I chose The Royal Tenenbaums for analyzing in my semester project paper. It is a comedy film directed by Wes Anderson released in 2001. Film is created around a distorted family and their relationships. Father lefts the family and starts to live in a hotel for a long time. To extinguish his family’s hatred to him, he makes up a story with he has cancer and he is going to die. I will be analyzing the mise-en-scene and narrative from the movie. I selected the opening (establishing) scene of the movie for further analyze. In Wes Anderson movies the main genre is comedy. He combines comedy with absurdity and melancholia. Most characters have some insecurities, obsessions and oddity. Narrative rhythms are very precipitous and the visual side of his movies pull up with …show more content…
I chose to analyze the first 6 seconds approximately which I think recapitulate the Wes Anderson thinking about the cinema. Within these 6 minutes, Anderson introduces the characters to us, briefly tells their past life, clears characters’s goals and unites it to the further part of the movie. As audience, we can understand what we can expect from the movie after this 6 minutes establishing. The movies starts with the production studio’s logos and etc. Then we see the narrator opens a book called “The Royal Tenenbaums”. (1) Next to the book there is the library stamp which gives a hint that this book belongs to a library; a symbolic way of saying this a classic/retro story which narrator is going to tell. Narrator stamps the book and the story begins. Then we see plate between two candelabras which is perfectly symmetrical. Next to the plate there is a mouse shifts the balance to left but not ruining the symmetry which I think Anderson put it for an absurd purpose. In the plate there is a card which says “cordially request the pleasure of the company at home” (Anderson 2001) meaning this movie is an invitation to the audience as it is a wedding or a
“Three Kings” (“Es ist schoen Koenig zu sein”) is a 1999 war film written and directed by David O. Russell. It tells the story of four American soldiers in the immediate aftermath of “Operation Desert Storm” in Kuwait and Iraq, as they scheme to find a secret trove of stolen Iraqi gold. While the film contains unique filmmaking and narrative techniques, it has clear signs marking it as a traditional American three-act film. In the first act (Set-up in Syd Field’s “Paradigm”), we see the exposition of the film.
The 2006 British film “The Queen” depicts events that unfolded after the death of Princess Diana in 1997. In the film, the British Royal Family did not react the way the public expected them to. Due to their lack of grief that was publicly shown towards Princess Diana’s death, it resulted in their actions being heavily criticised by British media and the public. Newly elected Prime Minister, Tony Blair, had to step in to help the Royal Family deal with their bad relations to the public, with the help of Diana’s ex-husband, Prince Charles. From the in-depth movie analysis, this essay will be able to show that the media is able to influence the people and their stance towards certain topics by applying these media theories: agenda setting through gatekeeping, dramatization, and two-step flow of communication.
How do the directors, The Duffer Brothers, use film techniques to create suspense throughout Episode One? Set in the fictional town of Hawkins, Indiana, The Duffer Brothers use film techniques and supernatural theme surrounding the disappearance of Will Byres to create a sense of panic, fear and fascination throughout Stranger Things. This is when the audience becomes curious of where Will disappears to, and when Eleven escapes from the government while leaving behind two dead men. The audience becomes emotionally invested with the show through 80s nostalgic references, specifically to an old rotary phone hung on the wall and the reference to E.T the Extra Terrestrial when Mike and Nancy fight at the breakfast table. The Duffers bewilder
One must find the influence and the aid of others to overcome challenges. The movie and book “Wonder” directed Stephen Chobosky by composed by R.J Palacio is a story about a boy named August Pullman who has a face deformity called Treacher Collins Syndrome. This causes his face to be irregular and look different compared to others. Auggie is starting his first day of school after being home school by his mother. As Auggie walked in the school, people were walking away and avoiding being near him.
Mise-en-scéne is crucial to classical Hollywood as it defined an era ‘that in its primary sense and effect, shows us something; it is a means of display. ' (Martin 2014, p.XV). Billy Wilder 's Sunset Boulevard (Wilder 1950) will be analysed and explored with its techniques and styles of mise-en-scéne and how this aspect of filmmaking establishes together as a cohesive whole with the narrative themes as classical Hollywood storytelling. Features of the film 's sense of space and time, setting, motifs, characters, and character goals will be explored and how they affect the characterisation, structure, and three-act organisation.
