In this essay, Author Mei Chun began with explaining a concept of the prosimetric form, which is the incorporation of verse in a prose narrative. It is also a distinctive generic feature of vernacular fiction in late imperial China. The content of this article is about examining the narrative significance of verse in Feng Menglong’s “The pearl Shirt Reecountered”. Many scholar regards verse in friction as a type of narrative redundancy or a sign or orality. However, Menglong has utilized verse space and prose space in the story.
The quick summary of Menglong’s “The Pearl Shirt Reecountered” is that Jiang Xingge and Sanqiao are a lovely couple. However, Sanqiao was seduced and ended up cheating with Chen Dalang while Xingge is away. When Xingge
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The verse often are paired lines of doggerel and regulated of five or seven characters. The first example “Clear brows and bright eyes, white teeth and red lips” (p. 29), Mei is saying verse only leave reader a vague idea of Xingge’s good look, which annuls the descriptive function of the verse and the verse’s descriptive claim is deceptive. The second example “Years ago amid tears she bade her husband farewell. Today, she cries with grief as she sees off her new love” (p.36), Mei is saying Menglong’s harshly word rebuked Sanqiao’s sincere love for her husband and the helplessness of her situation. His languages also moralist against and simply calling her a fickle woman. The third example “Husband and wife were originally birds in the same forest. When destiny determines each flies away” (p.36), Mei is saying Saoqiao is heartbroken and regretful, and even tried to commit suicide after her divorce. These three example conclude Menglong’s languages is hackneyed and low in literary because it quotes a set phrase dismissive of the true emotion between Xingge and Sanqiao. Feng Menglong’s content and method of his edification are different from traditional morality and Neo-Confucian ethics, but I’m still thinking, “The pearl Shirt Reecountered” is an interesting chapter to read because it is different from other books. I also thinks that Mei Chun doesn’t like Feng Menglong because he has two different perspectives in the prose and verse; she also mention Menglong too serious to be a mere joker because his book name was like Alarm the World or Awaken the
Xiong uses battles, executions, assassinations, and scandals to appeal to readers of any genre. Once a reader gets into the book they are hooked in the epic events of the book and the deep look into the ruling class. Unfortunately, Xiong’s novel might somewhat difficult to get into for many readers with no experience in Chinese history. Xiong also attempts to utilize dialogue that often comes off as underdeveloped or simplistic.
Balzac and the Little Chinese Seamstress, written by Dai Sijie, is set in 1971 during the China’s Cultural Revolution. The book starts with two boys, unnamed narrator and his friend Luo being sent from their hometown Chengdu to a small village in Phoenix Mountain to be “re-educated”. The book continues with them skillfully living through the harsh village life with their talent of storytelling and their western knowledge gained from books. Throughout the novel Balzac and the Little Chinese Seamstress, Dai Sijie illustrates different types of literature and how it transforms the character’s life, action and their personalities in both good and bad way. This book is one unique novel about two boys and one little girl’s transformation by the magical
In “Our Zombies, Ourselves” author James Parker speaks to moviegoers and monster fans about that slow-moving creature of horror known as the zombie. In the essay, he attempts to uncover the reason for the zombie’s sudden and extreme popularity. To do such a thing he unearths the history of the zombies in film, literature, video games, and other media, and he sheds some light on their real origins – which all lead him to the conclusion that zombies are popular because of their “ex-personhood” (345). Throughout the essay Parker uses analytic language peppered with metaphors, description, and colorful references to some of the latest and greatest depictions of zombies, which help to bring the essay and the monsters to life and keep the audience’s interest.
Jiacheng Liu Final paper (a)summary Citizen Barlow a young African-American, arrives in Pittsburgh and is part of the freed slaves. While working at the local mill, Citizen steals a can of nails. Another man is accused and choose suicide rather than face arrest and a life in which it is unfairly identified as a thief. Citizen wants to redeem his guilt for causing the death of one person and looking at Aunt Ester, whose healing powers are legendary. A 285-year-old aunt Esther lives in a house with Eli, his friend and protector, and Black Maria, a young woman wearing the clothes for a living and who Aunt Esther hopes to pass his powers.
