goddesses graced the earth serving as inspiration for the mortal man to model himself on and achieve excellence on Earth. Victory in war was the pinnacle of glory and consequently, the aspiration of many heroes.
One does not need to possess supernatural powers to be a superhero. Sometimes all it takes is a good motive and will power. A tragic past, a strong sense of justice, or anything of the such can inspire any fair being to take that path. A person described as a ‘hero’ must have certain characteristics which usually include; modesty, commitment, and mostly courage. It is the nature of epic poems to include a single or many characters that are the said ‘hero’ of the story; such is true in Homer’s
The Heroes Journey, identified by American scholar Joseph Campbell, is a pattern of narrative that describes the typical adventure of the main hero, whether that be a fiction or nonfiction hero. The first step is the call to adventure, where something shakes up the hero’s current situation and the hero starts experiencing change. Consequently, this theory is also applied to the fictional hero Odysseus in The Odyssey and the real-life hero Martin Luther King Jr., a civil rights activist. In The Odyssey, Odysseus embarks on a 10-year voyage from Troy to Ithaca and encounters many monsters along the way including a gigantic Cyclops described as “…a brute so huge, he seemed no man at all…” (9 89-90).
If you pay attention to the hero stories you or watch you will notice that each one follows an epic hero cycle. An epic hero cycle is the 12 steps that every hero goes through. After watching Hercules and reading the story of Perseus I was able to identify the 12 steps of each hero. There are few similarities between each hero's cycle however, I saw many differences as well. In greek mythology Zeus was the god of the sky and ruler of olympian gods, everyone looked up to him for his power.
When creating a story, many great minds will use a pattern to enthrall readers and shape them into a hero. Established by Joseph Campbell, The Hero 's Journey is the iconic template many utilize to plan their imaginative tale. The Hero’s Journey is the cycle in which the protagonist ventures into an unknown world where he or she will go through a series of adventures and learn moral lessons. Heroes in ancient myths such as Homer 's epic poem, The Odyssey follows this formula since the protagonist, Odysseus, faces hardships throughout different regions that ultimately change his once arrogant character. Throughout Homer 's monomyth, Odysseus undergoes challenges that teach him the importance of humility.
Morpheus is the mentor character archetype as he teaches and trains his crew. In The Matrix, Morpheus was training with Neo, saying: “What are you waiting for? You're faster than this. Don't think you are, know you are. Come on.
Throughout history, stories and epics from long ago and even today have acted as a form of rich culture to depict various characters within each story and attempt to explain occurrences in history such as the Odyssey, Gilgamesh, and The Ramayana. Although each of the heroes depicted in these tales embark on different journeys with different aims at what they hope to achieve, they all display a variety of fundamentals that make them similar to one another. It also becomes transparent that throughout each journey these hero’s must take that each of them also embarks on a transformative journey that many people of today can relate to. The Epic of Gilgamesh centers in on an ancient king of Uruk in present day Iraq. When we are first introduced to Gilgamesh, the king of Uruk, we see that he is a tyrant ruler that is one-third human, two-thirds divine and is endowed with immense strength.
Morpheus trains him to fight, believing he is “The One.” Many disagree with this, being the first obstacle, causing tension between the characters. This dichotomy of beliefs leaves the audience in suspense and engagement, as they wonder what the truth is. The Oracle tells Neo that he is not “The One.” This proves to be the ultimate plot “twist,” afs all hope seems lost.