This essay will discuss how the film uses these two techniques, in reference to the film, and to what ideological and political ends are the techniques used in the films with specific references from the film to support the argument. A Man with a Movie Camera is based around one man who travels around the city to capture various moments and everyday
The 1995 film adaptation of Sense and Sensibility, directed by Ang Lee and originally written by Jane Austen, has timeless elements in its composition. Starring Emma Thompson, also the screenwriter, and Kate Winslet as Elinor and Marianne Dashwood, the movie tells of two heroines and their struggle between balancing idealism and reality. As young, female adolescents of the 1800s, they are responsible for finding husbands that can support them financially; and following their father’s death and loss of money, this becomes even more emphasized. But, they come to struggle when having to choose between what their hearts crave, and what their minds know is best. Elinor’s ideal partner is the initially dull Edward Ferrars, who is discovered to be secretly engaged
This shows the present to which gives an introduction of where and how these two brothers started within the story. As the film is produced in the year 2000s, frankly speaking, its quality is way better than the past films that I have seen in class. Moreover, the effects were much more advanced and realistic wherein the connection with the audience is being enhanced. The film somehow relates with the first few films since it is historical and war-related which is the common theme used in the beginning.
The mood of the movie at this point shifts from dark and solemn to alive and talkative. The active dialogue and intonation used by the actors made the storyline interesting. For example, the news reporters exemplified the very image of a news reporter back in the day: curious, chatty, and amusing. Their somewhat boisterous nature is countered by unconventional lighting, as the audience hears their conversation but sees mostly shadows or just glimpses of their faces.
S. Porter in 1920, and serves as a perfect illustration for Gunning’s examples on Aesthetic of astonishment. This movie retells what happened during that period of time, when movie is first introduced. The naive reactions of early audience are shown here when people were shown clips of movies with no narrative-- purely “cinema of attraction” where the film main function is to attract audience as an attraction without narrative. Uncle Josh is a representative of how the audience should not have reacted; his reactions to the clips are exaggerated, but clearly demonstrate how early cinema audiences reacted to films when they first watched them. The beginning of the film is showing uncle Josh watching Parisian Dance, a dancing
O Brother Where Art Thou? is a film that will take you on a perilous journey with Ulysses Everett McGill and his simpleminded cohorts. This film may be set amidst the early 1930’s Great Depression era, but it still has a Homer’s Odyssey feel to it. Down in the dusty and highly racial south, Everett recruits a couple of dimwitted convicts, Pete Hogwallop and Delmar O’Donnell, to help him retrieve his lost treasure and make it back home before his wife marries another suitor.
Throughout life we are told to express our individuality and swim against the stream of the general population to put emphasis on the characteristics that make us, in short, individuals. Cherishing what makes an individual special and different is what establishes roots in creativity and self expression, however there is a forced false sense of comradery in today’s society that takes the form of involvement with the masses; peer pressure forces many people to fall into the mold of an average character. The Academy award winning film, “The Incredibles” displays the themes of expressing one’s true self and special qualities, and in contrast repression by society to fit a basic mold. These themes are elaborated on through the development of the main characters and expressed further through the supporting roles and their dialogue and endeavors.
The most apparent themes in this film are loneliness and isolation. Based on the cinematography, it is evident that wide shots of the characters occupy a small space alone or an extremely large space with many people who are completely unaware of their existence. Both of these things work to portray the idea that Murray's character, Bob, and Johansson's character, Charlotte, are lonely, isolated, and missing something. The director also uses the concept of balance to pass the message on the emotional state of the characters.
The Grand Budapest Hotel This movie is a narrative, but more specifically it’s genres are drama/comedy. It follows the typical conventions of drama with its dysfunctional families and arguments that uniquely escalate to darker crime and murder scenes, which envelop themselves within the entirety of the plot. Wes Anderson was also able to unconventionally tell his narrative of ‘a story within a story within a story within a story’ rather than the typical singular inner story of many films. This is shown nearly right away as “The Author” narrates his story of how Monsieur Jean meets the owner of the hotel, Zero. Jean then describes his meeting with Zero, who then tells the whole story of how he came to be owner of The Budapest through his long
Wes Anderson is a very well-known and established director in his field. Over the years, Anderson has developed a unique style of film and a basic formula for how each film will look in the end. The film The Grand Budapest Hotel showcases a lot of Anderson quirks from the vibrant colors to the tiny miniatures that he used to show the landscape. The Grand Budapest Hotel is uniquely Wes Andersons and really showcases his style.