In conclusion, American Born Chinese successfully uses plot elements to have multiple effects on readers. All three stories use parallel plots because they are different perspectives and stories put together to create a bigger story. Jin-Wang’s story uses foreshadowing by having details that relate to the Monkey King. Lastly, the Monkey King’s story uses conflict and keeps the readers wanting to know how the conflict is dealt with. All three plot elements were successfully used to create emotions within the
In the words of Jing-Mei in the last line of the story, “Together we look like our mother. Her same eyes, her same mouth, open in surprise to see, at last, her long-cherished wish” (Tan 159). Throughout her life, Suyuan, their mother, held onto the hope that she would see her daughters again. In this hope, she named Jing-Mei in connection to her sisters, keeping the “long-cherished wish” that someday her daughters would reconcile and complete their family circle. The occasion that
A Contrastive Study of the Two English Versions of Camel XiangZi from the Perspective of the Amplification and Omission. This chapter is the introduction of this thesis, which mainly discusses the research background, significance of the study, research questions, research method and thesis framework. 1.1 Research Background Camel XianZi is a representative work of Mr. Lao She, which was written in 1936 in Qingdao. From the beginning of creation,LaoShe has always been teaching as his official job,writing as a sideline.
The novel ‘Balzac and the Little Chinese Seamstress’ explores the transformative power of literature as a central theme. The power of literature is most evident in the character, the little Chinese seamstress. In the first part of the novel, the seamstress hasn’t been exposed to any books in her life. Therefore, her actions and appearances are not influenced by literature.
The Significance of Female Figures in Love in a Fallen City " In 1918, Lu Xun asserted that whenever the country seemed on the verge of collapse, Chinese men would thrust their women forward as sacrificial victims to obscure their own cowardice and helplessness in the face of the onslaught of aggressors and rebels" (Louie 15). Eileen Chang critiques the social status of females during the transitional period before the modern era in China throughout her novella Love in a Fallen City. Eileen Chang was influenced by the New Culture Movement in China, which promoted gender equality and education. Also, Eileen Chang 's mother who was a "self-possessed, westward-learning" (Zhang xi) female, enormously impacted her philosophy thoughts.
This passage tells of the unsuccessful journey that Suyuan and her new husband go on a search for the babies. It demonstrates how attached a family is in Chinese
In Duong Thu Huong’s Paradise of the Blind, Hang has been placed on a path of self-sacrifice and duty by her family. Her life unfolds in stages- childhood, young adulthood, and her eventual role as an exported worker in Russia. With each of these shifts in her life comes a shift in setting and a shift in her emotional state. Hang’s changing emotional state depicts her “coming of age” and her growth as a character. Setting is important to creation of shift in the novel, and is often described in detail.
Dai Sijie is the Chinese author, who opposites side of the government of China during the Cultural Revolution, which is his childhood that he has to go to be re-educated by poor peasants. The setting of this book, Balzac and the Little Chinese Seamstress, is the re-education at that time, and the main characters of this book, Luo and Ma, are re-educated students like Sijie. He uses these literary elements to reveal political or social issues about the social class by the education difference, the area of living, and desire to read. In the Sijie’s book, the characters’ traits are used to explore the education difference because the villagers, who live in the Phoenix of Mountain, learn how they survive by farming and mining rather than reading and writing.
One dynamic that false expectation strains is the relationship between Suyuan and her daughter Jing-Mei. In a vignette told from the perspective of the latter, Suyuan has the notion that Jing-Mei should be able to perform something at the level of a prodigy. She begins
However, this determination sometimes appears to be obsessive to the point of running her daughter’s life for her. Regardless, she is only trying to help, as she encourages Jing Mei by asserting “‘You can be best anything.’” (1). Because of this, it suggests that although she is very harsh on her daughter at times, it is only to make sure that Jing Mei can use her full potential and not end up losing everything like her
Critical Analysis “Comment Wang-Fô fut sauvé” by Marguerite Yourcenar The text that I have decided to study is “Comment Wang-Fô fut sauvé” by Marguerite Yourcenar. The extract is located after the first paragraph at the beginning of the story. We are introduced to the characters Ling, Ling’s wife and Wang-Fô .